{"product_id":"tfrack","title":"YAMAHA TF-RACK - Rackmount mixer 40 mixer","description":"\u003ch2\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/QCaQlMO124c\" height=\"270\" width=\"480\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003eGroundbreaking TF Series TouchFlow Operation trade, in Rack-mount Form\u003c\/h2\u003e\n\u003cp\u003eEver since the first Yamaha digital mixer was released in 1987, the company has been a leader in digital mixer innovation for a wide range of applications. For small events and halls, large-scale outdoor concerts, music production, commercial installations and more, Yamaha offers a comprehensive lineup that delivers world-renowned sonic quality, operability, functionality and reliability.\u003c\/p\u003e\n\u003cp\u003eTF Series digital mixing consoles released in 2015 offer TouchFlow Operation, which allows the user to respond to the music and artists on stage with unprecedented speed and freedom, taking live sound reinforcement to a new level of refinement. With the TouchFlow Operation interface optimized for touch panel control, experienced engineers as well as newcomers to the field will find it easier than ever to achieve the ideal mix. Recallable D-PRE, preamplifiers support sound quality that will satisfy the most discerning professional ears, while advanced live recording features and seamless operation with high-performance I\/O racks give these compact digital mixers capabilities that make them outstanding choices for a wide range of applications.\u003c\/p\u003e\n\u003cp\u003eThe new TF-RACK is a compact rack-mount version of the TF Series, offering the same levels of performance and groundbreaking operability. This space-saving model is accessible to a wide range of users, from beginners to seasoned engineers. The TF-RACK is an unbeatable choice when smooth, intuitive setup and operation is required in limited spaces.\u003c\/p\u003e\n\u003ch3\u003eTF-RACKDigital Mixer\u003c\/h3\u003e\n\u003cp\u003eTF-RACK is a compact rack-mount version of the TF Series digital mixing consoles, offering the same levels of performance and groundbreaking operability.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAll-in-One rack-style digital mixer\u003c\/li\u003e\n\u003cli\u003eInputs: 16 mic\/line (XLR\/TRS combo) + 1 stereo line (RCA pin)\u003c\/li\u003e\n\u003cli\u003eOutput: 16 (8 XLR + 8 TRS phone)\u003c\/li\u003e\n\u003cli\u003eChannels: 40 (32 mono + 2 stereo + 2 return)\u003c\/li\u003e\n\u003cli\u003eAux Buses: 20 (8 mono + 6 stereo)\u003c\/li\u003e\n\u003cli\u003eStereo Buses: 1\u003c\/li\u003e\n\u003cli\u003eSub Buses: 1\u003c\/li\u003e\n\u003cli\u003eDimensions(WxHxD): 480 mm (18-7\/8 in) x 132 mm (5-1\/4 in) x 409 mm (16-1\/8 in)\u003c\/li\u003e\n\u003cli\u003eNet weight: 9.2 kg (20.3lb)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e16 mic\/line + 1 stereo line Input, 16-Output. Intuitive and smooth all-in-one rack-style digital mixer\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/tf_001_1200x400_950c223f785db69dd569b18f98fead61.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTF-RACK offers all-in-one mixing and processing capability for small to medium scale live sound, corporate speech events, installations and much more. It packs intuitive user interface, natural control flow, digital effects\/processing units and many shortcuts to great sound into a compact, portable rack-style unit.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eScene memory that stores mix settings for instant recall\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/DF011BF2A126411C8C77923C8D03754D_12074_320x240_43a1919a6086bf5ee2334aafb6ce3723.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe scene memory features banks A and B, each capable of holding up to 100 scenes. Thats a total of 200 scenes that can be set up and instantly recalled whenever needed. A number of scenes are pre-programmed to give users a head start: scenes with the 1-knob COMP and 1-knob EQ controls engaged for the easiest possible operation, and scenes with the 1-knob features disabled for experienced engineers who might want to follow an established procedure. The banks are great for organizing different types of scenes: one for scenes categorized by music type, and the other by event type, for example.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e1-knob COMP 1-knob EQ, One Knob to Dial In the Ideal Sound\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/719DAA718A284F83A996F2F4857B1EAA_12074_320x405_6f40ef8a0207c209ad90c63c840bb8f3.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eAn experienced engineer can do a lot with a compressor: bring a guitar to life, add punch to bass, tighten up a snare, and make vocals ride clearly on the mix. The 1-knob COMP can do all of this quickly and easily, without the need to juggle multiple parameters to achieve the desired effect. Originally introduced in Yamaha analog mixers, the 1-knob COMP quickly became a popular and valued feature. It has now been further refined in a digital version that adds new setup ease and efficiency to the TF consoles.