{"title":"SHURE","description":"\u003cp data-mce-fragment=\"1\"\u003eWith a history of innovation that began in 1925, Shure has turned a passion for making great microphones and audio electronics into an obsession. Shure continues to set the worldwide industry standard for superior, reliable products.\u003c\/p\u003e","products":[{"product_id":"se215","title":"SHURE SE215-CL - IN EAR HEADPHONES","description":"\u003cp\u003eFeaturing Dynamic MicroDriver, the SE215 delivers detailed sound with enhanced bass. A detachable cable with formable wire enables easy replacement and a secure, comfortable fit on-stage or on-the-go. Sound Isolating sleeves in multiple sizes provide up to 37 dB of isolation and a customized fit. Available in translucent black or clear color choice.\u003cbr\u003e\n\u003cbr\u003e\nProduct Overview:\u003cbr\u003e\n\u003cbr\u003e\n- Detailed Sound with Enhanced Bass\u003cbr\u003e\n- Sound Isolating Design\u003cbr\u003e\n- Speaker Type: Single Dynamic MicroDriver\u003cbr\u003e\n- 2-Year Limited Warranty\u003cbr\u003e\n- Included Fit Kit\u003cbr\u003e\n- Available in Clear or Translucent Black\u003cbr\u003e\n\u003cbr\u003e\nEvolved from personal monitor technology that's been road-tested by pro musicians, the SE215 delivers detailed sound for personal listening or professional monitoring. Dynamic MicroDrivers deliver detailed sound with enhanced bass.\u003cbr\u003e\n\u003cbr\u003e\nSound Isolating Design\u003cbr\u003e\nComfortable sound isolating sleeves block up to 37 dB of ambient noise. Sound isolation technology prevents outside noise from interfering with your listening experience, whether on-stage or on-the-go. Shure Sound Isolating Earphones require a proper fit to achieve the best sound.\u003cbr\u003e\n\u003cbr\u003e\nUnmatched Personalization and Comfort\u003cbr\u003e\nErgonomic, Professional Design\u003cbr\u003e\nLightweight, low-profile shape with optimized nozzle angle is designed to rest comfortably in the ear. Over-the-ear configuration keeps cables out of the way.\u003cbr\u003e\n\u003cbr\u003e\nDetachable Cable with Wireform Fit\u003cbr\u003e\nDurable Kevlar reinforced cable allows easy replacement or customization. Formable wire ensures secure placement, and over-the-ear configuration keeps cables out of the way.\u003cbr\u003e\n\u003cbr\u003e\nGold plated MMCX Connector has a lock-snap mechanism allowing 360-degree rotation for comfortable fit.\u003cbr\u003e\n\u003cbr\u003e\nFit Kit Includes:\u003cbr\u003e\n\u003cbr\u003e\nSound Isolating Sleeves\u003cbr\u003e\nThe role of the included sound isolating sleeves is twofold: blocking ambient noise and ensuring a comfortable customized fit. Because every ear is different, the Fit Kit includes three sizes (S, M, L) of the flex and black foam sleeves. Experiment with the size and style that creates the best fit for you. A good seal is key to optimizing sound isolation and bass response as well as maximizing comfort during extended wear.\u003cbr\u003e\n\u003cbr\u003e\nCarrying Case\u003cbr\u003e\nA soft-zip, compact carrying case is included to provide a convenient, tangle-free solution to store and travel with your earphones.\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413460713638,"sku":"SE215-CL","price":129.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure-se215-cl-sound-isolating-earphone-clear.jpg?v=1654715192"},{"product_id":"sm58-lc","title":"SHURE SM58-LC \/ The Legency SM58 Vocal microphone","description":"\u003cp\u003eThe Shure SM58 unidirectional (cardioid) dynamic vocal microphone is designed for professional vocal use in live performance, sound reinforcement,\u003cbr\u003e and studio recording. It has a tailored vocal response for a sound which is a world standard for singing or speech. A highly effective, built-in spherical\u003cbr\u003e filter minimizes wind and breath \u0026amp; pop, noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise.\u003c\/p\u003e\n\u003cp\u003eRugged construction, a proven shock-mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently,\u003cbr\u003e outdoors or indoors.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response tailored for vocals, with brightened midrange and bass rolloff\u003c\/li\u003e\n\u003cli\u003eUniform cardioid pickup pattern isolates the main sound source and minimizes background noise\u003c\/li\u003e\n\u003cli\u003ePneumatic shock-mount system cuts down handling noise\u003c\/li\u003e\n\u003cli\u003eEffective, built-in spherical wind and pop filter\u003c\/li\u003e\n\u003cli\u003eSupplied with break-resistant stand adapter which rotates 180 degrees\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality, ruggedness and reliability\u003c\/li\u003e\n\u003cli\u003eCardioid (unidirectional) dynamic\u003c\/li\u003e\n\u003cli\u003eFrequency response: 50 to 15000 Hz\u003c\/li\u003e\n\u003cli\u003eReplacement cartridge: R59\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413463400614,"sku":"SM58-LC","price":129.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/SM581.png?v=1596014378"},{"product_id":"sm57","title":"SHURE SM57-LC \/  All in one purpose microphone","description":"\u003c!-- more --\u003e\n\u003cp\u003eThe legendary Shure SM57 is exceptional for musical instrument pickup and vocals. With its bright, clean sound and contoured frequency response, the SM57 is ideal for live sound reinforcement and recording.\u003cbr\u003e \u003cbr\u003e The SM57 has an extremely effective cardioid pickup pattern that isolates the main sound source while minimizing background noise. In the studio, it is excellent for recording drums, guitar, and woodwinds.\u003c\/p\u003e\n\u003cp\u003eOutstanding performance, reliability, and application diversity make this ,workhorse, the choice of performers, producers, and sound engineers worldwide.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eContoured frequency response for clean, instrumental reproduction and rich vocal pickup\u003c\/li\u003e\n\u003cli\u003eProfessional-quality reproduction for drum, percussion, and instrument amplifier miking\u003c\/li\u003e\n\u003cli\u003eUniform cardioid pickup pattern isolates the main sound source while reducing background noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003ePneumatic shock-mount system cuts down handling noise\u003c\/li\u003e\n\u003cli\u003eExtremely durable under the heaviest use\u003c\/li\u003e\n\u003cli\u003eFrequency response: 40 to 15000 Hz\u003c\/li\u003e\n\u003cli\u003eReplacement cartridge: R57\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413464023206,"sku":"SM57-LC","price":129.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/preview_6_2e4bb053-a189-4fa3-bb42-3130b755920d.jpg?v=1654289523"},{"product_id":"sm58s","title":"SHURE SM58S - SM58 with ON\/OFF Switch","description":"\u003cp\u003e\u003cspan\u003eThe SM58 is known as the world’s most popular performance microphone. It is an instantly recognizable icon for performance and can be seen in the hands of anyone from Pop Idols and Presidents, to Podcasters, Poets and MC’s It is also a very effective microphone for live streaming and podcasting. Simply connect the SM58 to either an MVi, an X2U, or your audio interface of choice, and you’ve got a very affordable and durable kit for your live stream.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_47EF4A63-C73A-8D80-23FA-4ED50AFD9864\"\u003e\n\u003ch4 class=\"H1_heading\"\u003eGeneral Description\u003c\/h4\u003e\n\u003ch4 class=\"H1_heading\"\u003eThe Shure SM58\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eis a unidirectional (cardioid) dynamic vocal microphone for professional vocal use in sound reinforcement and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath “pop” noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shockmount system, and a steel-mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing or speech, the SM58 is the overwhelming choice of professionals worldwide.\u003c\/h4\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_641F688D-3BC0-5C14-B93B-4ED50AFD3C9C\"\u003e\n\u003ch4 class=\"H2_heading\"\u003eFeatures\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePerformance tested, industry standard\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform cardioid pick-up pattern for maximum gain before feedback and excellent rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for vocals, with brightened midrange and bass roll off to control proximity effect\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eSteel-mesh grille and enamel-coated metal construction resist wear and abuse\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eEffective built in pop-filter reduces undesirable wind and breathe noise\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFurnished with zippered storage bag and break-resistant stand adapter\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eOn\/Off switch (SM58S only)\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eExtremely durable under the heaviest use\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eShure quality, ruggedness and reliability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"t_0FE1551D-873E-B09A-5FF8-3F05E4CC6527\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePlacement\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_8A476AE8-2C0C-BA66-3522-3EF37BAA20AC\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse the fewest number of microphones as practical.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_EE305EC4-7755-0AF7-1257-63D2D6C71F99\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications And Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.