{"product_id":"shure-ksm32-cg","title":"Shure KSM32\/CG - Cardioid Condenser Microphone with A32M \u0026 Pouch -Charcoal","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dDLIKlsUrfM\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003eCardioid condenser microphone delivers a smooth, neutral sound reproduction with full character and consists of a microphone, a padded, zippered carrying bag, and a swivel mount.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eAn embossed single-diaphragm, side-address, cardioid condenser microphone for highly critical studio recording and live sound productions. The Shure KSM32 offers an extended frequency response for an open, natural sounding reproduction of the original sound source.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cul\u003e\n\u003cli\u003eClass A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range.\u003c\/li\u003e\n\u003cli\u003eEmbossed, high-compliance diaphragm provides extended low-frequency response.\u003c\/li\u003e\n\u003cli\u003eUltra-thin, gold-layered, low-mass, Mylar® diaphragm for excellent transient response\u003c\/li\u003e\n\u003cli\u003e15 dB attenuation switch for handling extremely high sound pressure levels (SPL)\u003c\/li\u003e\n\u003cli\u003eSwitchable low-frequency filter provides greater flexibility to reduce background noise or to counteract proximity effect.\u003c\/li\u003e\n\u003cli\u003eIntegrated three-stage pop protection grille reduces \"pop\" and other breath noise\u003c\/li\u003e\n\u003cli\u003eInternal shock mount reduces transmission of handling noise\u003c\/li\u003e\n\u003cli\u003eReplacement cartridge: RK374\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003ePerformance Characteristics\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtended frequency response\u003c\/li\u003e\n\u003cli\u003eVery low self-noise\u003c\/li\u003e\n\u003cli\u003eExceptional low-frequency reproduction\u003c\/li\u003e\n\u003cli\u003eHigh output level\u003c\/li\u003e\n\u003cli\u003eHigh input SPL capability\u003c\/li\u003e\n\u003cli\u003eNo cross-over distortion\u003c\/li\u003e\n\u003cli\u003eExtremely uniform polar response\u003c\/li\u003e\n\u003cli\u003eSuperior common mode rejection and suppression of radio frequency interference\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eApplications\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSome typical applications for the KSM32 are listed below. Microphone use, however, is a matter of personal taste. The KSM32 may be used for a variety of applications other than those listed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVoice -- solo, background, voice-over, broadcasting\u003c\/li\u003e\n\u003cli\u003eAcoustic instruments -- such as piano, guitar, drums, percussion, strings\u003c\/li\u003e\n\u003cli\u003eWind instruments -- brass and woodwind\u003c\/li\u003e\n\u003cli\u003eLow frequency instruments -- such as double bass, electric bass, kick drum\u003c\/li\u003e\n\u003cli\u003eOverhead miking -- drums or percussion\u003c\/li\u003e\n\u003cli\u003eEnsembles -- choral or orchestral\u003c\/li\u003e\n\u003cli\u003eRoom ambiance pick-up -- guitar amplifier or drums\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBoth the acoustic environment and microphone placement have significant effects on the sound obtained when miking a source. You may need to experiment with these variables to achieve the best overall sound for each application.\u003c\/p\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"u_FB67A138-8279-0EF1-96A8-1FE9F725A601\"\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_98209145-D627-8350-ACB6-1FCB7CB14342\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Description\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe Shure\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eKSM32 is a premium, side-address, condenser microphone with a cardioid polar pattern engineered for highly critical studio recording and live sound productions. With an extremely flat, extended frequency response, the KSM32 provides transparent reproduction of the original sound source. A 15 dB attenuation switch allows the KSM32 to handle the high sound pressure levels (SPL) associated with drums, percussion, and ensembles, while the 3 position low cut filter helps counteract stage vibrations or proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_4062674D-FE4C-A001-033E-C614D90FDA32\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePerformance Characteristics\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet\"\u003eExtremely uniform polar response\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eExtended frequency response\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eMinimal self-noise\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eExceptional low-frequency reproduction\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eAble to withstand high SPLs\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eHigh output level\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eNo crossover distortion\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eSuperior common-mode rejection and suppression of radio frequency interference (RFI)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_724A6C95-19BC-6C8E-7477-1FCB7CB1487D\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eClass A, transformerless preamplifier circuitry eliminates cross-over distortion for improved linearity across the full frequency range\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eEmbossed, high-compliance diaphragm provides extended low frequency response and consistent off-axis rejection\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUltra-thin, 2.5 µm 24-karat gold-layered, low-mass Mylar\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ediaphragm for superior transient response\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003e15 dB attenuation switch for handling extremely high SPLs\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eVariable low-frequency filter provides greater flexibility to counteract proximity effect or to reduce mechanical rumble\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eIntegrated three-stage \"pop\" protection grille reduces plosives and other breath noise\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCardioid polar pattern reduces the pickup of unwanted sounds\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eInternal shock mount reduces handling and stand noise\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eSuperior build construction withstands daily use on the stage or in the studio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_5C6A5ACC-E637-31F1-11AE-1FCB7C92D572\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eVariations\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eKSM32\/SL\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ehas a champagne-colored finish and comes with the following accessories:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eLocking aluminum carrying case\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eShureLock\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eelastic-suspension shock mount\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eProtective velveteen pouch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"P1\"\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eKSM32\/CG\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ehas a non-reflective, charcoal-gray finish for situations where less microphone visibility is preferred, such as live sound and stage production. It comes with the following accessories:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eShureLock swivel mount\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePadded, zippered carrying bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_137FF214-17D7-EF7B-629C-437F8370E024\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eBrass and woodwind instruments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eOrchestras, choirs, and wind ensembles\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eOverhead miking of drums and percussion instruments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eClose-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eLow-frequency instruments such as double bass and kick drum\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eElectric guitar and bass amplifiers\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eVocals and speech\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eRoom ambience\n\u003cp class=\"P2_tip_note\"\u003e\u003cb\u003eNote:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eSound quality is strongly affected by microphone location and room acoustics. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_6D4DDFF5-FF08-54BA-D86D-5F19E0B8A57D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePower Requirements\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThis microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eMost modern mixers provide phantom power. You must use a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_F025C1EC-450A-B741-FD3D-FBEBCD9A940F\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSuspension Mount\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUse the supplied ShureLock\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003erubber suspension mount to secure the microphone to a floor or boom stand.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eImportant:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eThread the knurled locking ring securely to the base of the microphone. Do not overtighten.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_8436D1F9-5A5B-BC18-7731-FBEBCD238FFA\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePositioning\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003ePosition the front of the microphone, with SHURE\u003csup\u003e®\u003c\/sup\u003e, towards the desired sound source. Position the rear of the microphone, with the vintage circle S logo, towards any unwanted sound sources.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_25A8C7EE-DBAE-15DC-5E0F-20786D5D3F88\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSelecting Low-Frequency Response\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA three-position switch on the back of the microphone lets you adjust the low-frequency response. Use the low-frequency filter to reduce wind noise, room noise, or proximity effect.\u003c\/p\u003e\n\u003cb\u003eFlat response.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eProvides the most natural sound in most applications.\n\u003cdiv class=\"image\"\u003e\u003c\/div\u003e\n\u003cb\u003eLow frequency cutoff.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eProvides an 18 dB-per-octave cutoff at 80 Hz. Helps eliminate floor rumble and low-frequency room noise from heating and air conditioning systems. This setting may also be used to compensate for proximity effect or to reduce low frequencies that make an instrument sound dull or muddy.\n\u003cdiv class=\"image\"\u003e\u003c\/div\u003e\n\u003cb\u003eLow frequency rolloff.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eProvides a 6 dB-per-octave rolloff filter at 115 Hz. Use this to compensate for proximity effect or to reduce low frequencies that could make an instrument sound dull or muddy.\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_5A37675A-0168-87FC-4BA8-20786DDA9063\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSetting Attenuation\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe attenuation switch lets you reduce the signal level without altering the frequency response. This can prevent extremely loud sounds from overloading the microphone circuitry.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003e0 dB\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eFor \"quiet\" to \"normal\" sound levels.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003e-15 dB\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eFor use with extremely loud sound sources such as drums, horns, or loud guitar cabinets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_EC8225F8-A82D-E1F1-6E73-5E98533A10E8\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eLoad Impedance\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eMaximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. Shure recommends a minimum input load impedance of 1000 Ω. Most modern microphone preamplifiers meet this requirement. Higher impedance results in better performance for these specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_98169FB6-EDAB-5B26-0C9C-20786BB70E9F\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eIntegral Pop Filter\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe microphone grille consists of 3 separate mesh layers that act as an integral pop filter. This helps reduce wind and breath noise. Depending on the performer, an external pop-protection screen or windscreen may be necessary when close-miking vocalists.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_5BCEC60E-2883-540E-178B-4463490726CF\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eCartridge Type\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20 to 20,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e150 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eopen circuit voltage, @ 1 kHz, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e–36 dBV\/Pa[1] (16.0  mV)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e1 kHz at 1% THD[2]\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"2\" class=\"spec_tableValueVT\"\u003ePAD ON\u003c\/td\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e154 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e148 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"2\" class=\"spec_tableValueVT\"\u003ePAD OFF\u003c\/td\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e139 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e133 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eSignal-to-Noise Ratio[3]\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e81 dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e@ 1 kHz\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e126 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e119 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eClipping Level\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e20 Hz to 20 kHz, 1% THD\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e9.0 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e3.0 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eSelf Noise\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eequivalent SPL, A-weighted, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e13.0 dB SPL-A\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eCommon Mode Rejection\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e20 to 20,000 kHz\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e≥50 dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eAttenuator Switch\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e0, -15 dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eLow-Frequency Filter Switch\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eFlat, –6 dB\/octave below 115 Hz, or –18 dB\/octave below 80 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11–52 V DC[4] phantom power (IEC-61938), 4.7 mA\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eNet Weight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e490 g (17  oz.)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[2]THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[3]S\/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[4]All specifications measured with a 48 Vdc phantom power supply. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_3DE01810-7421-2A1D-2DBC-441907DAE399\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAccessories\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"u_BEF23069-8D30-FC55-0EE7-A5713782878C\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003ctable class=\"default table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"desc\"\u003eShureLock Champagne Swivel Adapter\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003eA44M\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eCarrying Case\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003eAK32C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eProtective Velveteen Pouch\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003eA44VB\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"desc\"\u003eShureLock Elastic-Suspension Shock Mount for KSM32 Models\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003eA32SM\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":42432125042926,"sku":"KSM32\/CG","price":1187.55,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/preview_3_8e1a9b2a-6460-43eb-9fc8-2649673c0e1a.jpg?v=1767739781","url":"https:\/\/seconcept.com\/en-us\/products\/shure-ksm32-cg","provider":"SE CONCEPT ","version":"1.0","type":"link"}