\u003c\/p\u003e\n\u003cp\u003eThe same concept has been applied in a new 1-knob EQ feature that provides notably improved speed and smooth operation. 1-knob EQ has been painstakingly fine-tuned by Yamaha RD staff in cooperation with distinguished sound engineers, to ensure that you can achieve outstanding results with minimum effort in the shortest possible time. A Vocal Mode makes it easier than ever to achieve a clear, well defined vocal sound, while an Intensity Mode offers 1-knob intensity control over EQ curves you either select from the presets or create from scratch.\u003c\/p\u003e\n\u003cp\u003eBut theres more: the 1-knob COMP and 1-knob EQ are provided on the output channels too, so you can quickly achieve overall output compression or EQ that ideally matches the room and audience size. The output 1-knob EQ has a Loudness Mode in place of the Vocal Mode, effectively increasing the sound pressure level while maintaining optimum sound as you rotate the knob. Both the 1-knob COMP and 1-knob EQ provide quick access to the full compressor and EQ displays, so you can fine tune settings as required.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eQuickPro Presets, Provide Instant Access to Pro Sound Setups\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/F769858A9D194B9CA011E72022854FCC_12074_320x240_ced4f9f23238107afefdee33df3d2a8b.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Yamaha RD team developed a selection of optimized QuickPro Presets, for a wide variety of microphones and output equipment by working in collaboration with well-respected engineers and major microphone manufacturers such as Audio-Technica, Sennheiser and Shure. With these practical presets even the novice engineer can get very close to the ideal sound, while experienced engineers will appreciate the significant time savings. For input channels we prepared more than 100 presets that range from vocals to drum sets. All the presets were precisely tuned by using a wide range of actual microphones and instruments. For output channels we developed presets for a variety of speaker systems and in-ear monitors with several variations to match different environments and room sizes. All of these can be used as is when time is tight, but they are also great starting points for manual fine tuning. Setups created from the presets or from scratch can be saved as additional presets too. The 1-knob EQ and 1-knob COMP can be used with QuickPro Presets  , providing a super-streamlined way to tweak your sound. In addition to the onboard presets, new QuickPro Presets, will be added to the Yamaha Pro Audio website, so be sure to check for updates.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eA Natural Sound Foundation with Extra Creative Freedom\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/tf_002_1200x400_d2bff27394fc70b1ac09e5a34951ff67.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eFaithful reproduction of the on-stage sound is the foundation, then creativity can take over. Yamaha unswerving approach to live sound reinforcement is alive and well in the TF series. The input stage of any console has a notable effect on its sonic character. The TF consoles feature acclaimed D-PRE, microphone preamplifiers that not only deliver outstanding quality, but are recallable as well. Circuitry and individual components have been reassessed and redesigned where necessary to achieve extraordinarily pure, natural sound. That solid sonic foundation is backed up by an updated selection of high-performance processors and effects. Input and output channel processors such as EQ, gates and compressors are complemented by eight processors that provide a broad spectrum of creative capabilities.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eRecallable D-PRE Microphone Preamplifiers\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/DAA80C951A974E3FA053942D60F07612_12074_320x298_2145c6267e5acc3a26d4b643867e0236.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe TF series consoles feature new recallable versions of Yamaha acclaimed D-PRE microphone preamplifier. The preamplifiers, or head amplifiers in any console play a significant role in defining the sound of the final mix, so Yamaha engineers spared no effort in developing and refining the D-PRE design to ensure that every nuance and subtlety of the original signal is effectively captured. The circuit is based on a discrete inverted Darlington pair configuration that achieves clean, precise amplification with consistently low noise and distortion at all signal levels. While some microphone preamps are built specifically to impart a unique character of their own, the D-PRE preamplifier has been painstakingly designed with a flat, wide frequency response that retains the tone and nuance of the original sound so that the essence of the performer art is captured intact.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e8 Powerful Processing\/Effect Units and More\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/A288696C3113433796F293DD828EC746_12074_320x240_af284bb43d32e5fb0038aa481c692c4a.