{"product_id":"pga81-xlr","title":"SHURE PGA81-XLR  -Condenser Microphone for instruments with XLR cable","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" title=\"YouTube video player\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eThe PGA81 is ideal for use in sensitive acoustic instrument performance and recording. Available with and without a cable.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe PGA81 is a professional quality instrument microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eFlat-response microphone cartridge design\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor clear reproduction of acoustic instrument sound sources in more sensitive environments.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCardioid polar pattern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epicks up audio from the source while rejecting unwanted noise\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eUpdated industrial design\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewith black metallic finish and grille for unobtrusive visual presence\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAvailable with XLR Cable\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(4.57 m)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eStand adapter\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor mounting to a microphone stand\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eZipper pouch\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eincluded for additional protection during storage or transport\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLegendary Shure quality\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edesign and construction for exceptional performance in rigorous environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_54417D20-5CE1-58BD-D721-B63768722623\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"H2_heading\" data-mce-fragment=\"1\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_B50CEC5A-9569-D615-1F14-8F294EF0821C\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003ePhantom Power\u003c\/h1\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eAll condenser microphones require phantom power to operate. This microphone performs best with a 48 V DC supply (IEC-61938), but it can operate with lower voltages.\u003c\/p\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003ePhantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ebalanced\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS. In most cases, there is a switch or button to activate the phantom power. See the user guide for the mixer or interface for additional information.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_DA3B00FC-F1AB-C419-E063-2072FF1E92D8\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eDirectional microphones progressively boost bass frequencies as the microphone is placed in closer proximity to the source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_F7E59FF0-8F14-BFA3-C339-114A6BC21B7E\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"H2_heading\" data-mce-fragment=\"1\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h2\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003ePlace the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_503158fd-2aa5-4035-9fde-f687d47d6c04-ENG.png\" class=\"img-responsive\" width=\"342.7564px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_503158fd-2aa5-4035-9fde-f687d47d6c04-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\" data-mce-fragment=\"1\"\u003eRecommended Loudspeaker Locations for Cardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_EABD25BF-E360-31B4-22C5-7FB2F17615AA\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"H2_heading\" data-mce-fragment=\"1\"\u003eApplications\u003c\/h2\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eThe following table provides a basic starting point for several instruments. Shure offers additional educational publications on microphone placement and recording techniques. Visit www.shure.com for more information.\u003c\/p\u003e\n\u003ctable class=\"t b l r table\" id=\"table_p3l_zzw_fp\" data-mce-fragment=\"1\" frame=\"all\"\u003e\n\u003ccolgroup data-mce-fragment=\"1\"\u003e \u003ccol width=\"17%\" data-mce-fragment=\"1\"\u003e \u003ccol width=\"23%\" data-mce-fragment=\"1\"\u003e \u003ccol width=\"58%\" data-mce-fragment=\"1\"\u003e \u003c\/colgroup\u003e\n\u003cthead data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth class=\"\" data-mce-fragment=\"1\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\" data-mce-fragment=\"1\"\u003eDistance from source\u003c\/th\u003e\n\u003cth class=\"\" data-mce-fragment=\"1\"\u003eTips\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAcoustic guitar\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e6-12 inches (15-30 cm)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003ePlace near the sound hole for a full sound, or near the 12th fret for a balanced, natural sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eDrums\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e3-6 feet (1-2 m)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003ePlace in front of the drum kit to capture more of the kick drum, or as an overhead (above the kit, facing down) to capture more cymbals. Consider using additional Shure microphones placed on individual drums for more mixing flexibility and a thicker sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAmplifiers\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e1-6 inches (2-15 cm)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAim towards the center of the speaker for a clear, aggressive sound, or towards the edge of the speaker for a mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eStrings or horns\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e1-6 feet (30 cm - 2 m)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eFor a single instrument, place the microphone close to the source. For a horn or string section, arrange players at an equal distance from the microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eFull band\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e3-10 feet (1-3 m)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eFace the microphone towards the group, centered between instruments.