{"product_id":"shure-ksm141-sl-stereo","title":"Shure KSM141\/SL-STEREO - Stereo Pair of KSM141\/SL with Windscreens \u0026 A27M","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dDLIKlsUrfM\" height=\"350\" width=\"623\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003eThe KSM141 is a large diaphragm end-addressed condenser microphone with a rotating collar allowing easy switching between a highly consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction.\u003c\/p\u003e\n\u003cp\u003e \u003cspan data-mce-fragment=\"1\"\u003eDual pattern instrument microphone offers transition between cardioid and omnidirectional patterns and features extended frequency response, pad for handling SPLs, a gold-layered Mylar diaphragm, and a subsonic filter for low frequency rumble.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe KSM141 is a dual-pattern end-addressed condenser microphone with a rotating collar, allowing easy switching between a consistent cardioid or true omnidirectional polar pattern for smooth and extremely focused sound reproduction.\u003c\/p\u003e\n\u003cp\u003eDesigned for studio use, yet rugged enough for live applications, the KSM141 can withstand extremely high sound pressure levels (SPL). Its low self-noise and extended frequency response make it ideal for recording musical instruments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003etern switch for highly consistent cardioid and true omnidirectional polar patterns. Provides flexibility in a wide variety of recording applications\u003c\/li\u003e\n\u003cli\u003eUltra-thin, 2.5 micron, 24 karat gold-layered, low mass Mylar\u003csmall\u003e\u003csup\u003e®\u003c\/sup\u003e\u003c\/small\u003e\u003cspan\u003e \u003c\/span\u003ediaphragm for superior transient response\u003c\/li\u003e\n\u003cli\u003eClass A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and intermodulation distortion\u003c\/li\u003e\n\u003cli\u003ePremium electronic components, including gold-plated internal and external connectors\u003c\/li\u003e\n\u003cli\u003eSubsonic filter eliminates low frequency rumble (less than 17 Hz) caused by mechanical vibration\u003c\/li\u003e\n\u003cli\u003eThree-position switchable pad (0 dB, 15 dB, and 25 dB) for handling extremely high sound pressure levels (SPLs)\u003c\/li\u003e\n\u003cli\u003eThree-position switchable low-frequency filter to reduce background noise and counteract proximity effect\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003ePerformance Characteristics\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eExtended frequency response\u003c\/li\u003e\n\u003cli\u003eLow self-noise\u003c\/li\u003e\n\u003cli\u003eExceptional reproduction of low-frequency sounds\u003c\/li\u003e\n\u003cli\u003eCan withstand high sound pressure levels (SPL)\u003c\/li\u003e\n\u003cli\u003eHigh output level\u003c\/li\u003e\n\u003cli\u003eNo crossover distortion\u003c\/li\u003e\n\u003cli\u003eUniform polar response\u003c\/li\u003e\n\u003cli\u003eSuperior common mode rejection and suppression of radio frequency interference\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eApplications\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSome typical applications for the KSM141 are listed below. Microphone use, however, is a matter of personal taste. The KSM141 may be used for a variety of applications other than those listed.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAcoustic instruments -- such as piano, guitar, drums, percussion, strings\u003c\/li\u003e\n\u003cli\u003eWind instruments -- brass and woodwind\u003c\/li\u003e\n\u003cli\u003eLow frequency instruments -- such as double bass, electric bass, kick drum\u003c\/li\u003e\n\u003cli\u003eOverhead miking -- drums or percussion\u003c\/li\u003e\n\u003cli\u003eEnsembles -- choral or orchestral\u003c\/li\u003e\n\u003cli\u003eRoom ambiance pick-up -- guitar amplifier or drums\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eBoth the acoustic environment and microphone placement strongly affect the sound obtained from miking a source. You may need to experiment with microphone placement and room treatments to achieve the best overall sound for each application.\u003c\/p\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_26B2E722-F7D0-1ED1-CCBC-5E2D4E191736\" class=\"topic_level1 tab-pane active\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Shure\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eKSM141 is a premium, end-address, condenser microphone with a unique rotating collar that allows for easy switching between a highly consistent cardioid or true omnidirectional polar pattern. Its class A, discrete, transformerless preamplifier captures an extremely transparent sound, and a three-position attenuation switch and low-cut filter allow for handling of extremely high sound pressure levels (SPL) and controlled bass response. An ultra-thin, 24-karat gold-layered diaphragm and superior build quality make the KSM141 ideal for studio use, yet rugged enough for the most demanding live applications.\u003c\/p\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_744F4FB1-809D-DC31-C059-5E2C51BEF6BD\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet\"\u003eA mechanical polar pattern switch for highly consistent cardioid and true omnidirectional polar patterns, providing flexibility in a wide variety of recording and performance applications.\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eUltra-thin, 2.5 μm 24-karat gold-layered, low-mass Mylar\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003ediaphragm for superior transient response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eClass A, discrete, transformerless preamplifier for transparency, extremely fast transient response, no crossover distortion, and minimal harmonic and inter-modulation distortion.\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003ePremium electronic components, including gold-plated internal and external connectors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eSubsonic filter eliminates low-frequency rumble (less than 17 Hz) caused by mechanical vibration.\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eThree-position attenuation switch (0 dB, 15 dB, and 25 dB) for handling extremely high SPLs.\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eThree-position low-frequency filter switch reduces stand vibration noise and counteracts proximity effect.