{"product_id":"beta52a","title":"SHURE BETA52A - Bass drum microphone","description":"\u003c!-- more --\u003e\n\u003cp\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003ePRODUCT DETAILS\u003c\/p\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and \"punch\", and delivers studio quality sound even at extremely high sound pressure levels. \u003c\/p\u003e\n\u003cp\u003eThe Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Frequency response shaped specifically for kick drums and bass instruments\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum\u003c\/li\u003e\n\u003cli\u003eStudio quality performance, even at extremely high sound pressure levels\u003c\/li\u003e\n\u003cli\u003eSupercardioid pattern for high gain before feedback and superior rejection of unwanted noise\u003c\/li\u003e\n\u003cli\u003eHardened steel mesh grille that resists wear and abuse\u003c\/li\u003e\n\u003cli\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli\u003eNeodymium magnet for high signal–to–noise ratio output\u003c\/li\u003e\n\u003cli\u003eLow sensitivity to varying load impedance\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality and reliability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"c_67D44DB4-F8BB-AF02-08D9-5F34204B6B36\" class=\"topic_level1 tab-pane active\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Beta 52\u003csup\u003e®\u003c\/sup\u003eA is a precision-engineered dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and “punch,” and delivers studio quality sound even at extremely high sound pressure levels (SPL). An integrated, locking stand adapter simplifies mounting and adjustments.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eFeaturing a modified supercardioid pattern, the Beta 52A exhibits remarkable gain before feedback and excellent off-axis rejection. A hardened, steel mesh grille and die-cast metal construction withstands years of abuse, making it ideal for touring sound reinforcement.\u003c\/p\u003e\n\u003cdiv id=\"c_75D72829-52A3-F08F-55BD-5F34204C333F\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eModified supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for kick drums and bass instruments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNeodymium magnet for greater sensitivity and higher output\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDent-resistant, steel mesh grille and enamel coated die-cast metal construction resist wear and abuse\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eStudio quality performance, even at high SPL\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eBuilt-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_a8fcb850-9183-42e6-8693-11316e8b67c2\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv id=\"c_0575B9F7-1491-6FD3-D199-64C04DED2F6D\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Kick Drum Mic Placement\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eMake sure microphone does not touch drum head or damping inside of the drum.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace closer to beater head for more attack, further away for more resonance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_4562D90C-0011-8752-205C-5F34204C4C3F\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one \"correct\" microphone position.\u003c\/p\u003e\n\u003ctable id=\"table_cb3a8404-a5e3-444a-85bf-7e7938d6b99d\" class=\"table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"27%\"\u003e \u003ccol width=\"32%\"\u003e \u003ccol width=\"39%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"3\"\u003eKick Drum\u003c\/td\u003e\n\u003ctd class=\"\"\u003e5 to 7.5 cm (2 to 3 in.) away from beater head, slightly off-center from beater.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; maximum bass sound, highest sound pressure level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"2\"\u003e20 to 30 cm (8 to 12 in.) from beater head, on-axis with beater.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eNOTE: To create a tighter sound with more “punch,” place a pillow or blanket on bottom of the drum against the beater head.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"3\"\u003eGuitar \u0026amp; Bass Amplifiers\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, on-axis with center of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; emphasized bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, at edge of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; higher frequency sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e60 to 90 cm (2 to 3 ft.) back from speaker, on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter attack; reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_1F1829E0-E6EF-5DDD-E0B0-0CC6D31E4903\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA supercardioid microphone has the greatest sound rejection at points 120° toward the rear of the microphone. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Supercardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_A3E2765C-5FAB-2E1D-6D88-6F04ED6BADDB\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eUsing the Stand Adapter\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe integrated stand adapter resists slipping when struck or bumped, yet permits adjustments without loosening the knob.\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"P1_ordered_restart\"\u003eThread the microphone onto the stand.\u003c\/li\u003e\n\u003cli class=\"P1_ordered\"\u003e\n\u003cb\u003eBefore tightening the adjustment knob,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eadjust the stand height and position as necessary.\u003c\/li\u003e\n\u003cli class=\"P1_ordered_last\"\u003eTighten the adjustment knob to lock the microphone in place. Do NOT use tools or over tighten.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_ADE0A667-7EA3-E3C4-AE54-6499AFB6DBBA\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20 to 10,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSupercardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eEIA rated at150 Ω(45 Ωactual)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz,open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-64 dBV\/Pa(0.6 mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e1 kHz at 1% THD, 1 kΩ load\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e174  dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eNet\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e0.605  kg(1.35  lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSilver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Frequency Response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Polar Patterns\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414095331494,"sku":"BETA52A","price":375.55,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/1e6ef020c89f557a2ee1fd25137df6e1.jpg?v=1672174787","url":"https:\/\/seconcept.com\/en-us\/products\/beta52a","provider":"SE CONCEPT ","version":"1.0","type":"link"}