\u003c\/p\u003e\n\u003ctable class=\"noframe table\" id=\"table_e3e2a636-4257-46d1-a826-21c0a95991e8\" frame=\"none\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"23%\"\u003e \u003ccol width=\"45%\"\u003e \u003ccol width=\"31%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"T1_heading\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"T1_heading\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"T1_heading\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"4\" class=\"T1\"\u003eVocals\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eLips less than 15 cm (6 in.) away or touching the windscreen, on axis to microphone.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eRobust sound, emphasized bass, maximum isolation from other sources.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e15 to 60 cm (6 in. to 2 ft.) away from mouth, just above nose height.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eNatural sound, reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e20 to 60 cm (8 in. to 2 ft.) away from mouth, slightly off to one side.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eNatural sound, reduced bass and minimal “s” sounds.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e90 cm to 1.8 m (3 to 6 ft.) away.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eThinner, distant sound; noticeable levels of ambient noise.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_F7E59FF0-8F14-BFA3-C339-114A6BC21B7E\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003ePlace the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_503158fd-2aa5-4035-9fde-f687d47d6c04-ENG.png\" class=\"img-responsive figure\" width=\"342px\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Cardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eProximity Effect\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"t_CB3C0B5B-D225-3999-75F4-3F094FFDF5BE\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003cdiv class=\"specs\" data-rev=\"1.0\" id=\"c_9aa8e413-b465-43c7-a702-f198fa3aac07\"\u003e\n\u003cdiv class=\"specs-cat\"\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eType\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eDynamic (moving coil)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eFrequency Response\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e50\u003cspan class=\"term\"\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e15\u003cspan class=\"term\"\u003e,\u003c\/span\u003e000\u003cspan class=\"term\"\u003e Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePolar Pattern\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eCardioid\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eOutput Impedance\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e300\u003cspan class=\"term\"\u003e Ω\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eSensitivity\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003eat 1 kHz\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003eopen circuit voltage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-56\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan class=\"term\"\u003e dBV\/Pa\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[1]\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003e(1\u003cspan class=\"term\"\u003e.\u003c\/span\u003e6\u003cspan class=\"term\"\u003e mV\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e\u003csup\u003e[1]\u003c\/sup\u003e1 Pa=94 dB SPL\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePolarity\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eNet Weight\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e0\u003cspan class=\"term\"\u003e.\u003c\/span\u003e33\u003cspan class=\"term\"\u003e kg\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(0\u003cspan class=\"term\"\u003e.\u003c\/span\u003e72\u003cspan class=\"term\"\u003e lb\u003c\/span\u003e)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eConnector\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eThree-pin professional audio (XLR), male\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eHousing\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eDark gray, enamel-painted, die cast metal; matte-finished, silver colored, spherical steel mesh grille\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_F2C3862D-1565-AD10-E3E7-5E8D5EA1EEBD\"\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_16f4fe8e-80dc-4d46-8240-a0ab03248260-ENG.png\" class=\"img-responsive figure\" width=\"352px\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eWiring Diagram\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_7e014e2c-0e64-4316-9359-a69f034adcd0-ENG.png\" class=\"img-responsive figure\" width=\"352px\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Frequency Response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_3cfab716-a05c-421a-a897-22f0dbb3418d-ENG.png\" class=\"img-responsive figure\" width=\"352px\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Polar Pattern\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_ad42bed1-f837-4e2d-bb27-726c12c1bcd8-ENG.png\" class=\"img-responsive figure\" width=\"352px\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003eOverall Dimensions\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"t_FDF8F0B3-20DC-4E5B-60C3-3F0942258C98\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAccessories\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"t_F413B456-5BC5-85D4-C466-620B788D616F\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003cdiv id=\"c_b3f9a6b9-7128-4614-bed3-42141e545ab5\"\u003e\n\u003ctable class=\"parts table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eMicrophone Clip for SM58, SM57, SM87A, BETA87A, BETA87C, PGA57, PGA58, PGA48, PGA81\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eA25D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eCarrying\/Storage Bag\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e95A2313\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413466775718,"sku":"SM58S","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/270104000000000-00-1600x1600.jpg?v=1654187075"},{"product_id":"sm58-cn","title":"SHURE SM58-CN - Microphone SM58 with cable bundle","description":"\u003cp\u003eThe Shure SM58is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath ,pop, noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard.\u003c\/p\u003e\n\u003cp\u003eRugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing, speech - the SM58 is the overwhelming choice of professionals.\u003c\/p\u003e\n\u003cp\u003eThe legendary Shure vocal mic tuned to accentuate the warmth and clarity of lead and back-up vocals. Consistently the first choice of performers around the globe. The Shure SM58, is a unidirectional (cardioid) dynamic vocal microphone designed for professional vocal use in live performance, sound reinforcement, and studio recording. A highly effective, built-in, spherical filter minimizes wind and breath ,pop, noise. A cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The SM58 has a tailored vocal response for a sound which is a world standard. Rugged construction, a proven shock mount system, and a steel mesh grille ensure that even with rough handling, the SM58 will perform consistently. Outdoors or indoors, singing, speech - the SM58 is the overwhelming choice of professionals.\u003c\/p\u003e\n\u003ch2\u003eShure SM58-CN Features:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eFrequency response tailored for vocals, with brightened midrange and bass rolloff\u003c\/li\u003e\n\u003cli\u003eUniform cardioid pickup pattern isolates the main sound source and minimizes background noise\u003c\/li\u003e\n\u003cli\u003ePneumatic shock-mount system cuts down handling noise\u003c\/li\u003e\n\u003cli\u003eEffective, built-in spherical wind and pop filter\u003c\/li\u003e\n\u003cli\u003eSupplied with break-resistant stand adapter which rotates 180 degree\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eShure SM58-CN Specifications:\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eType: Dynamic (moving coil)\u003c\/li\u003e\n\u003cli\u003eFrequency Response: 50 Hz- 15 kHz\u003c\/li\u003e\n\u003cli\u003ePolar Pattern: Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency\u003c\/li\u003e\n\u003cli\u003eSensitivity (at 1000 Hz Open Circuit Voltage): 54.5dBV\/Pa (1.85 mV)\u003c\/li\u003e\n\u003cli\u003eImpedance: Rated impedance is 150 Ohms (300 Ohms actual) for connection to microphone inputs rated low impedance\u003c\/li\u003e\n\u003cli\u003ePolarity: Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/li\u003e\n\u003cli\u003eConnector: Three-pin professional audio connector (male XLR type)\u003c\/li\u003e\n\u003cli\u003eCase: Dark gray, enamel-painted, die cast metal, matte-finished, silver colored, spherical steel mesh grille\u003c\/li\u003e\n\u003cli\u003eSwivel Adapter: Positive-action, break-resistant, adjustable through 180\u0026amp;deg,, with standard 5\/8 in,27 thread\u003c\/li\u003e\n\u003cli\u003eDimensions:\n\u003cul\u003e\n\u003cli\u003eHead diameter:  (51mm)\u003c\/li\u003e\n\u003cli\u003eShank diameter: 29\/32(23mm)\u003c\/li\u003e\n\u003cli\u003eLength: 6-3\/8 (162 mm)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003eNet Weight: 10.5 oz. (298 g)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413473231014,"sku":"SM58-CN","price":169.