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAuxiliary percussion (congas, tambourine, etc.)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e6-12 inches (15-30 cm)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAim the microphone away from other instruments on stage for better isolation.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"P1_tip_note\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTip:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eClose microphone placement results in a full sound due to the proximity effect. Placing the microphone farther from the source results in more room ambience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_0CCC167B-7478-EBEC-0AA6-84566DEC6D82\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003eMicrophone Techniques for Stereo Recording\u003c\/h1\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eStereo recording using two microphones adds realism by capturing sound similar to the way that humans hear. Panning (directing the signals left and right) adds width and directionality when listening on stereo systems or headphones.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTip:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePanning the signals farther apart increases stereo separation and width. Be careful of panning too far, as it may result in a hollow sound in the middle of the stereo field.\u003c\/p\u003e\n\u003ctable class=\"dltable table\" data-mce-fragment=\"1\"\u003e\n\u003ccolgroup data-mce-fragment=\"1\"\u003e \u003ccol width=\"25%\" data-mce-fragment=\"1\"\u003e \u003ccol width=\"75%\" data-mce-fragment=\"1\"\u003e \u003c\/colgroup\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e① X-Y Coincident Pair\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eThe X-Y technique provides excellent phase coherency because sound arrives simultaneously at both microphones.\n\u003cp class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePlacement:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eSet up the microphones with the capsules close together, but not touching. Experiment with angles between 90 and 120 degrees to capture the full width of the source.\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_81935ea1-8d79-490f-afe0-6c51b3c5973c-ENG.png\" class=\"img-responsive\" width=\"312.1622px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_81935ea1-8d79-490f-afe0-6c51b3c5973c-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e② ORTF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eDeveloped as a French broadcasting standard, ORTF technique replicates the spacing and angle of human ears. It provides a natural, wide sound.\n\u003cp class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePlacement:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eAngle the microphones at 110°, with the capsules 17 cm apart.\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_114cfd7e-5366-4deb-a74b-b61d71424547-ENG.png\" class=\"img-responsive\" width=\"365.4616px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_114cfd7e-5366-4deb-a74b-b61d71424547-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e③ A\/B Spaced Pair\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eSpaced pair recording can deliver a dramatic stereo effect because sound arrives at each microphone at a slightly different time, providing the listener with timing cues that localize sounds.\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_0087af6c-36e9-4116-bc8a-34c3d685908b-ENG.png\" class=\"img-responsive\" width=\"502.19259999999997px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_0087af6c-36e9-4116-bc8a-34c3d685908b-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"P1_tip_note\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNote:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eFor drum overheads, the snare drum should be equidistant from each microphone to achieve a tight, focused sound. Use a measuring tape or piece of string to verify this distance.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_E007B1D5-6F7D-3AAB-B608-D2EE24213A16\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003eSpecifications\u003ca name=\"spec\" data-mce-fragment=\"1\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e40 to 18,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\" data-mce-fragment=\"1\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e600 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\" data-mce-fragment=\"1\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e-48.5 dBV\/Pa[1] (3.8 mV)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\" data-mce-fragment=\"1\"\u003e1 kHz at 1% THD, 1 kΩ load, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e129.5 dB SPL\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eThree-pin professional audio (XLR), male\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e186 g (0.4 lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eCast Zinc\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e48 V DC phantom power (2.0 mA)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\" data-mce-fragment=\"1\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_4fcacc86-6777-4df0-855c-6930d244bc11-ENG.png\" class=\"img-responsive\" width=\"414.42519999999996px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_4fcacc86-6777-4df0-855c-6930d244bc11-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"term\" data-mce-fragment=\"1\"\u003eFrequency Response\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_03f7a80b-80e2-428f-810a-3e5b89b5b774-ENG.png\" class=\"img-responsive\" width=\"350.77px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_03f7a80b-80e2-428f-810a-3e5b89b5b774-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"term\" data-mce-fragment=\"1\"\u003ePolar Pattern\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414096314534,"sku":"PGA81-XLR","price":274.05,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/PGA81-xlarge_ef35ad90-03ea-4559-a898-8825802a11bd.jpg?v=1654205315","url":"https:\/\/seconcept.com\/en-us\/products\/pga81-xlr","provider":"SE CONCEPT ","version":"1.0","type":"link"}