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to channel processors, TF consoles feature eight powerful processing\/effect units. All the units feature the same type of SPX processors that have become standards in recording and live sound applications, offering 19 programs ranging from reverb and delay, through modulation effects such as flanger and chorus, to multiband compression.\u003c\/p\u003e\n\u003cp\u003eWith two units of global FX the panel EDIT key opens the effect parameter display where detailed parameters can be adjusted instantly. The remaining six Ins FX are available in the AUX 9\/10~19\/20 master channels for additional signal control i.e. managing levels for in-ear monitoring, or controlling output delay for remotely located speakers using a delay. If more than two Global FX units are required, these Ins effects can be used as additional SEND\/ RETURN effects by assigning them to the main stereo bus.\u003c\/p\u003e\n\u003cp\u003eThe AUX 1~8 buses and main output channels include the same 4-band parametric EQ as provided on the input channels, plus 31-band Flex12 GEQ. Both types of EQ are invaluable for optimizing speaker response and eliminating feedback. These GEQ can also be assigned to the physical faders for more detailed fine tuning.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eRevolutionary Dan Dugan Automatic Mixer Built In\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/feature_mixers_tfv35_dugan_400x221_ab84ea080dee469e184f450943cbf81f.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eCompact system for conference\/corporate events\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/system_mixers_tf_rack_04_s_400x368_05f864aa788e3639edc9b81d387d3f99.jpg\" alt=\"Compact system for conference\/corporate events\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe compact TF-RACK is perfect for applications that require space-saving sound systems such as conferences or corporate events. Since TF-RACK is a rack-mountable mixer it will provide you with a simple and discreet sound system.\u003c\/p\u003e\n\u003cp\u003eThe eight Dugan channels of the TF-RACK provide the smarter, more elegant solution for speech applications. When the Dugan automixer is used, it automatically raises the gain of the active microphone inputs while lowering the gain of the inactive microphone inputs to create a consistent overall mix level. This eliminates the need for complex fader operation during presentations or panel discussions. Advanced Dugan automatic mixing algorithms also maintain a safe feedback margin, ensuring high quality, high clarity sound at all times.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eApplications that Work Seamlessly with the Console\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/tf_003_1200x400_0ab6c0717686ea223d3204bfbb9c6d11.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eSeparate software applications that allow wireless mixing, personal monitor mixing or offline setup of digital live mixing consoles have become fairly common.\u003c\/p\u003e\n\u003cp\u003eThe TF series goes a step further with three dedicated apps: TF Editor, TF StageMix and MonitorMix. These apps feature user interfaces which seamlessly extend the console on any device.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eTF Editor Facilitates Offline Editing Plus Showtime Control\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/A79903286BED42E78451841A6A43D015_12074_320x225_c84eee8dc75592eff760b7a762de123d.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe TF Editor application for Windows and Mac computers provides a complete interface for offline editing and setup of TF consoles, with scene and preset management capabilities plus convenient keyboard entry of channel names.\u003c\/p\u003e\n\u003cp\u003eIn addition to being able to set up the console offline at any convenient location and time, the TF Editor can be used online at the same time as the TF StageMix and MonitorMix applications. A Windows 8 PC with a multi-touch screen can use the same gestures as on the console itself. And if using Wi-Fi, a PC can function as a convenient remote-mixing device. Up to three devices running TF Editor or StageMix can be connected at the same time.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eTF StageMix for Wireless Mixing\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/F1B05EBCE86144118AB821BA99D7E4FA_12074_320x225_d2a78c2683537a575a9afc4b064c6c4a.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTF StageMix is an iPad application that provides wireless control of TF series consoles, allowing remote mixing from audience seating, in front of floor monitors, or any other listening position. It can also be used at the console as an extension of the consoles own interface. The TF StageMix interface is designed for similar operation and flow to the console display, making it easier than ever to refine the mix from any location.