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure_sm58cn.png?v=1596014414"},{"product_id":"beta58a","title":"SHURE BETA58A - Vocal Microphone","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003eBig sound. Full sound. Sophisticated sound. Is your mic living up to the power of your vocal? For decades, the BETA® 58A has been through the wringer, pushing voice to the forefront on the biggest stages in the world. For sound that commands the attention of the entire crowd, this is your microphone.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-details__tabbed\"\u003e\n\u003cdiv class=\"product-details__tabbed-nav product-details__tabbed-nav--single\" style=\"text-align: center;\"\u003e\u003cspan style=\"color: #000000; font-family: Arial;\" color=\"#000000\" face=\"Arial\"\u003e\u003cspan style=\"font-size: 13.3333px; background-color: #efefef;\"\u003eIN THE BOX\u003c\/span\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"itb-section tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul class=\"arrow-list inBoxUL tabbed-section__item tabbed-section__item--visible\" data-combo=\"combo_1\"\u003e\n\u003cli\u003e1 - A25D Adjustable Stand Adapter\u003c\/li\u003e\n\u003cli\u003e1 - 95A2050 5\/8” to 3\/8” (Euro) Thread Adapter\u003c\/li\u003e\n\u003cli\u003e1 - 26A21 Storage Bag\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_54318293-2203-B926-D3EC-63D245B46E97\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Shure BETA58\u003csup\u003e®\u003c\/sup\u003eA dynamic microphone is precision-engineered for vocals in professional live sound reinforcement and studio recording applications. A tailored frequency response accentuates the clarity of vocals, and a tight, supercardioid pickup pattern ensures high gain before feedback, maximum sound isolation, and minimum off-axis tone coloration.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe BETA58A is ideal for close-up lead and background vocals, especially in high sound pressure level (SPL) environments. A proven shock mount system, hardened steel-mesh grille, and superior build quality withstand the rigors of daily sound reinforcement.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_B9F59EAF-1170-FE39-CF5C-63D245B445B8\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for vocals, with brightened midrange and bass roll off to control proximity effect\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNeodymium magnet for greater sensitivity and higher output\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDent-resistant steel mesh grille and enamel coated die-cast metal construction resist wear and abuse\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eEffective built-in pop filter reduces undesirable wind and breath noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_487ea89d-0cd5-4668-af12-421990becd9e\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Rules for Use\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\"\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_636B6D08-5D36-6C0B-21F0-63D245A36518\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications And Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.\u003c\/p\u003e\n\u003cp class=\"table_title\"\u003e \u003c\/p\u003e\n\u003ctable class=\"table\" id=\"table_cc35936a-e75e-4fd9-a0a4-c3637deead8f\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"17%\"\u003e \u003ccol width=\"41%\"\u003e \u003ccol width=\"40%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"4\" class=\"\"\u003eVocals\u003c\/td\u003e\n\u003ctd class=\"\"\u003eLips less than 15 cm (6 in.) away or touching the windscreen, on axis to microphone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eRobust sound, emphasized bass, maximum isolation from other sources.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e15 to 60 cm (6 in. to 2 ft.) away from mouth, just above nose height.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eNatural sound, reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e20 to 60 cm (8 in. to 2 ft.) away from mouth, slightly off to one side.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eNatural sound, reduced bass and minimal “s” sounds.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e90 cm to 1.8 m (3 to 6 ft.) away.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eThinner, distant sound; noticeable levels of ambient noise.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"4\" class=\"\"\u003eGuitar \u0026amp; Bass Amplifiers\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, on-axis with center of speaker cone.`\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; emphasized bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, at edge of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; higher frequency sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e15 to 30 cm (6 to 12 in.) away from speaker and on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e60 to 90 cm (2 to 3 ft.) back from speaker, on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter attack; reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_1F1829E0-E6EF-5DDD-E0B0-0CC6D31E4903\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA supercardioid microphone has the greatest sound rejection at points 120° toward the rear of the microphone. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Supercardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_D5B4FFCA-6BFC-0C03-BD8E-9712EB5D26D8\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e50 to 16,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSupercardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eEIA rated at 150  Ω (290  Ω actual)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-51.5  dBV\/Pa (2 .6  mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eNet\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e0.278 kg (0.62 lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSilver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413501968550,"sku":"BETA58A","price":209.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/717pE587QkL._AC_SX522.jpg?v=1654026209"},{"product_id":"se425","title":"SHURE SE425-CL  -  IN EAR HEADPHONE","description":"\u003cp\u003eDesigned for the demanding audio specifications of live performance, the SE425 is engineered to provide reference quality audio. Hear all the details of your music with Dual High-Definition MicroDrivers that deliver an incredibly accurate and balanced listening experience.\u003cbr\u003e\u003cbr\u003eFeaturing Dual High-Definition MicroDrivers, the SE425 uses a dedicated tweeter and woofer for an accurate and balanced sound. Detachable cable with formable wire enables easy replacement and secure, comfortable fit. Sound Isolating sleeves in multiple sizes provide up to 37 dB of isolation.\u003cbr\u003e\u003cbr\u003eThe SE425 Sound Isolating Earphones feature:\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eAccurate and Balanced Sound\u003c\/li\u003e\n\u003cli\u003eSound Isolating Design\u003c\/li\u003e\n\u003cli\u003eSpeaker Type: Dual High-Definition MicroDrivers\u003c\/li\u003e\n\u003cli\u003eIncluded Fit Kit\u003c\/li\u003e\n\u003cli\u003eAvailable in clear or metallic silver\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eAccessories:\u003cbr\u003e\u003cbr\u003e1x Standard 3.5 mm Earphone Communication Cable (For -CL version)\u003cbr\u003e1x Soft Flex Sleeves (S, M, L)\u003cbr\u003e1x Foam Sleeves (S, M, L)\u003cbr\u003e1x Yellow Foam Sleeves\u003cbr\u003e1x Triple Flange Sleeves\u003cbr\u003e1x Clothing Clip\u003cbr\u003e1x Premium Carrying Case\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413537423526,"sku":"SE425-CL","price":349.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/se4251.png?v=1596014647"},{"product_id":"pga-drumkit5","title":"SHURE PGA DRUMKIT5 - 5 microphones drum kit","description":"\u003c!-- more --\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" height=\"563\" width=\"1000\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003eThe PGADRUMKIT5 Drum Microphone Kit is an essential package of professional quality microphones, designed to provide excellent sound for close-mic kick drum, snare and tom performance and recording. Included in the PGADRUMKIT4 are one PGA52 kick drum microphone, three PGA56 drum microphones and one PGA57 instrument microphone, along with three drum mounts, five XLR-XLR cables, and a carrying case\u003cbr\u003e \u003cbr\u003e \u003cstrong\u003ePackage Includes:\u003c\/strong\u003e\u003cbr\u003e - PGA52 (1) Cardioid Dynamic Kick Drum Microphone\u003cbr\u003e - PGA56 (3) Cardioid Dynamic Snare\/Tom Microphone\u003cbr\u003e - PGA57 (1) Cardioid Dynamic Instrument Microphone\u003cbr\u003e - A25D Break-resistant Microphone Clip\u003cbr\u003e - AP56DM (3) Break-resistant Drum Rim Mounts\u003cbr\u003e - C15J (5) 15 foot (4.6 m) XLR-XLR cables\u003cbr\u003e - 95F16526 Zippered Carrying Case\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413548662950,"sku":"PGA DRUMKIT5","price":469.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/pga51.png?v=1596014698"},{"product_id":"blx14-p31","title":"SHURE BLX14\/P31 - Wireless system headset with PGA31-TQG","description":"\u003cp\u003e\u003ciframe width=\"1176\" height=\"662\" src=\"https:\/\/www.youtube.com\/embed\/mnNM1npG_EM\" title=\"BLX Wireless System Overview\"\u003e\u003c\/iframe\u003eShure BLX Wireless Systems combine professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Precision-built and available in a variety of configurations, it's the most accessible way to own the stage.\u003cbr\u003e\u003cbr\u003eIncludes PG31 headset microphone, BLX1 bodypack transmitter, BLX4 single-channel receiver, power supply, 2 AA batteries, and user guide.