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Professional Audio Shop Established Since 1996
Side-address cardioid condenser microphone delivers excellent sound for a variety of applications Features include rejection of unwanted noise and an updated industrial design with a black, metallic finish and grille. Includes stand and pouch.
The PGA181 is a side-address cardioid condenser microphone with a smooth frequency response and highly durable construction that delivers excellent sound. Extremely versatile, the PGA181 is a go-to mic for use with a wide range of applications, including acoustic and amplified instruments, vocals and live rehearsal, recording and performance.
Cables |
Use only balanced (three-conductor) cables. Otherwise, the cable will not carry phantom power to the microphone. If using an adapter for 6.5mm (1/4") inputs, it must have tip-ring-sleeve (TRS) contacts. |
Computer |
To deliver audio directly to a computer, use a USB audio interface with an XLR microphone input that provides +48V phantom power, such as the Shure MVi.
Connecting to a computer using the Shure MVi audio interface |
Mixer |
When connecting to a mixer, use only balanced, microphone-level inputs with phantom power. Most mixers have a switch for phantom power, so make sure phantom power is on for that channel.
|
All condenser microphones require phantom power to operate. This microphone performs best with a 48 V DC supply (IEC-61938), but it can operate with lower voltages.
Phantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. In most cases, there is a switch or button to activate the phantom power. See the user guide for the mixer or interface for additional information.
The front of the microphone is marked by several indicators: four screws around the grille, the cardioid logo, and the PGA181 model number. Position this side toward the sound source.
The following table provides a basic starting point for several instruments. Shure offers additional educational publications on microphone placement and recording techniques. Visit www.shure.com for more information.
Application | Distance from source | Tips |
---|---|---|
Voice | 1-3 inches (2-8 cm) | Use a pop filter (Shure PS-6) to prevent plosives. |
Acoustic guitar | 6-12 inches (15-30 cm) | Place near the sound hole for a full sound, or near the 12th fret for a balanced, natural sound. |
Drums | 3-6 feet (1-2 m) | Place in front of the drum kit to capture more of the kick drum, or as an overhead (above the kit, facing down) to capture more cymbals. Consider using additional Shure microphones placed on individual drums for more mixing flexibility and a thicker sound. |
Amplifiers | 1-6 inches (2-15 cm) | Aim towards the center of the speaker for a clear, aggressive sound, or towards the edge of the speaker for a mellow sound. |
Strings or horns | 1-6 feet (30 cm - 2 m) | For a single instrument, place the microphone close to the source. For a horn or string section, arrange players at an equal distance from the microphone. |
Full band | 3-10 feet (1-3 m) | Face the microphone towards the group, centered between instruments. |
Tip: Close microphone placement results in a full sound due to the proximity effect. Placing the microphone farther from the source results in more room ambience.
Electret Condenser
Cardioid
50 to 20,000 Hz
at 1 kHz, open circuit voltage
120 Ω, actual
at 1 kHz, open circuit voltage
-38 dBV/Pa [1] (12.7 mV)
1 kHz at 1% THD, 1 kΩ load
138 dB SPL
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Three-pin professional audio (XLR), male
383 g (0.8 lbs)
Cast Zinc
48 V DC phantom power (4 mA)
[1] 1 Pa=94 dB SPL
Frequency Response
Polar Pattern
We have a 30-day return policy, which means you have 30 days after receiving your item to request a return.
To be eligible for a return, your item must be in the same condition that you received it, unused, with all accessories and in its original packaging. You’ll also need the receipt or proof of purchase.
To start a return, you can contact us at boutique@seconcept.com. If your return is accepted, we’ll send you a return shipping label (at your expenses) as well as instructions on how and where to send your package back. Items sent back to us without first requesting a return will not be accepted and not refunded.
You can always contact us for any questions prior to purchase by email at: boutique@seconcept.com.
Damages and issues
Please inspect your order upon reception and contact us immediately if the item is defective, damaged or if you receive the wrong item, so that we can evaluate the issue and make it right.