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003ePersonal Monitoring with MonitorMix\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/F99DCFE8B7A6470FAC819A4471D59EF2_12074_320x225_7a6c08217fc96c49d9fcfd52cb64dd3f.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe MonitorMix application for the TF Series allows individual wireless AUX mixing from up to 10 iPhone, iPad or iPod touch devices simultaneously. Each performer can have convenient control over the AUX buses assigned to them, without having to deal with complex settings or parameters. They can also create personal Group settings for even easier adjustment: all levels on just one fader, for example. Since up to three devices running TF Editor or StageMix and up to 10 devices running MonitorMix can be connected at the same time, even large bands can have the personal control they need, reducing demands on the sound engineer.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eSmart Looks and Flexible Design for Custom Control Panels\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/feature_peripherals_pvt_v2_01_400x150_53792f5a57121ad728082c1cf5db875e.jpg\" alt=\"Smart Looks and Flexible Design for Custom Control Panels\"\u003e\u003c\/p\u003e\n\u003cp\u003eNo specialized programming skills are required. An intuitive interface makes it easy to create faders for volume control and switches for channel on\/off, for example, and position photographs or other graphic elements on the tablet screen as required to create original control panels that are ideally suited to individual applications and users. In addition, ProVisionaire Touch and ProVisionaire Control can control CL\/QL\/TF series digital mixers, MTX and MRX series processors, XMV series power amplifiers, R series(ADDA) and Tio1608-D I\/O rack, and Nexo NXAMPmk2 powered TD controller. It is easy to combine those parameters onto the one screen.\u003c\/p\u003e\n\u003ch3\u003eIntuitive User Interface Optimized for Touch Panel Operation\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/tf_004_1200x400_5bd2a396a7a1fd663f1afd90cb9af93f.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn developing the TF series Yamaha engineers built from their existing base of acclaimed high-end mixer interfaces, adding intuitive control in an interface optimized for the type of touch panel control that has become a familiar feature in a wide range of applications. Allowing most operations to be carried out via the touch panel alone, the innovative TF series interface will quickly become second nature to a broad spectrum of users. Whether you have experience with Yamaha digital consoles, work with other digital consoles, operate analog consoles, or have never operated a mixer before, TF consoles will lead you to the desired results quickly and effortlessly through a smooth, efficient workflow. The availability of physical controls surrounding the touch panel further enhances control versatility and precision.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eTouch Operation for Intimate Control\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/tf_005_980x144_5326e28be9cc09fc8d8da73a746b97ce.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eRefined for the smoothest possible operation via touch-panel control, the TF user interface offers a smooth workflow that can be an advantage in any mixing situation. The display content has been specifically designed for easy, direct accessibility, with a layout that promotes the most natural, efficient mixing. Touch panel operation is as easy as shaping the sound with your fingertips.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eTouch Turn Knob Offers Extra Control Precision\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/ADBE655015F24921922AA423482135DA_12074_320x240_8aa1b201795d0275a938182863908456.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eWhen you need extra precision for a fine EQ or other adjustment, the physical Touch , Turn knob is always available right beside the touch panel. There are also four User Defined Knobs below the panel that can be assigned to control compressor threshold, EQ gain, or other parameters you need fast, direct access to while mixing. The knobs always affect the currently selected channel.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003eVersatile Connectivity for a Wide Range of Applications\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/tf_006_1200x400_edac6afdf83d6af2a029a028cb4944a9.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTF-RACK is equipped with 16 mic\/line + 1 stereo line inputs and 16 ouputs on its compact body and also has a slot to mount optional expansion card NY64-D. Like other TF series, TF-RACK can easily add up to three Tio1608-D I\/O racks with NY64-D card using the console's QUICK CONFIG mode.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e16 mic\/line + 1 stereo line inputs and 16 outputs on its compact body\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/3AC046BDE17F46388B2DE7747B5234D0_12074_320x344_df3954b60960da714cf859c20eaf9baa.