\u003c\/p\u003e\n\u003cp\u003e\u003cbutton id=\"accordion_button_1\" class=\"flex justify-between items-center keyboard-focus\" type=\"button\" aria-controls=\"accordion_content_1\" aria-expanded=\"true\" aria-label=\"accordion title panel\"\u003e\u003cspan class=\"m-body-l-bold md:d-body-l-bold text-left text-black uppercase !text-sm tracking-[2.1px]\"\u003e\u003c\/span\u003e\u003c\/button\u003e\u003cstrong\u003eSUPERIOR AUDIO - Perform with Confidence\u003c\/strong\u003e\u003cbr\u003eGet the show going with no wires attached. Professional Shure sound for every band and any vocal need.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRELIABLE SIGNAL - Extend your range\u003c\/strong\u003e\u003cbr\u003eWith a range of up to 300 feet (100m), you can take the show into the crowd without interruption.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEASY SETUP – Own the stage\u003c\/strong\u003e\u003cbr\u003eBLX will have you up and running in record time with one-touch scan and selection.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBATTERY LIFE – 14 hours of power\u003c\/strong\u003e\u003cbr\u003eBecause BLX transmitters get up to 14 hours of power from a single pair of AA batteries, the show can go on and on (and on).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSYSTEMS EXPANSIONS – Run up to 12 channels per frequency band*\u003c\/strong\u003e\u003cbr\u003eYou’ll probably need to find a bigger stage before you run out of channels.\u003cbr\u003e*Note: region and environment dependent.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVERSATILITY INCLUDED – You’ve got options\u003c\/strong\u003e\u003cbr\u003eAn impressive variety of Shure microphones are available in BLX systems, so you can find what works for you.\u003cbr\u003e- Up to 12 compatible systems per frequency band (region dependent)\u003cbr\u003e- Microprocessor-controlled internal antenna diversity\u003cbr\u003e- One-touch QuickScan frequency selection quickly locates the best frequency\u003cbr\u003e- 1\/4 and XLR audio outputs\u003cbr\u003e- Two color audio status indicator LED\u003c\/p\u003e\n\u003cdiv id=\"accordion_content_2\" aria-hidden=\"false\" class=\"flex flex-col animate-fadeIn visible gap-y-0\"\u003e\n\u003cdiv class=\"rich-text\"\u003e\n\u003cdiv class=\"d-body-m-regular [\u0026amp;_p]:mb-[8px] [\u0026amp;_div\u0026gt;h3]:mb-[8px] [\u0026amp;_ul]:my-[8px] [\u0026amp;_ul\u0026gt;li]:mb-[8px] [\u0026amp;_ul\u0026gt;li]:pr-[16px] [\u0026amp;_div\u0026gt;p:last-of-type]:mb-[0] [\u0026amp;_ul\u0026gt;li:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:first-of-type]:mt-[0] bg-prismgray-t70 d-body-m-regular text-prismgray-s40 [\u0026amp;_a]:!text-black md:pr-[25px]\"\u003e\n\u003cul\u003e\n\u003cli\u003e1 PS24 Power Supply\u003c\/li\u003e\n\u003cli\u003e1 windscreen\u003c\/li\u003e\n\u003cli\u003e1 clothing clip\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"H9 (512-542 MGH)","offer_id":47092761788654,"sku":"BLX14\/P31-H9 (512-524 MGH)","price":469.0,"currency_code":"CAD","in_stock":true},{"title":"H10 (542-572 MGH)","offer_id":47092761821422,"sku":"BLX14\/P31-H10 (542-572 MGH)","price":469.0,"currency_code":"CAD","in_stock":true},{"title":"H11 (572-596 MGH)","offer_id":47092761854190,"sku":"BLX14\/P31-H11 (572-596 MGH)","price":469.0,"currency_code":"CAD","in_stock":true},{"title":"J11 (596-616 MGH)","offer_id":47092761886958,"sku":"BLX14\/P31-J11 (596-616 MGH)","price":469.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/files\/c38785fc2fcb6ace0b39feb02a7457c2.avif?v=1761162651"},{"product_id":"blx14-cvl","title":"SHURE BLX14\/CVL - Wireless lavalier system","description":"","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413558919334,"sku":"BLX14\/CVL-H10","price":469.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/BLX14CVLK.png?v=1596014738"},{"product_id":"glxd16","title":"SHURE GLXD16+-Z3 Wireless guitar system","description":"\u003cp\u003e\u003cspan\u003eThe new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack, and the GLXD6+ Guitar Pedal. Go wireless without compromising your tone or complicating your rig.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-renderer-start-pos=\"134\"\u003eThe new GLX-D+ Wireless Guitar Pedal System features the WA305 Premium Guitar Cable, the GLXD1+ Digital Bodypack with SB904 rechargeable battery, and the GLXD6+ Guitar Pedal w\/ tuner. Go wireless without compromising your tone or complicating your rig.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eNew Dual Band technology provides reliable and consistent performance in 2.4 and 5.8GHz.\u003c\/li\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eRugged metal chassis design that can be completely integrated into your pedalboard.\u003c\/li\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eGLXD6+ Guitar Pedal Receiver is compatible with 9V power supply in Pedalboards (minimum current: 400mA).\u003c\/li\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eTransmitter battery life monitoring via highly visible LED segment display.\u003c\/li\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eIncluded Tuner with adjustable mode (Strobe \/ Needle) and selectable reference pitch (432 – 447 Hz).\u003c\/li\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eIncluded SB904 rechargeable battery delivers up to 12 hours of runtime.\u003c\/li\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eNew ¼\" true bypass input allows you to switch between two instruments (one wired and one wireless guitar\/bass) during live performance by toggling the push button on the pedal receiver. Integrated guitar input also enables easy transition from practice to live performance.\u003c\/li\u003e\n\u003cli data-renderer-start-pos=\"398\"\u003eOutput ¼\" connector for easy daisy-chain connection with other pedals.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbutton aria-label=\"accordion title panel\" aria-expanded=\"true\" aria-controls=\"accordion_content_2\" type=\"button\" class=\"flex justify-between items-center keyboard-focus\" id=\"accordion_button_2\"\u003e\u003cspan class=\"m-body-l-bold md:d-body-l-bold text-left text-black uppercase !text-sm tracking-[2.1px]\"\u003eIn the Box\u003c\/span\u003e\u003cspan class=\"ml-16 duration-300 rotate-45 [\u0026amp;_svg_path]:fill-black [\u0026amp;_svg_path]:stroke-black\"\u003e\u003csvg width=\"24\" viewbox=\"0 -960 960 960\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cpath d=\"M440-440H200v-80h240v-240h80v240h240v80H520v240h-80v-240Z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/button\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col animate-fadeIn visible gap-y-0\" aria-hidden=\"false\" id=\"accordion_content_2\"\u003e\n\u003cdiv class=\"rich-text\"\u003e\n\u003cdiv class=\"d-body-m-regular [\u0026amp;_p]:mb-[8px] [\u0026amp;_div\u0026gt;h3]:mb-[8px] [\u0026amp;_ul]:my-[8px] [\u0026amp;_ul\u0026gt;li]:mb-[8px] [\u0026amp;_ul\u0026gt;li]:pr-[16px] [\u0026amp;_div\u0026gt;p:last-of-type]:mb-[0] [\u0026amp;_ul\u0026gt;li:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:first-of-type]:mt-[0] bg-prismgray-t70 d-body-m-regular text-prismgray-s40 [\u0026amp;_a]:!text-black md:pr-[25px]\"\u003e\n\u003cul\u003e\n\u003cli\u003e1 PS24 Power Supply\u003c\/li\u003e\n\u003cli\u003e1 SB904 Lithium-Ion Rechargeable Battery\u003c\/li\u003e\n\u003cli\u003e1 WA305 Premium Instrument Cable\u003c\/li\u003e\n\u003cli\u003e1 SBC10-USBC Wall Charger\u003c\/li\u003e\n\u003cli\u003e1 GLXD6+ Guitar Pedal Receiver\u003c\/li\u003e\n\u003cli\u003e1 GLXD1+ Bodypack Transmitter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413587624102,"sku":"GLXD16+g3","price":649.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/files\/2e68f69851a557ca2f3b25ee238b37e0_1.avif?v=1778189024"},{"product_id":"dmk57-52","title":"SHURE DMK57-52 DRUM KIT (4) MICROHONES","description":"\u003cp\u003eThe DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price.\u003c\/p\u003e\n\u003cp\u003e\u003cbutton aria-label=\"accordion title panel\" aria-expanded=\"true\" aria-controls=\"accordion_content_1\" type=\"button\" class=\"flex justify-between items-center keyboard-focus\" id=\"accordion_button_1\"\u003e\u003cspan class=\"m-body-l-bold md:d-body-l-bold text-left text-black uppercase !text-sm tracking-[2.1px]\"\u003eDetails\u003c\/span\u003e\u003cspan class=\"ml-16 duration-300 rotate-45 [\u0026amp;_svg_path]:fill-black [\u0026amp;_svg_path]:stroke-black\"\u003e\u003csvg width=\"24\" viewbox=\"0 -960 960 960\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cpath d=\"M440-440H200v-80h240v-240h80v240h240v80H520v240h-80v-240Z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/button\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col animate-fadeIn visible gap-y-0\" aria-hidden=\"false\" id=\"accordion_content_1\"\u003e\n\u003cdiv class=\"rich-text\"\u003e\n\u003cdiv class=\"d-body-m-regular [\u0026amp;_p]:mb-[8px] [\u0026amp;_div\u0026gt;h3]:mb-[8px] [\u0026amp;_ul]:my-[8px] [\u0026amp;_ul\u0026gt;li]:mb-[8px] [\u0026amp;_ul\u0026gt;li]:pr-[16px] [\u0026amp;_div\u0026gt;p:last-of-type]:mb-[0] [\u0026amp;_ul\u0026gt;li:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:first-of-type]:mt-[0] bg-prismgray-t70 d-body-m-regular text-prismgray-s40 [\u0026amp;_a]:!text-black md:pr-[25px]\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSM57\u003c\/strong\u003e: The industry standard for snare, and a reliable, high-performing choice for toms, the Shure SM57 features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBETA 52A®\u003c\/strong\u003e: Perfect for the kick drum, this mic derives low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the BETA 52A is designed with an integral locking stand mount for easy set up.