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_4062674D-FE4C-A001-033E-C614D90FDA32\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePerformance Characteristics\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet\"\u003eExtremely uniform polar response\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eExtended frequency response\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eMinimal self-noise\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eExceptional low-frequency reproduction\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eAble to withstand high SPLs\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eHigh output level\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eNo crossover distortion\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eSuperior common-mode rejection and suppression of radio frequency interference (RFI)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_3FDA8A9F-65F4-D3F5-FBE9-64E6176E20ED\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eModel Variations\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThis microphone can be purchased as a stereo pair (KSM141\/SL STEREO). In addition to the standard accessories, the stereo pair includes a stereo stand adapter (A27M) for mounting two microphones on one stand.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_FEFA9102-7219-C52F-2C56-1FCC70FBC3E9\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet\"\u003eBrass and woodwind instruments\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eOrchestras, choirs, and wind ensembles\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eOverhead miking of drums and percussion instruments\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eClose-miking of acoustic instruments such as piano, guitar, violins, drums, and percussion\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eLow-frequency instruments such as double bass and kick drum\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eElectric guitar and bass amplifiers\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eVocals and speech\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eRoom ambience\n\u003cp class=\"P2_tip_note\"\u003e\u003cb\u003eNote:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eSound quality is strongly affected by microphone location and room acoustics. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_6D4DDFF5-FF08-54BA-D86D-5F19E0B8A57D\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePower Requirements\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThis microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eMost modern mixers provide phantom power. You must use a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_46414FA2-1F8D-A141-A831-0CCDCCF1AA76\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eMounting the Microphone\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUse the supplied microphone mount with floor or boom stands. Visit www.shure.com for more mounting options:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet\"\u003eTo reduce the pickup of unwanted low-frequency mechanical vibrations, use an isolating shock mount.\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eFor stereo applications, use the optional Shure A27M Stereo Microphone Adapter.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"2.0\" id=\"c_25A8C7EE-DBAE-15DC-5E0F-20786D5D3F88\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSelecting Low-Frequency Response\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA three-position switch on the back of the microphone lets you adjust the low-frequency response. Use the low-frequency filter to reduce wind noise, room noise, or proximity effect.\u003c\/p\u003e\n\u003cdiv class=\"image\"\u003e\u003cimg class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/16250.png\"\u003e\u003c\/div\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eFlat response.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eProvides the most natural sound in most applications.\u003c\/p\u003e\n\u003cdiv class=\"image\"\u003e\u003cimg class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/16260.png\"\u003e\u003c\/div\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eLow frequency cutoff.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eProvides an 18 dB-per-octave cutoff at 80 Hz. Helps eliminate floor rumble and low-frequency room noise from heating and air conditioning systems. This setting may also be used to compensate for proximity effect or to reduce low frequencies that make an instrument sound dull or muddy.\u003c\/p\u003e\n\u003cdiv class=\"image\"\u003e\u003cimg class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/16265.png\"\u003e\u003c\/div\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eLow frequency rolloff.\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eProvides a 6 dB-per-octave rolloff filter at 115 Hz. Use this to compensate for proximity effect or to reduce low frequencies that could make an instrument sound dull or muddy.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"350px\" class=\"img-responsive figure\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_d5b0fb19-1c9c-43a2-bc0f-24a4e488dbdf-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_C8E3A4D8-8FAD-0A5E-31F4-A589BD6492F0\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSetting Attenuation\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe attenuation switch lets you reduce the signal level without altering the frequency response. This can prevent extremely loud sounds from overloading the microphone circuitry.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003e0 dB\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eFor \"quiet\" to \"normal\" sound levels.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003e−15 dB\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eFor use with extremely loud sound sources such as drums, horns, or loud guitar cabinets.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003e−25 dB\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eFor use with in close proximity (less than 10 cm) to extremely loud sound sources such as drums, horns, or loud guitar cabinets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_EC8225F8-A82D-E1F1-6E73-5E98533A10E8\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eLoad Impedance\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eMaximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which you connect the microphone. Shure recommends a minimum input load impedance of 1000 Ω. Most modern microphone preamplifiers meet this requirement. Higher impedance results in better performance for these specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_0235474D-D472-3281-6FA6-5E2F15B8B7DE\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSelecting a Polar Pattern\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eTo select either the cardioid or omnidirectional polar pattern, rotate the knurled ring on the microphone in either direction until you feel a detent. The image of the desired polar pattern should be directly above the notch at the base of the ring.