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTF-RACK is equipped with 16 microphone\/ line inputs, 16 line outputs (8 XLR and 8 TRS), and USB connectivity for PC multi-channel Playback\/Recording and so on. A TF-RACK can cover so many applications.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003ePlug In Play Dante Stagebox Solution\u003c\/h3\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/ca.yamaha.com\/fr\/files\/8A4094EFA0DB4CDDA42CFC3D8C45BE76_12074_320x225_dada9906b84aae837589321b7b89fc3a.jpg\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Tio1608-D is a Dante-equipped I\/O rack with 16 microphone\/ line inputs and 8 line outputs. Tio racks feature the same recallable D-PRE, microphone preamplifiers as the TF series delivering extraordinarily natural and musical sound. In combination with TF series consoles, Tio racks can be connected using up to three units with a fast and easy setup. * Optional NY64-D Card is required.\u003c\/p\u003e\n\u003cp\u003eTF-RACK can create a versatile stage box system with up to 64 inputs and 40 outputsin conjunction with the Tio1608-D I\/O and NY64-D, all mounted within a compact rack.\u003c\/p\u003e\n\u003cdiv class=\"spec-table\" data-id=\"808207\"\u003e\n\u003cdiv class=\"container-fluid\"\u003e\n\u003cdiv class=\"spec-table-inner\"\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"table table-bordered\"\u003e\n\u003cthead\u003e\n\u003ctr class=\"active\"\u003e\n\u003cth colspan=\"2\" role=\"cell\"\u003e\u003c\/th\u003e\n\u003cth scope=\"col\" class=\"spectable-colnumber-0\"\u003eTF-RACK\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr class=\"active\"\u003e\n\u003cth colspan=\"3\" aria-hidden=\"true\"\u003eOutline\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" rowspan=\"4\"\u003eMixing Capacity\u003c\/th\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eInput Channels\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e40 (32 mono + 2 stereo + 2 return)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eAux Buses\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e20 (8 mono + 6 stereo)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eStereo Buses\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eSub Buses\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eInput channel functions\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e8 DCA Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" rowspan=\"3\"\u003eI\/O\u003c\/th\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eInputs\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e16 mic\/line (XLR\/TRS combo) + 1 stereo line (RCA pin)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eOutputs\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e16 (8 XLR + 8 TRS phone)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eExpansion slots\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e1 (for NY64-D)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" rowspan=\"1\"\u003eOn-board processors\u003c\/th\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eDSP\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e8 Effects + 10 GEQ\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"active\"\u003e\n\u003cth colspan=\"3\" aria-hidden=\"true\"\u003eGeneral specifications\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" rowspan=\"1\"\u003eSampling frequency rate\u003c\/th\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eInternal\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eSignal delay\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003eLess than 2.6 ms, INPUT to OMNI OUT, Fs=48 kHz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eFader\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003eResolution = 10-bit, +10 dB to –138 dB, –∞ dB all faders\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eTotal harmonic distortion\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003eLess than 0.05% 20 Hz–20 kHz @+4 dBu into 600 Ω, INPUT to OMNI OUT, Input Gain=Min. (Measured with a –18 dB\/octave filter@80 kHz)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eFrequency response\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e+0.5, –1.5 dB 20 Hz–20 kHz, refer to +4 dBu output @1kHz, INPUT to OMNI OUT\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eDynamic range\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e110 dB typ., DA Converter, 108 dB typ., INPUT to OMNI OUT, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" rowspan=\"2\"\u003eHum \u0026amp; noise level\u003c\/th\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eEquivalent input noise\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e–128 dBu typ., Input Gain=Max. (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eResidual output noise\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e–85 dBu, ST master off (Measured with an A-Weight filter)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eCrosstalk\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e–100 dB (Measured with a –30 dB\/octave filter@22 kHz), adjacent INPUT\/OMNI OUT channels, Input Gain=Min.