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA56D\u003c\/strong\u003e: This universal drum mount system can be used to position mics virtually anywhere -- drum rims, mic stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eis small, secure, and can be used with any standard mic.\u003c\/li\u003e\n\u003cli\u003eCarrying case included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe DMK57-52 Drum Mic Kit is a conveniently packaged selection of microphones and mounts, designed to offer a core package of microphones for recording and performing drummers at a great price.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eFeatures\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eSM57\u003c\/strong\u003e: The industry standard for snare, and a reliable, high-performing choice for toms, the Shure SM57 features a contoured frequency response that cuts through the mix with exceptional impact, while reproducing sound accurately.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eBETA 52A\u0026amp;reg,\u003c\/strong\u003e: Perfect for the kick drum, this mic derives low-end punch and sonic presence from a carefully tailored frequency response. Equipped with its own pneumatic shock mount, the BETA 52A is designed with an integral locking stand mount for easy set up.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eA56D\u003c\/strong\u003e: This universal drum mount system can be used to position mics virtually anywhere -- drum rims, mic stands, even cymbal stands. Designed with captive parts to prevent the loss of individual pieces, the A56D\u003cstrong\u003e\u003c\/strong\u003eis small, secure, and can be used with any standard mic.\u003c\/li\u003e\n\u003cli\u003eCarrying case included.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413592899750,"sku":"DMK57-52","price":569.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/files\/2b8200f86f800a9ee5730c8c1eadf069.avif?v=1765060063"},{"product_id":"glxd14-93","title":"SHURE GLXD14+ Z3 - digital wireless instrument system","description":"\u003cp\u003e\u003cspan\u003eThe new GLX-D+ Dual Band Wireless Bodypack System features the WA302 guitar cable and the GLXD4+ tabletop receiver. Go wireless without complication.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eReady-To-Go. Every time. Automatically. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe new GLX-D+ Dual Band Wireless Bodypack System features the WA302 guitar cable and the GLXD4+ tabletop receiver. The perfect combination of the automatic frequency management with the new Dual Band Technology provides reliable and consistent performance, while Shure proprietary Lithium-Ion rechargeable batteries provide up to 12 hours of use. Go wireless without complication.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e1 PS43 Power Supply\u003c\/li\u003e\n\u003cli\u003e1 SB904 Lithium-Ion Rechargeable Battery\u003c\/li\u003e\n\u003cli\u003e1 WA302 Instrument Cable (TA4F to 1\/4\")\u003c\/li\u003e\n\u003cli\u003e1 Black Carrying Case\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413602664614,"sku":"GLXD14+ Z3","price":769.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/files\/lg_61ea6fbae336c7049b2e367c5bfead60.jpg?v=1778265322"},{"product_id":"blx14r-w93","title":"SHURE BLX14R-W93 rackmount Lavalier wireless system","description":"\u003cp\u003e\u003cspan\u003eThe Shure BLX14R\/W93 Wireless Rack-mount Presenter System combines professional-quality sound with simple setup and up to 14 hours battery life for legendary audio performance right out of the box. The system includes BLX4R half-rack single-channel receiver, WL93 lavalier microphone with BLX1 bodypack transmitter, lavalier clip, power supply, 2 AA batteries, windscreens, rackmount kit, 2 1\/4 wave antennas, and user guide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eSUPERIOR AUDIO - Perform with Confidence\u003c\/strong\u003e\u003cbr\u003eGet the show going with no wires attached. Professional Shure sound for every band and any vocal need.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRELIABLE SIGNAL - Extend your range\u003c\/strong\u003e\u003cbr\u003eWith a range of up to 300 feet (100m), you can take the show into the crowd without interruption.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEASY SETUP – Own the stage\u003c\/strong\u003e\u003cbr\u003eBLX will have you up and running in record time with one-touch scan and selection.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBATTERY LIFE – 14 hours of power\u003c\/strong\u003e\u003cbr\u003eBecause BLX transmitters get up to 14 hours of power from a single pair of AA batteries, the show can go on and on (and on).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSYSTEMS EXPANSIONS – Run up to 12 channels per frequency band*\u003c\/strong\u003e\u003cbr\u003eYou’ll probably need to find a bigger stage before you run out of channels.\u003cbr\u003e*Note: region and environment dependent.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVERSATILITY INCLUDED – You’ve got options\u003c\/strong\u003e\u003cbr\u003eAn impressive variety of Shure microphones are available in BLX systems, so you can find what works for you.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIn the box\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv id=\"accordion_content_2\" aria-hidden=\"false\" class=\"flex flex-col animate-fadeIn visible gap-y-0\"\u003e\n\u003cdiv class=\"rich-text\"\u003e\n\u003cdiv class=\"d-body-m-regular [\u0026amp;_p]:mb-[8px] [\u0026amp;_div\u0026gt;h3]:mb-[8px] [\u0026amp;_ul]:my-[8px] [\u0026amp;_ul\u0026gt;li]:mb-[8px] [\u0026amp;_ul\u0026gt;li]:pr-[16px] [\u0026amp;_div\u0026gt;p:last-of-type]:mb-[0] [\u0026amp;_ul\u0026gt;li:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:first-of-type]:mt-[0] bg-prismgray-t70 d-body-m-regular text-prismgray-s40 [\u0026amp;_a]:!text-black md:pr-[25px]\"\u003e\n\u003cul\u003e\n\u003cli\u003e1 53A8611 RACK MOUNT BRACKET\u003c\/li\u003e\n\u003cli\u003e1 53A8612 LONG RACK MOUNT BRACKET\u003c\/li\u003e\n\u003cli\u003e1 53B8443 LINK BRACKET\u003c\/li\u003e\n\u003cli\u003e1 90AZ8100 HARDWARE KIT\u003c\/li\u003e\n\u003cli\u003e1 90F4046 Swivel Adapter\u003c\/li\u003e\n\u003cli\u003e1 31B1856 Thread Adapter\u003c\/li\u003e\n\u003cli\u003e2 95A8699 ANTENNA\/BNC,1\/4 WAVE\u003c\/li\u003e\n\u003cli\u003e2 95A8994 ADAPTER,BULKHEAD,BNC\u003c\/li\u003e\n\u003cli\u003e1 95B2313 BAG VINYL, ZIPPERED\u003c\/li\u003e\n\u003cli\u003e2 95K2035 CABLE,BNC,22 in.\u003c\/li\u003e\n\u003cli\u003e1 Power supply\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"H9 512-542mgh","offer_id":47370037330158,"sku":"BLX14R\/W93-H9","price":579.0,"currency_code":"CAD","in_stock":true},{"title":"H10 542-572mhg","offer_id":47370037362926,"sku":"BLX14R\/W94-H10","price":579.0,"currency_code":"CAD","in_stock":true},{"title":"H11 572-596mhg","offer_id":47370037395694,"sku":"BLX14R\/W95-H11","price":579.0,"currency_code":"CAD","in_stock":true},{"title":"J11 596-616mhg","offer_id":47370037428462,"sku":"BLX14R\/W96-J11","price":579.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/blx14rw93.png?v=1596014927"},{"product_id":"srh1540","title":"SHURE SRH1540-BK Professional Studio headphones","description":"\u003cp\u003e\u003cspan\u003eThe SRH1540 Premium Closed-Back Headphones deliver superior acoustic performance, comfort, and durability to professional engineers, musicians, and audiophiles alike. The SRH1540 Headphones utilize 40 mm neodymium drivers for an expansive soundstage with clear, extended highs and warm bass. Developed with aluminum alloy and carbon fiber construction, the lightweight and durable design also features Alcantara® ear pads for maximum sound isolation and comfort. The included storage case, replacement set of Alcantara ear pads, replacement cable, and threaded adapter ensure years of uninterrupted listening enjoyment.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e40 mm neodymium drivers deliver superior acoustic performance for an expansive soundstage with clear, extended highs and warm bass\u003c\/li\u003e\n\u003cli\u003eDiaphragm developed with APTIV™ Film for improved linearity and lower THD (total harmonic distortion)\u003c\/li\u003e\n\u003cli\u003eClosed-back, circumaural design rests comfortably over the ears and reduces background noise\u003c\/li\u003e\n\u003cli\u003eLightweight construction features aircraft-grade aluminum alloy yoke and carbon fiber cap for enhanced durability\u003c\/li\u003e\n\u003cli\u003eSteel driver frame with vented center pole piece improves linearity and eliminates internal resonance for consistent performance at all listening levels\u003c\/li\u003e\n\u003cli\u003eErgonomic dual-frame, padded headband is lightweight and fully adjustable for hours of listening comfort\u003c\/li\u003e\n\u003cli\u003eDual-exit cables with gold-plated MMCX connectors provide secure connection and detachability for easy storage or replacement\u003c\/li\u003e\n\u003cli\u003eReplaceable ear pads feature Alcantara® and low-density, slow-recovery foam for exceptional comfort\u003c\/li\u003e\n\u003cli\u003eLegendary Shure durability withstands the rigors of everyday use\u003c\/li\u003e\n\u003cli\u003eIncludes additional pair of Alcantara(R) ear pads, two detachable cables, threaded ¼” (6.3 mm) gold-plated adapter, zippered hard travel case and two-year limited warranty\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413607284902,"sku":"SRH1540-BK","price":719.