Exceptions / non-returnable items
All Returns must contain all associated packaging and materials (ie accessories, manuals, wires, etc). Merchandise that is not returned in brand-new condition, including damages, abuse, marks, showing wear, or with missing packaging or accessories, will be subject to additional charges. Shipping and Handling charges (delivery and return) are non-refundable, including any shipping fees not directly incurred that are part of a free shipping promotion. Any items packaged with software, including but not limited to, DJ Controllers, Audio Interfaces, etc., must be returned with the original software disc including serial number and proof of deactivation.
We cannot accept returns on liquidation, special orders, liquid, needles, parts, used, sales, open box item or gift cards.
Exchanges
The fastest way to ensure you get what you want is to return the item you have, and once the return is accepted, make a separate purchase for the new item.
Refunds
We will notify you once we’ve received and inspected your return, and let you know if the refund was approved or not. If approved, you’ll be automatically refunded on your original payment method. Please remember it can take some time for your bank or credit card company to process and post the refund too.
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Side-address cardioid condenser microphone delivers excellent sound for a variety of applications Features include rejection of unwanted noise and an updated industrial design with a black, metallic finish and grille. Includes stand and pouch.
The PGA181 is a side-address cardioid condenser microphone with a smooth frequency response and highly durable construction that delivers excellent sound. Extremely versatile, the PGA181 is a go-to mic for use with a wide range of applications, including acoustic and amplified instruments, vocals and live rehearsal, recording and performance.
Cables |
Use only balanced (three-conductor) cables. Otherwise, the cable will not carry phantom power to the microphone. If using an adapter for 6.5mm (1/4") inputs, it must have tip-ring-sleeve (TRS) contacts. |
Computer |
To deliver audio directly to a computer, use a USB audio interface with an XLR microphone input that provides +48V phantom power, such as the Shure MVi.
Connecting to a computer using the Shure MVi audio interface |
Mixer |
When connecting to a mixer, use only balanced, microphone-level inputs with phantom power. Most mixers have a switch for phantom power, so make sure phantom power is on for that channel.
|
All condenser microphones require phantom power to operate. This microphone performs best with a 48 V DC supply (IEC-61938), but it can operate with lower voltages.
Phantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a balanced microphone cable: XLR-to-XLR or XLR-to-TRS. In most cases, there is a switch or button to activate the phantom power. See the user guide for the mixer or interface for additional information.
The front of the microphone is marked by several indicators: four screws around the grille, the cardioid logo, and the PGA181 model number. Position this side toward the sound source.
The following table provides a basic starting point for several instruments. Shure offers additional educational publications on microphone placement and recording techniques. Visit www.shure.com for more information.
Application | Distance from source | Tips |
---|---|---|
Voice | 1-3 inches (2-8 cm) | Use a pop filter (Shure PS-6) to prevent plosives. |
Acoustic guitar | 6-12 inches (15-30 cm) | Place near the sound hole for a full sound, or near the 12th fret for a balanced, natural sound. |
Drums | 3-6 feet (1-2 m) | Place in front of the drum kit to capture more of the kick drum, or as an overhead (above the kit, facing down) to capture more cymbals. Consider using additional Shure microphones placed on individual drums for more mixing flexibility and a thicker sound. |
Amplifiers | 1-6 inches (2-15 cm) | Aim towards the center of the speaker for a clear, aggressive sound, or towards the edge of the speaker for a mellow sound. |
Strings or horns | 1-6 feet (30 cm - 2 m) | For a single instrument, place the microphone close to the source. For a horn or string section, arrange players at an equal distance from the microphone. |
Full band | 3-10 feet (1-3 m) | Face the microphone towards the group, centered between instruments. |
Tip: Close microphone placement results in a full sound due to the proximity effect. Placing the microphone farther from the source results in more room ambience.
Electret Condenser
Cardioid
50 to 20,000 Hz
at 1 kHz, open circuit voltage
120 Ω, actual
at 1 kHz, open circuit voltage
-38 dBV/Pa [1] (12.7 mV)
1 kHz at 1% THD, 1 kΩ load
138 dB SPL
Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3
Three-pin professional audio (XLR), male
383 g (0.8 lbs)
Cast Zinc
48 V DC phantom power (4 mA)
[1] 1 Pa=94 dB SPL
Frequency Response
Polar Pattern
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