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003ePower requirements\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e100–240 V 50\/60 Hz\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003ePower consumption\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e85 W\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" rowspan=\"3\"\u003eDimensions\u003c\/th\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eW\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e480 mm (18-7\/8 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eH\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e132 mm (5-1\/4 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\"\u003eD\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e409 mm (16-1\/8 in)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eNet weight\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003e9.2 kg (20.3lb)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eAccessories\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003eQuick Guide, Power Cord NUENDO LIVE (DAW Software), Rubber stoppers(4)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eOptions\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003eAudio Interface Card (NY-64D), Foot Switch (FC5)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth class=\"active\" scope=\"row\" colspan=\"2\"\u003eOthers\u003c\/th\u003e\n\u003ctd class=\"spectable-colnumber-0\"\u003eOperating temperature range: 0–40 °C, Storage temperature range: -20–60 °C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv class=\"spectable-stickyheader-anchor-end\" aria-hidden=\"true\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"free-html\" id=\"d1141284\"\u003e\n\u003cdiv class=\"container-fluid\"\u003e\n\u003ch3\u003eRecording\/Playback\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"table table-bordered hide-division-code\" role=\"presentation\"\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003ePC\/Mac (USB2.0)\u003c\/td\u003e\n\u003ctd\u003eRecording 34 tracks, Playback 34 tracks\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eUSB Storage Device\u003c\/td\u003e\n\u003ctd\u003eRecording 2 tracks (USB hard drive\/ SSD)\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*\u003c\/sup\u003e, Playback 2 tracks (USB hard drive\/ SSD\/ thumb drive)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003ctbody\u003e\n\u003ctr class=\"ae-compliance-indent\"\u003e\n\u003cth\u003e\u003cspan class=\"ae-compliance-indent\"\u003eTable header is decorative\u003c\/span\u003e\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3\u003eAnalog Input Characteristics\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"table table-bordered hide-division-code\"\u003e\n\u003cthead\u003e\n\u003ctr class=\"active\"\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eInput Terminals\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eGAIN\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eLoad\u003cbr\u003eImpedance\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eFor Use With\u003cbr\u003eNominal\u003c\/th\u003e\n\u003cth scope=\"col\" colspan=\"3\"\u003eInput Level\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eConnector\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eBalanced \/\u003cbr\u003eUnbalanced\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eSensitivity\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*1\u003c\/sup\u003e\n\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eNominal\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eMax. before clip\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"2\"\u003eINPUT1-16\u003c\/td\u003e\n\u003ctd\u003e+66dB\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003e7.5kΩ\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003e50-600Ω Mics\u003cbr\u003eor 600Ω Lines\u003c\/td\u003e\n\u003ctd\u003e-82dBu (61.6μV)\u003c\/td\u003e\n\u003ctd\u003e-62dBu (0.616mV)\u003c\/td\u003e\n\u003ctd\u003e-42dBu (6.16mV)\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003eCombo Jack (XLR-3-31 type\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*2\u003c\/sup\u003e\u003cbr\u003eor TRS phone\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*3\u003c\/sup\u003e)\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003eBalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e-6dB\u003c\/td\u003e\n\u003ctd\u003e-10dBu (245mV)\u003c\/td\u003e\n\u003ctd\u003e+10dBu (2.45V)\u003c\/td\u003e\n\u003ctd\u003e+30dBu (24.5V)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eST IN\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003ctd\u003e10kΩ\u003c\/td\u003e\n\u003ctd\u003e600Ω Lines\u003c\/td\u003e\n\u003ctd\u003e-30dBV (31.6μV)\u003c\/td\u003e\n\u003ctd\u003e-10dBV (316mV)\u003c\/td\u003e\n\u003ctd\u003e+10dBV (3.16V)\u003c\/td\u003e\n\u003ctd\u003eRCA Pin Jack\u003c\/td\u003e\n\u003ctd\u003eUnbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"annotation\"\u003e*1. Sensitivity is the lowest level that will produce an output of +4dBu (1.23V) or the nominal output level when the unit is set to maximum gain. (All faders and level controls are at maximum position.)