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/files\/60f2412037a8d80079664ea0832690a1.avif?v=1765060350"},{"product_id":"pga-drumkit7","title":"SHURE PGA DRUMKIT7 - COMPLETE MIC DRUM  SET","description":"\u003cp\u003e\u003cspan\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" height=\"563\" width=\"1000\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003eThe PGADRUMKIT7 Drum Microphone Kit is a complete package of professional quality microphones, designed to provide excellent sound for full drum kit performance and recording. Included in the PGADRUMKIT7 are one PGA52 kick drum microphone, three PGA56 drum microphones, one PGA57 instrument microphone and two PGA81 instrument microphones, along with three drum mounts, seven XLR-XLR cables, and a carrying case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eALSO IN THE BOX\u003c\/li\u003e\n\u003cli\u003e1 - PGA52 Cardioid Dynamic Kick Drum Microphone\u003c\/li\u003e\n\u003cli\u003e3 - PGA56 Cardioid Dynamic Snare\/Tom Microphones\u003c\/li\u003e\n\u003cli\u003e1 - PGA57 Cardioid Dynamic Instrument Microphones\u003c\/li\u003e\n\u003cli\u003e2 - PGA81 Cardioid Condenser Instrument Microphones\u003c\/li\u003e\n\u003cli\u003e3 - A25D Break-resistant Microphone Clip\u003c\/li\u003e\n\u003cli\u003e3 - AP56DM Break-resistant Drum Rim Mounts\u003c\/li\u003e\n\u003cli\u003e7 - XLR-XLR cables 4.6m\u003c\/li\u003e\n\u003cli\u003e1 - Zippered carrying case\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413612888230,"sku":"PGADRUMKIT7","price":789.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/Shure-Drumkit-7.jpg?v=1654634779"},{"product_id":"ksm8-n","title":"SHURE KSM8-N - Vocal cardiod double diafragm microphone","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/pbik26FM1aw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003eWith two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne™ delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eMeticulously crafted for world-class vocal performances and presentations in elite venues, the KSM8 Dualdyne is the revolutionary dynamic microphone that only Shure could make.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cul\u003e\n\u003cli\u003ePatented cartridge design features two ultra-thin diaphragms (one active and one passive) and a groundbreaking inverted airflow system\u2028\u003c\/li\u003e\n\u003cli\u003eExceptional control of proximity effect greatly increases working distance without on-axis coloration\u2028\u003c\/li\u003e\n\u003cli\u003eNeutral mid- and high-frequency reproduction due to controlled proximity effect results in the most natural-sounding dynamic microphone available\u2028\u003c\/li\u003e\n\u003cli\u003eNeodymium magnet resides in a micro-injection mold of aerospace SoftMag material, maximizing the magnetic field for the highest output level\u2028\u003c\/li\u003e\n\u003cli\u003eRe-imagined Shure Pumping Pneumatic Shock Mount features tuned cavities, specific resistances, and precisely machined components fully integrated into the cartridge’s acoustic properties, delivering exceptional rejection of handling noise without any loss of low-frequency response\u2028\u003c\/li\u003e\n\u003cli\u003ePatent-pending Diaphragm Stabilization System technology protects and stabilizes the active diaphragm from unwanted movement from plosives or impact\u2028\u003c\/li\u003e\n\u003cli\u003eDent-resistant, hardened carbon-steel grille design lined with hydrophobic woven fabric provides exceptional water, plosive and wind protection\u2028\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"u_BE2FDDAF-0E24-9077-2D32-D6BF9C30CACA\"\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_BE534DB9-6E54-F70A-3962-0D80956C2E4B\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Description\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe Shure KSM8 Dualdyne Microphone is the world’s first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_69D18E87-AAA3-5A15-800D-C87BA1944960\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eModel Variations\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 microphone is available in a black or brushed-nickel finish. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eKSM8\/B:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eSuperior dual-diaphragm dynamic microphone with a black finish.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eKSM8\/N:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eSuperior dual-diaphragm dynamic microphone with a brushed-nickel finish.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6601B14D-B6D1-55F7-7B0D-0D80955CDB27\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThis dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. This revolutionary technology provides the following benefits:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet\"\u003eReduced proximity effect\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eClean, natural low end\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eSmooth high frequency response without a pronounced presence peak\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eIncreased working distance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable class=\"dltable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"75%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003ePremium Components\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments.\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS\u003csup\u003e™\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003epatent pending) work together to prevent handling noise\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTrue cardioid pattern prevents feedback and provides consistent off-axis response\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eHardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_8CA94FE5-7E17-2858-E99B-612B6ED39C1E\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eCare and Maintenance\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 grille is lined with a permanently-attached hydrophobic cloth. The user should not attempt to remove or replace this lining. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eIf the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\"\u003e\u003cb\u003eWarning:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eTurning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. There are no user-serviceable parts inside.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_FEEF9BEE-E925-831C-BB70-1C50F917E456\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet\"\u003eMicrophone techniques for live sound reinforcement\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eMicrophone techniques for recording\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eProximity effect\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_18B45D5F-13CD-D583-CEC2-D2280E85C06F\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eThe Shure Dualdyne Cartridge\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eDualdyne cartridge side view\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_FA0D5A3F-F971-F7F5-5E27-D258ED3664C7\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eDualdyne Benefits\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones:\u003c\/p\u003e\n\u003ctable class=\"dltable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"75%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eReduced Proximity Effect\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eWith traditional microphones, low-frequency response increases as the performer moves closer to the microphone. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eSingle vs. Dual-diaphragm frequency response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eIncreased Working Distance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eTraditional microphones confine the performer to a specific distance from the microphone. They must maintain this distance in order to avoid variations in tone.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality.\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"34%\"\u003e \u003ccol width=\"17%\"\u003e \u003ccol width=\"27%\"\u003e \u003ccol width=\"19%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\" class=\"\"\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eWorking Distance\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"2\" class=\"\"\u003e\u003cb\u003eTraditional dynamic microphone\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"\"\u003e0 to 1 in.\u003c\/td\u003e\n\u003ctd class=\"\"\u003e1 to 3 in.\u003c\/td\u003e\n\u003ctd class=\"\"\u003e3 to 6 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eIncreased bass\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBalanced\u003c\/td\u003e\n\u003ctd class=\"\"\u003eDecreased bass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e\u003cb\u003eKSM8\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd colspan=\"3\" class=\"\"\u003eBalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eLess Signal Processing Required\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eLive sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand).\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eExceptional Off-axis Linearity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eWhen unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_FA0C89B0-0D0A-9656-18E2-C31E4E11CC1E\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eDesign and Construction\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone.\u003c\/p\u003e\n\u003ctable class=\"dltable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"75%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eAdvanced Pneumatic Shockmount Technology\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003eThe Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eInnovative Hardened Grille Design\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003eThe outer grille has been tempered to provide years of dent resistance. The grille interior is lined with a hydrophobic woven fabric. