{"product_id":"beta56a","title":"SHURE BETA56A - Instrument Microphone","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\" data-mce-fragment=\"1\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eWhat is the Beta 56A best suited to?\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt’s a premium microphone that is ideally suited for the professional musician looking to mic up their snare and toms, either on stage or in the studio. It can also be used with other instruments such as guitar and bass amps, brass and a saxophone amongst others.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eWhat are the Charactaristics of the Beta 56A?\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Beta 56A has a uniform supercardioid pattern for high gain before feedback and a superior rejection of off-axis sound. It includes a Neodymium magnet which gives the BETA56A a high signal-to-noise ration output. The built-in stand adaptor had a dynamic locking system and XLR connector which simplifies setup and provides greater flexibilty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBuilt-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompact design reduces stage clutters\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardened steel mesh grille resists wear and abuse\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeodymium magnet for high signal-to-noise ratio output\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response: 50 to 16,000 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"c_DD981695-E17F-78D9-B2EE-63D09D33C4DA\" class=\"topic_level1 tab-pane active\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Shure Beta 56\u003csup\u003e®\u003c\/sup\u003eA dynamic microphone has a frequency response specifically tailored for drums and instruments. An extremely uniform supercardioid pattern provides high gain before feedback and excellent rejection of unwanted noise. An integrated, locking stand adapter, with XLR connector, simplifies mounting and adjustments.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eDesigned for professional sound reinforcement and studio recording, the Beta 56A features a hardened steel mesh grille, die-cast metal construction, and pneumatic shock mount system ideal for daily, rough use in performance environments.\u003c\/p\u003e\n\u003cdiv id=\"c_C83FDA6C-796C-B9BB-BA8B-63D09D337908\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for drums, amplified instruments and horns\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNeodymium magnet for greater sensitivity and higher output\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDent-resistant, steel mesh grille and enamel coated die-cast metal construction resist wear and abuse\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eBuilt-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCompact design reduces stage clutter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_08686934-60b2-4932-b92b-152b9d4785bf\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_16E9433F-043A-7C48-1B67-63D09D26F5BC\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one \"correct\" microphone position.\u003c\/p\u003e\n\u003ctable id=\"table_19bab3ab-cef4-4655-bfaa-4dde4dfe098b\" class=\"table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"21%\"\u003e \u003ccol width=\"47%\"\u003e \u003ccol width=\"31%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eTom-Toms\u003c\/td\u003e\n\u003ctd class=\"\"\u003eOne mic on each tom, or between each pair of toms, 2.5 to 7.5 cm (1 to 3 in.) above drum heads. Aim each microphone at top drum heads. On double head toms, you can also remove bottom head and place a mic inside pointing up toward top drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eSnare Drum\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 to 7.5 cm (1 to 3 in.) above rim of top head of drum. Aim mic at drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMost \"snap” from drumstick.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"4\"\u003eGuitar \u0026amp; Bass Amplifiers\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, on-axis with center of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; emphasized bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, at edge of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; higher frequency sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e15 to 30 cm (6 to 12 in.) away from speaker and on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e60 to 90 cm (2 to 3 ft.) back from speaker, on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter attack; reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"3\"\u003eBrass \u0026amp; Woodwinds\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBrass: 30 to 90 cm (1 to 3 ft.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eWoodwinds: 2.5 to 15 cm (1 to 6 in.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eBell of instrument 90° off-axis from front of mic.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter, mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_1F1829E0-E6EF-5DDD-E0B0-0CC6D31E4903\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA supercardioid microphone has the greatest sound rejection at points 120° toward the rear of the microphone. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Supercardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_3CFDFA3B-AD78-9358-FC5D-791732FF1AD0\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eUsing the Stand Adapter\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe integrated stand adapter resists slipping when struck or bumped, yet permits adjustments without loosening the knob.\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"P1_ordered_restart\"\u003eThread the microphone onto the stand.\u003c\/li\u003e\n\u003cli class=\"P1_ordered\"\u003e\n\u003cb\u003eBefore tightening the adjustment knob,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eadjust the stand height and position as necessary.\u003c\/li\u003e\n\u003cli class=\"P1_ordered_last\"\u003eTighten the adjustment knob to lock the microphone in place. Do NOT use tools or overtighten\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_2CDF9B44-F3B8-A375-09A1-72E0F23C4053\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e50 to 16,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSupercardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eEIA rated at150  Ω(290  Ωactual)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz,open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-51  dBV\/Pa(2.8  mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eNet\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e0.468 kg (1.6  lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSilver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Frequency Response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Polar Pattern\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414097920166,"sku":"BETA56A","price":303.05,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/7406380_800.jpg?v=1654025367","url":"https:\/\/seconcept.com\/en-us\/products\/beta56a","provider":"SE CONCEPT ","version":"1.0","type":"link"}