{"product_id":"beta98h-c","title":"SHURE BETA98H-C - Instument Microphone","description":"\u003cp\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003ePRODUCT DETAILS\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe BETA®98H\/C and the wireless version WB98H\/C are premium cardioid condenser instrument microphones that clamp onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Beta 98 H\/C and WB98 H\/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range.\u003c\/li\u003e\n\u003cli\u003eThe pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.\u003c\/li\u003e\n\u003cli\u003eIts high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.\u003c\/li\u003e\n\u003cli\u003eThe Beta98H\/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)\u003c\/li\u003e\n\u003cli\u003eThe WB98H\/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmitters\u003c\/li\u003e\n\u003cli\u003eTailored frequency response for open, natural sound reproduction\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight construction provides a low degree of visibility\u003c\/li\u003e\n\u003cli\u003eGooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning\u003c\/li\u003e\n\u003cli\u003eLegendary Shure ruggedness and reliability\u003c\/li\u003e\n\u003cli\u003eInterchangeable replacement cartridges:\n\u003cul\u003e\n\u003cli\u003eRPM108 : Cardioid\u003c\/li\u003e\n\u003cli\u003eRPM110 : Supercardioid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_FBD2A8A1-671D-8A65-F2F9-63D3F26D3B3D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Beta 98H\/C miniature cardioid condenser microphone clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument vibrations. A gooseneck angle brace is included to provide better retention of the desired microphone placement.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eFeaturing a highly consistent cardioid polar pattern, the Beta 98H\/C provides high gain before feedback and smooth off-axis rejection. It's ability to handle extremely high sound pressure levels (SPL) makes it ideal for live sound reinforcement on a variety of instruments.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_5C22E7BE-2406-0126-A090-63D3F26E222E\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform cardioid pick-up pattern for maximum gain before feedback and excellent rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for open, natural sound reproduction\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWide dynamic range for use in high sound pressure level SPL environments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdjustable gooseneck, angle brace and ratcheting swivel joint allow for optimal microphone positioning\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCompact, lightweight construction provide a low degree of visibility\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eInterchangeable microphone cartridges with different polar patterns are available\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eSnap-fit foam windscreens stay in place, minimizing wind noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_e2b63299-6493-44a6-b362-35209dc45382\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_AD5180A9-A820-9F20-6180-63D3F25ABBCA\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications And Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.\u003c\/p\u003e\n\u003ctable class=\"table\" id=\"table_93d86078-aa2c-491b-91d0-f363fb6881fe\" frame=\"none\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"17%\"\u003e \u003ccol width=\"50%\"\u003e \u003ccol width=\"31%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eReed Instruments\u003c\/td\u003e\n\u003ctd class=\"\"\u003ePlace microphone a few inches from and aiming into bell.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, minimizes feedback and leakage.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"3\" class=\"\"\u003eBrass \u0026amp; Woodwinds\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBrass: 30 to 90 cm (1 to 3 ft.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eWoodwinds: 2.5 to 15 cm (1 to 6 in.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eBell of instrument 90° off-axis from front of mic.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter, mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_F7E59FF0-8F14-BFA3-C339-114A6BC21B7E\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003ePlace the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Cardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_6D4DDFF5-FF08-54BA-D86D-5F19E0B8A57D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePower Requirements\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThis microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eMost modern mixers provide phantom power. You must use a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_FF15B3D3-DA71-2C8D-801E-976B86350B2D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20 to 20,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e150 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-56  dBV\/Pa (1.6  mV) [1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e(1 kHz at 1% THD)\u003c\/p\u003e\n\u003cspan class=\"section\"\u003e1000 Ω load\u003c\/span\u003e\n\u003cp class=\"spec1_value\"\u003e155 dB SPL typical\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eEquivalent Output Noise\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eA-weighted\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e31 dB SPL (typical)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSignal-To-Noise Ratio\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e(Ref. 94 dB SPL at 1 kHz)\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e63 dB[2]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e(at 1 kHz, 1000 Ω load)\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e124 dB, 132  dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eClipping Level\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1% THD\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e3 dBV (1.4  V)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11 to 52  V DCphantom power\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[2] S\/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Frequency Response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Polar Patterns\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eWiring Diagram\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003ctable class=\"default table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eZippered Carrying Bag\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003e95A2398\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eIn-Line Microphone Preamplifier for WBH53 (Beta 53), WBH54 (Beta 54), Beta 91, WB98H\/C (Beta 98), MC50B, MC51B and SM35-XLR\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414095986854,"sku":"BETA98H\/C","price":419.05,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/619cB0cr-hL._AC_SL1500.jpg?v=1654100541","url":"https:\/\/seconcept.com\/en-us\/products\/beta98h-c","provider":"SE CONCEPT ","version":"1.0","type":"link"}