{"product_id":"beta98amp-c-3pk-drum-microphone-pack","title":"SHURE BETA98AMP\/C-3PK - Drum microphone pack.","description":"\u003cp\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003eDrum microphone pack. Includes (3) BETA98AMP\/C microphones and (3) A75M\u003cbr\u003euniversal microphone mounts.\u003c\/p\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThis premium drum microphone is ideal for use with snares and toms. \u003c\/p\u003e\n\u003cp\u003eThe Beta 98AMP\/C provides a smooth and natural sound, and features an integrated XLR preamplifier with a flexible gooseneck.\u003c\/p\u003e\n\u003ch5\u003eWhat is the difference between the Beta 98AMP\/C and the other versions of the Beta 98?\u003c\/h5\u003e\n\u003cp\u003eThe Beta 98AMP\/C is a cardioid condenser instrument microphone and comes complete with an integrated preamplifier and the A75M universal drum mount. None of the other versions of the Beta 98 contain an integrated preamplifier. The Beta 98AMP\/C has a wider dynamic range with a SPL level 7dB higher than Beta 98AD\/C and the Beta 98A\/C. The Beta 98AD\/C is for the same applications and instead contains an A98D drum mount which features a flexible gooseneck. The Beta 98S \u0026amp; Beta 98D\/S will continue to be available and have a supercardioid polar pattern. \u003c\/p\u003e\n\u003cp\u003ePlease note - any Beta drum microphone featuring the letter 'A' following the model number contains a new capsule and as a result you can expect a more natural high frequency response.\u003clabel for=\"product-variant-listbox-details-selector\" class=\"listbox-label\"\u003e\u003c\/label\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cul\u003e\n\u003cli\u003eUniform cardioid polar pattern provides maximum gain-before-feedback and rejection of off-axis sound for smooth high-end response and control\u003c\/li\u003e\n\u003cli\u003ePrecision-engineered design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter\u003c\/li\u003e\n\u003cli\u003eFrequency response tailored for drums and percussion applications with a wide dynamic range for use in high SPL environments\u003c\/li\u003e\n\u003cli\u003eFlexible gooseneck for precise placement and easy adjustment\u003c\/li\u003e\n\u003cli\u003eShips with A75M Universal Microphone mount with quick release, for versatile and secure instrument and\/or stand mounting\u003c\/li\u003e\n\u003cli\u003eFurnished with snap-fit windscreen and zipper pouch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_8B89D33F-1D9B-90DD-1C93-CD638ACD3841\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Shure Beta 98AMP is a compact, high-output, condenser microphone for professional sound reinforcement and studio recording. An extremely uniform cardioid polar pattern provides excellent gain before feedback, off-axis rejection of unwanted noise, and performance in high sound pressure level (SPL) environments.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe Beta 98AMP features an integrated preamplifier with XLR connection, a flexible gooseneck, and is packaged with the A75M Universal Microphone Mount accessory for precision adjustments and minimal stage clutter. For use with drums, percussion, and other fixed-placement applications.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_470FB7A9-FD14-CF58-4AE3-CD62FA43DDAA\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eVariations\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003e\n\u003cb\u003eBeta 98AMP\/C:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eBeta 98AMP microphone furnished with the A75M Universal Microphone Mount.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003e\n\u003cb\u003eBeta 98AMP\/C-3PK:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eincludes three Beta 98AMP microphones and three A75M Universal Microphone Mounts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_8B396FDD-CC84-C9A7-D662-CD4D55337292\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePerformance Characteristics\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eExceptional low-frequency reproduction\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eExtremely high SPL handling\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eHigh output level\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNo crossover distortion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_50729C0E-4421-F577-4F8A-CD62C5B8DDDB\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform cardioid polar pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response shaped for drums and percussion\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWide dynamic range for use in high SPL environments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCompact design and integrated preamp reduce stage clutter and ease setup\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFlexible gooseneck for precise placement and easy adjustments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eEnamel coated metal construction and stainless steel inner grille resist wear and abuse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_B6870D69-B884-D5B9-A443-CD9A03022793\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_292895F7-AAD5-E9AD-88AC-CD4C8989E6D1\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.\u003c\/p\u003e\n\u003ctable class=\"t b l r table\" id=\"table_fgx_xnh_pp\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"33%\"\u003e \u003ccol width=\"33%\"\u003e \u003ccol width=\"33%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"2\" class=\"\"\u003eTom-Toms\u003c\/td\u003e\n\u003ctd class=\"\"\u003eOne mic on each tom or between a pair of toms, 2.5 to 7.5 cm (1 to 3 in.) above drum heads.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eRemove bottom head and place a mic inside pointing up toward top drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMaximum isolation; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eSnare Drum\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 to 7.5 cm (1 to 3 in.) above rim of top head of drum. Aim mic at drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMost \"snap\" from drumstick.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eCymbals\u003c\/td\u003e\n\u003ctd class=\"\"\u003eClose-mike with A75M mount, avoiding range of cymbal movement.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMaximum isolation; bright, with plenty of attack.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"P1_tip_note\"\u003eBefore each use, make sure the cartridge is tightly secured on the microphone, as vibration and accidental hits with drumsticks may loosen it, resulting in signal loss.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_19B81C04-7EA3-1FEF-4C78-CD4BEBA9E1CA\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePositioning the Microphone\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe flexible gooseneck allows precise adjustments to the microphone without moving the mount.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\"\u003eExcessive twisting or forcing the gooseneck into extreme positions can permanently damage the microphone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_61A9E39C-81F3-9D1A-B05A-CD4AB22C717F\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eA75M Universal Microphone Mount\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe Shure A75M mounts the Beta 98AMP on a variety of surfaces and instrument hardware. Reference the furnished A75M guide to correctly mount the microphone.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eBETA 98AMP MOUNTED WITH A75M\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_763928C7-5623-A9A3-E645-20786E954E82\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eLoad Impedance\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eMaximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which the microphone is connected. Shure recommends a minimum input load impedance of 1000 Ohms. Most modern microphone preamplifiers meet this requirement. Higher impedance results in better performance for these specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_6D4DDFF5-FF08-54BA-D86D-5F19E0B8A57D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePower Requirements\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThis microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eMost modern mixers provide phantom power. You must use a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_64E4B733-54C7-7A39-E3F5-CD9B08AC4107\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20 to 20,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e150  Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz, open circuit voltage, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-50.5 dBV\/Pa(2.5 mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e1 kHz at 1% THD[2]\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e157.5 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e153.0 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eSignal-To-Noise Ratio[3]\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e63 dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e126.5 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e122.0 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eClipping Level\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz,at 1% THD\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e12.5 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"1\" class=\"spec_tableValueVT\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e7.5 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eSelf Noise\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eequivalent SPL,A-weighted,typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e31.0 dB SPL-A\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eCommon Mode Rejection\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e10 Hz to 100 kHz\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e≥60 dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11–52 V DCphantom power[4], 5.5  mA\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eNet Weight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e130  g(4.6oz.)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[2] THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[3] S\/N ratio is the difference between 94 dB SPL and equivalent SPL of self-noise, A-weighted\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[4] All specifications measured with a 48 Vdc phantom power supply. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35608261951654,"sku":"BETA98AMP\/C-3PK","price":1419.55,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/WEB_ImageShureBeta98AMPC_3PKPackof3xMin1581967571.jpg?v=1596956192","url":"https:\/\/seconcept.com\/en-us\/products\/beta98amp-c-3pk-drum-microphone-pack","provider":"SE CONCEPT ","version":"1.0","type":"link"}