\u003cbr\u003e*2. 1: GND, 2: HOT, 3: COLD\u003cbr\u003e*3. Tip: HOT, Ring: COLD, Sleeve: GND\u003cbr\u003e*4. In these specifications, 0dBu = 0.775Vrms.\u003cbr\u003e*5. +48V DC (phantom power) can be supplied to INPUT XLR type connectors via each individual software controlled switch.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eAnalog Output Characteristics\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"table table-bordered hide-division-code\"\u003e\n\u003cthead\u003e\n\u003ctr class=\"active\"\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eOutput Terminals\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eSource\u003cbr\u003eImpedance\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eFor Use With\u003cbr\u003eNominal\u003c\/th\u003e\n\u003cth scope=\"col\" colspan=\"2\"\u003eOutput Level\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eConnector\u003c\/th\u003e\n\u003cth scope=\"col\" rowspan=\"2\"\u003eBalanced \/\u003cbr\u003eUnbalanced\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth scope=\"col\"\u003eNominal\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eMax. before clip\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eOMNI OUT 1-8\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003e75Ω\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003e600Ω Lines\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003e+4dBu (1.23 V)\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003e+24dBu (12.3 V)\u003c\/td\u003e\n\u003ctd\u003eXLR-3-32 type\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*1\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd rowspan=\"2\"\u003eBalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eOMNI OUT 9-16\u003c\/td\u003e\n\u003ctd\u003eTRS Phone Jack\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*6\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePHONES\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*5\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd\u003e100Ω\u003c\/td\u003e\n\u003ctd\u003e40Ω Phones\u003c\/td\u003e\n\u003ctd\u003e3mW\u003c\/td\u003e\n\u003ctd\u003e75mW\u003c\/td\u003e\n\u003ctd\u003eStereo Phone Jack (TRS)\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e*2\u003c\/sup\u003e\n\u003c\/td\u003e\n\u003ctd\u003eUnbalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"annotation\"\u003e*1. 1: GND, 2: HOT, 3: COLD\u003cbr\u003e*2. Tip: LEFT, Ring: RIGHT, Sleeve: GND\u003cbr\u003e*3. In these specifications, 0dBu = 0.775Vrms.\u003cbr\u003e*4. All output DA converters are 24bit, 128times oversampling.\u003cbr\u003e*5. The position of the level control is lowered by 16dB from the maximum.\u003cbr\u003e*6. Tip: HOT, Ring: COLD, Sleeve: GND\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch3\u003eDigital Input\/Output Specifications\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"table table-bordered hide-division-code\"\u003e\n\u003cthead\u003e\n\u003ctr class=\"active\"\u003e\n\u003cth scope=\"col\"\u003eTerminals\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eFormat\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eData Length\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eAudio\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eConnector\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eUSB (TO HOST)\u003c\/td\u003e\n\u003ctd\u003eUSB\u003c\/td\u003e\n\u003ctd\u003e24bit\u003c\/td\u003e\n\u003ctd\u003e34ch input \/ 34ch output, PCM\u003c\/td\u003e\n\u003ctd\u003eUSB (B type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eiPad\u003c\/td\u003e\n\u003ctd\u003eUSB\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003ctd\u003ePlayback: MP3 or WAV file data \/ Record: WAV file data\u003c\/td\u003e\n\u003ctd\u003eUSB (A type)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003ch3\u003eControl I\/O Specifications\u003c\/h3\u003e\n\u003cdiv class=\"table-responsive\"\u003e\n\u003ctable class=\"table table-bordered hide-division-code\"\u003e\n\u003cthead\u003e\n\u003ctr class=\"active\"\u003e\n\u003cth scope=\"col\"\u003eTerminals\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eFormat\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eLevel\u003c\/th\u003e\n\u003cth scope=\"col\"\u003eConnector\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003eNETWORK\u003c\/td\u003e\n\u003ctd\u003eIEEE802.3\u003c\/td\u003e\n\u003ctd\u003e10BASE-T\/100Base-TX\u003c\/td\u003e\n\u003ctd\u003eRJ-45\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFOOT SW\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003ctd\u003e-\u003c\/td\u003e\n\u003ctd\u003eTS Phone\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"YAMAHA","offers":[{"title":"Default Title","offer_id":35413959803046,"sku":"TFRACK","price":3189.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/yamaha-tf-rack.jpg?v=1652553470","url":"https:\/\/seconcept.com\/en-us\/products\/tfrack","provider":"SE CONCEPT ","version":"1.0","type":"link"}