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\"\u003e\u003cb\u003eNote:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eOperating the microphone in a non-detent position (no polar pattern selected) will produce an unpredictable polar pattern and may adversely affect frequency response.\u003c\/p\u003e\n\u003cdiv class=\"image\"\u003e\u003cimg class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/16245.png\"\u003e\u003c\/div\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eCardioid.\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eWhen this pattern is selected, the microphone picks up sounds directly in front of the microphone and is least sensitive to those in back. This is the most commonly used pattern in studio recording and live-sound applications.\u003c\/p\u003e\n\u003cdiv class=\"image\"\u003e\u003cimg class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/16285.png\"\u003e\u003c\/div\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eOmnidirectional.\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ePicks up sounds from all directions. This pattern is best for picking up room ambience and for miking several sources, such as an ensemble or multiple singers, simultaneously. The omnidirectional polar pattern exhibits no proximity effect.\u003c\/p\u003e\n\u003cp class=\"P1_tip_caution\"\u003e\u003cb\u003eCaution:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eRotating the polar pattern switch produces mechanical noise which, when amplified, may damage the loudspeakers. Turn down any loudspeakers or mute the microphone at the mixing console before changing the polar pattern.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_1A2A8938-573D-5B1E-89D7-49C744E26FAF\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eStereo Pair Stand Adapter\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eStereo microphone techniques give depth and spatial placement to sound sources for broadcasting, recording, or sound reinforcement applications. The Shure A27M allows you to mount two microphones on a single stand with a wide range of angles and vertical separations for a variety of coincident and closely-spaced stereo configurations.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"352px\" class=\"img-responsive figure\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_8e031e8c-504f-42a3-a105-e55b54b24a64-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"uB0BE20AF-DF7B-B7ED-62D6-A660FDF6497B\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eInstallation\u003c\/h2\u003e\n\u003col\u003e\n\u003cli class=\"P1_ordered\"\u003eAdjust the vertical separation as shown.\u003c\/li\u003e\n\u003cli class=\"P1_ordered\"\u003eMount on a stand and attach microphones using 5\/8\"-27 thread stand adapters.\u003c\/li\u003e\n\u003cli class=\"P1_ordered\"\u003eAdjust the microphone angle using the knurled knob. Use the 45 degree reference marks at the top of the knob to set the desired angle.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"352px\" class=\"img-responsive figure\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_7ac0ca16-481f-404d-9d0c-aa7b9cb01483-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-rev=\"1.0\" id=\"c_153F4FEC-7001-779B-628F-49C717E307E2\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eStereo Techniques\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe following table displays the most common stereo techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position. For more information, search “Stereo Techniques” at www.shure.com (www.shure.com\/stereo-tech).\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"352px\" class=\"img-responsive figure\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_48805574-a5d2-4679-9707-4e3a2ab9be51-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"t_AA0FE6CC-993A-EFDA-AC0B-44634907D16A\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003cdiv id=\"c_3418BAD1-269E-BF84-5646-E868095C3ADF\" data-rev=\"1.0\" class=\"specs\"\u003e\n\u003cdiv class=\"specs-cat\"\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eCartridge Type\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eElectret Condenser\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePolar Pattern\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eCardioid\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003eOmnidirectional\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cspan class=\"term\"\u003eselectable\u003c\/span\u003e)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eFrequency Response\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20\u003cspan class=\"term\"\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e20\u003cspan class=\"term\"\u003e,\u003c\/span\u003e000\u003cspan class=\"term\"\u003e Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eOutput Impedance\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e150\u003cspan class=\"term\"\u003e Ω\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eSensitivity\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003eopen circuit voltage\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e@ 1 kHz\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003etypical\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e–37\u003cspan class=\"term\"\u003e dBV\/Pa\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[1]\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e(14\u003cspan class=\"term\"\u003e.\u003c\/span\u003e1\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e mV\u003c\/span\u003e)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eMaximum SPL\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003e1 kHz at 1% THD\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[2]\u003c\/sup\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003ctable class=\"specTable table\" outputclass=\"specTable\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"3\"\u003e\u003cspan class=\"term\"\u003ePAD ON\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e5000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e170\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e2500 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e164\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e1000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e159\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"3\"\u003e\u003cspan class=\"term\"\u003ePAD OFF\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e5000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e145\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e2500 