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_348FA4F6-9563-6771-1AAD-D6C08F45D457\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDual Diaphragm Dynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e40 to 16,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e300 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-51.5 dBV\/Pa[1] (2.66 mV)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eNet Weight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e330 g (11.64oz.)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDie-cast Aluminum with Paint or Brushed Nickel Finish\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_7C248FAB-6719-9282-3BFD-D6C07283E940\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAccessories\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"u_6A43C7E8-04D3-6CD2-4269-D6C07284D0BA\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003ctable class=\"default table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eBlack, Soft Flex Swivel Stand Adapter for KSM8 and KSM9\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003eA25E\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eZippered Carrying Case for KSM8\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003eAK8C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003e5\/8\" to 3\/8\" (Euro) Threaded Adapter\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003e95A2050\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413615640742,"sku":"KSM8\/N","price":509.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure_ksm8_n_dualdyne_dynamic_handheld_vocal_1209687.jpg?v=1767740243"},{"product_id":"ksm8-b","title":"SHURE KSM8-B - Vocal cardiod double diafragm microphone","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/pbik26FM1aw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003eWith two ultra-thin diaphragms and groundbreaking reverse airflow technology, the KSM8 Dualdyne™ delivers unmatched control of proximity effect, presence peaks, and bleed and requires minimal EQ and processing. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eMeticulously crafted for world-class vocal performances and presentations in elite venues, the KSM8 Dualdyne is the revolutionary dynamic microphone that only Shure could make.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cul\u003e\n\u003cli\u003ePatented cartridge design features two ultra-thin diaphragms (one active and one passive) and a groundbreaking inverted airflow system\u2028\u003c\/li\u003e\n\u003cli\u003eExceptional control of proximity effect greatly increases working distance without on-axis coloration\u2028\u003c\/li\u003e\n\u003cli\u003eNeutral mid- and high-frequency reproduction due to controlled proximity effect results in the most natural-sounding dynamic microphone available\u2028\u003c\/li\u003e\n\u003cli\u003eNeodymium magnet resides in a micro-injection mold of aerospace SoftMag material, maximizing the magnetic field for the highest output level\u2028\u003c\/li\u003e\n\u003cli\u003eRe-imagined Shure Pumping Pneumatic Shock Mount features tuned cavities, specific resistances, and precisely machined components fully integrated into the cartridge’s acoustic properties, delivering exceptional rejection of handling noise without any loss of low-frequency response\u2028\u003c\/li\u003e\n\u003cli\u003ePatent-pending Diaphragm Stabilization System technology protects and stabilizes the active diaphragm from unwanted movement from plosives or impact\u2028\u003c\/li\u003e\n\u003cli\u003eDent-resistant, hardened carbon-steel grille design lined with hydrophobic woven fabric provides exceptional water, plosive and wind protection\u2028\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"u_BE2FDDAF-0E24-9077-2D32-D6BF9C30CACA\"\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_BE534DB9-6E54-F70A-3962-0D80956C2E4B\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Description\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe Shure KSM8 Dualdyne Microphone is the world’s first handheld dual-diaphragm dynamic microphone, designed for professional vocal applications in live sound and studio environments. Shure has taken dynamic microphone technology and performance to a groundbreaking new level with the development of the premium KSM8 Dualdyne. By achieving greater output level while minimizing proximity effect to an unmatched degree, the microphone provides a clean, richly detailed signal with minimal feedback. With state-of-the-art manufacturing from superior components, each KSM8 Dualdyne is meticulously crafted and tested to uphold the quality standards of world-class Shure construction even in the most demanding live environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_69D18E87-AAA3-5A15-800D-C87BA1944960\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eModel Variations\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 microphone is available in a black or brushed-nickel finish. It may also be purchased as part of a Shure wireless system, or as an upgrade to an existing wireless handheld transmitter.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eKSM8\/B:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eSuperior dual-diaphragm dynamic microphone with a black finish.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003e\u003cb\u003eKSM8\/N:\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eSuperior dual-diaphragm dynamic microphone with a brushed-nickel finish.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6601B14D-B6D1-55F7-7B0D-0D80955CDB27\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThis dual-diaphragm cartridge delivers greater consistency across the frequency spectrum as the distance between the microphone and the source changes. This revolutionary technology provides the following benefits:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet\"\u003eReduced proximity effect\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eClean, natural low end\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eSmooth high frequency response without a pronounced presence peak\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eIncreased working distance\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ctable class=\"dltable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"75%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003ePremium Components\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 delivers exceptional results and withstands the rigors of daily use in the most demanding live sound environments.\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced internal pneumatic shock mount and the Diaphragm Stabilization System (DSS\u003csup\u003e™\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003epatent pending) work together to prevent handling noise\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTrue cardioid pattern prevents feedback and provides consistent off-axis response\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eHardened, dent resistant grille lined with hydrophobic woven fabric that rejects moisture as well as plosives for years of high quality use\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_8CA94FE5-7E17-2858-E99B-612B6ED39C1E\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eCare and Maintenance\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 grille is lined with a permanently-attached hydrophobic cloth. The user should not attempt to remove or replace this lining. The exterior of the grille can be cleaned by gently using warm soap and water with a soft toothbrush.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eIf the grille becomes damaged or deformed, please contact Shure's Service Department for a replacement.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\"\u003e\u003cb\u003eWarning:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eTurning the cartridge in the shockmount or touching the second diaphragm can result in permanent microphone damage and may result in an undesirable change in frequency response. There are no user-serviceable parts inside.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_FEEF9BEE-E925-831C-BB70-1C50F917E456\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 Dualdyne is designed to excel as a vocal microphone while withstanding the punishment of professional live sound reinforcement, but can be used to capture other sources as well. For information on microphone use and applications or for a more comprehensive look at the technology behind the microphone, visit www.shure.com for educational publications on these topics and more:\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet\"\u003eMicrophone techniques for live sound reinforcement\u003c\/li\u003e\n\u003cli class=\"P1_bullet\"\u003eMicrophone techniques for recording\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eProximity effect\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_18B45D5F-13CD-D583-CEC2-D2280E85C06F\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eThe Shure Dualdyne Cartridge\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe KSM8 Dualdyne Cartridge utilizes a reversed side entry airflow system. Sound enters the microphone via the side entry inlets and passes through the rear second diaphragm before striking the front diaphragm. By using the second diaphragm in the resistance network low frequencies are partially blocked from entering the cartridge resulting in a natural, low-end response with controlled proximity effect and no loss in clarity.