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e139\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e1000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e134\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\n\u003cspan class=\"term\"\u003eSignal-to-Noise Ratio\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[3]\u003c\/sup\u003e\n\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e80\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eDynamic Range\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003e@ 1 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003ctable class=\"specTable table\" outputclass=\"specTable\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e5000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e131\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e2500 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e125\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e1000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e120\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eClipping Level\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e20\u003cspan class=\"term\"\u003e Hz\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003eto\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e20\u003cspan class=\"term\"\u003e kHz\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e1% THD\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003ctable class=\"specTable table\" outputclass=\"specTable\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e5000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e15\u003cspan class=\"term\"\u003e dBV\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e2500 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e9\u003cspan class=\"term\"\u003e dBV\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e1000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e3\u003cspan class=\"term\"\u003e dBV\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eSelf Noise\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003eequivalent SPL\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003eA-weighted\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003etypical\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e14\u003cspan class=\"term\"\u003e dB SPL-A\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eCommon Mode Rejection\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e10\u003cspan class=\"term\"\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e100\u003cspan class=\"term\"\u003e,\u003c\/span\u003e000\u003cspan class=\"term\"\u003e kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e≥50\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eAttenuator Switch\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e0, -15, -25\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eLow-Frequency Filter Switch\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eFlat, –6 dB\/octave below 115 Hz, or –18 dB\/octave below 80 Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eConnector\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePolarity\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePower Requirements\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11\u003cspan class=\"term\"\u003e–\u003c\/span\u003e52\u003cspan class=\"term\"\u003e V DC\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[4]\u003c\/sup\u003e\u003cspan class=\"term\"\u003ephantom power\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(IEC-61938) 4\u003cspan class=\"term\"\u003e.\u003c\/span\u003e7\u003cspan class=\"term\"\u003e mA\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003emaximum\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eNet Weight\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e156\u003cspan class=\"term\"\u003e g\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(5\u003cspan class=\"term\"\u003e.\u003c\/span\u003e5\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e oz.\u003c\/span\u003e)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[1]\u003c\/sup\u003e1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[2]\u003c\/sup\u003e\u003cspan class=\"term\"\u003eTHD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[3]\u003c\/sup\u003e\u003cspan class=\"term\"\u003eS\/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[4]\u003c\/sup\u003e\u003cspan class=\"term\"\u003eAll specifications measured with a 48 Vdc phantom power supply. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_5EBA862D-4C4F-0D64-D5F9-5E2BE119FB2B\"\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"280px\" class=\"img-responsive figure\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_f9b6097e-ded2-4999-9ded-90086aa996af-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eOverall Dimensions\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"242px\" class=\"img-responsive figure\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_f5b3823f-0329-485a-867f-a9e05c212484-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eCardioid\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"230px\" class=\"img-responsive figure\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_6376462d-901a-4db7-b045-9429613cd2cb-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eOmnidirectional\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"t_BA14FB93-C4D4-C324-BC51-49CD6E3E9BCD\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAccessories\u003c\/h1\u003e\n\u003cdiv id=\"t_5F685926-F5AD-395D-7FC1-49CE06B76A48\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003cdiv id=\"c_ccdf13f9-a88f-4614-9d71-bd8604708145\"\u003e\n\u003cdiv class=\"table-wrapper\"\u003e\n\u003ctable class=\"parts table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eCarrying Case for two KSM137 or KSM141 microphones and A27M stereo bar\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eA100C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eFoam Windscreen for KSM141 and KSM137\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eA100WS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eMicrophone Clip for AMS26, BETA181, KSM137, KSM141, MX412, MX418, MX412S, MX418S, MX412SE, MX418SE, SM62, SM63, SM63L, SM63LB, SM81, VP64, VP64A, VP64AL and standard microphone stands\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eA57F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eStereo Microphone Adapter\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eA27M\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":42432125239534,"sku":"KSM141\/SL-STEREO","price":1869.05,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/SHURE-KSM141-SL-STEREO-980x980.jpg?v=1654113603","url":"https:\/\/seconcept.com\/en-us\/products\/shure-ksm141-sl-stereo","provider":"SE CONCEPT ","version":"1.0","type":"link"}