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eDualdyne cartridge side view\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_FA0D5A3F-F971-F7F5-5E27-D258ED3664C7\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eDualdyne Benefits\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe unique design of the Shure Dualdyne cartridge provides several benefits over traditional single-diaphragm dynamic microphones:\u003c\/p\u003e\n\u003ctable class=\"dltable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"75%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eReduced Proximity Effect\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eWith traditional microphones, low-frequency response increases as the performer moves closer to the microphone. A strong presence peak centered around 4 to 5 kHz is used to counteract the increased bass.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe dual-diaphragm microphone greatly reduces the proximity effect, and low-frequency response remains consistent with distance. This delivers a more natural response throughout the vocal range, eliminating the need for a strong presence peak.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eSingle vs. Dual-diaphragm frequency response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eIncreased Working Distance\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eTraditional microphones confine the performer to a specific distance from the microphone. They must maintain this distance in order to avoid variations in tone.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe balanced response of the dual-diaphragm microphone allows the performer to move more freely without affecting the sound quality.\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"34%\"\u003e \u003ccol width=\"17%\"\u003e \u003ccol width=\"27%\"\u003e \u003ccol width=\"19%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd colspan=\"4\" class=\"\"\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eWorking Distance\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"2\" class=\"\"\u003e\u003cb\u003eTraditional dynamic microphone\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"\"\u003e0 to 1 in.\u003c\/td\u003e\n\u003ctd class=\"\"\u003e1 to 3 in.\u003c\/td\u003e\n\u003ctd class=\"\"\u003e3 to 6 in.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eIncreased bass\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBalanced\u003c\/td\u003e\n\u003ctd class=\"\"\u003eDecreased bass\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e\u003cb\u003eKSM8\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd colspan=\"3\" class=\"\"\u003eBalanced\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eLess Signal Processing Required\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eLive sound engineers often use signal processing, like equalization, to mitigate both the proximity effect of traditional microphones or to compensate for improper microphone technique (such as when a performer covers the grille with their hand).\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe dual-diaphragm microphone delivers a smoother response throughout the vocal range and is less susceptible to improper microphone handling, requiring less corrective signal processing and resulting in a more natural sound.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eExceptional Off-axis Linearity\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003e\n\u003cp class=\"P1\"\u003eWhen unwanted off-axis sources leak into vocal microphones, it can degrade phase coherency and compromise source quality. The KSM8 provides greater immunity to these problems, due to linear polar response across the entire frequency spectrum.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_FA0C89B0-0D0A-9656-18E2-C31E4E11CC1E\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eDesign and Construction\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe mechanical design of the KSM8 offers advancements that benefit the performance and aesthetics of the microphone.\u003c\/p\u003e\n\u003ctable class=\"dltable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"75%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eAdvanced Pneumatic Shockmount Technology\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003eThe Diaphragm Stabilization System (DSS) works with the pumping pneumatic shockmount to isolate and suspend the cartridge, reducing handling noise. In addition to diminishing unwanted movement, the moving piston and internal cavities have been precisely engineered to stabilize the diaphragm amidst mechanical vibration. The Shure engineers originally patented this technology over 50 years ago, and Shure is the only microphone manufacturer to successfully implement it.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eInnovative Hardened Grille Design\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003eThe outer grille has been tempered to provide years of dent resistance. The grille interior is lined with a hydrophobic woven fabric. This moisture-resistant cloth protects the cartridge while providing superior pop protection, ensuring years of usability and durability.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_348FA4F6-9563-6771-1AAD-D6C08F45D457\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDual Diaphragm Dynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e40 to 16,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e300 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-51.5 dBV\/Pa[1] (2.66 mV)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eNet Weight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e330 g (11.64oz.)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDie-cast Aluminum with Paint or Brushed Nickel Finish\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94  dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_7C248FAB-6719-9282-3BFD-D6C07283E940\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAccessories\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"u_6A43C7E8-04D3-6CD2-4269-D6C07284D0BA\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003ctable class=\"default table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr style=\"height: 33px;\"\u003e\n\u003ctd class=\"T1\" style=\"height: 33px;\"\u003e\n\u003cp class=\"desc\"\u003eBlack, Soft Flex Swivel Stand Adapter for KSM8 and KSM9\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\" style=\"height: 33px;\"\u003e\n\u003cp class=\"partno\"\u003eA25E\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 37.7188px;\"\u003e\n\u003ctd class=\"T1\" style=\"height: 37.7188px;\"\u003e\n\u003cp class=\"desc\"\u003eZippered Carrying Case for KSM8\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\" style=\"height: 37.7188px;\"\u003e\n\u003cp class=\"partno\"\u003eAK8C\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr style=\"height: 33px;\"\u003e\n\u003ctd class=\"T1\" style=\"height: 33px;\"\u003e\n\u003cp class=\"desc\"\u003e5\/8\" to 3\/8\" (Euro) Threaded Adapter\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\" style=\"height: 33px;\"\u003e\n\u003cp class=\"partno\"\u003e95A2050\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413616066726,"sku":"KSM8\/B","price":509.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/51bBc4aiswL.jpg?v=1654103593"},{"product_id":"blx14r-mx53","title":"SHURE BLX\/MX53 Rackmount headset wireless system","description":"\u003ctable\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth\u003eMX153\u003c\/th\u003e\n\u003ctd\u003eOutstanding clarity in an extremely comfortable over-the-ear design.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBLX1\u003c\/th\u003e\n\u003ctd\u003eUp to 14 hours of continuous use with 2 AA batteries. 300 ft (100 m) transmission radius.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth\u003eBLX4R\u003c\/th\u003e\n\u003ctd\u003eRack-mountable receiver with removable antennas for quick distribution.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp\u003eShure BLX Wireless Systems combine professional-quality sound with simple setup and an intuitive interface for legendary audio performance right out of the box. Precision-built and available in a variety of configurations, the most accessible way to own the stage.\u003c\/p\u003e\n\u003cp\u003eIncludes MX153 earset microphone, BLX1 bodypack transmitter, BLX4R rack mount receiver, single and dual rackmount kit, two 1\/4 wave antennas, zipper bag, power supply, 2 AA batteries, and user guide.\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413624881318,"sku":"BLX14R\/MX53-H11","price":859.99,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/blx14rmx53.png?v=1596015057"},{"product_id":"blx288-pg58","title":"SHURE BLX288-PG58 - Wireless Dual Vocal System with two PG58 Handheld Transmitters","description":"\u003cp\u003e\u003cspan\u003eThe Shure BLX288\/PG58 Wireless Dual Vocal System combines professional-quality sound with simple setup and up to 14 hours battery life for great audio performance for two vocalists right out of the box. The system includes BLX88 tabletop dual-channel receiver, 2 PG58 handheld transmitters, 2 microphone clips, power supply, 2 AA batteries, and user guide.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbutton aria-label=\"accordion title panel\" aria-expanded=\"true\" aria-controls=\"accordion_content_1\" type=\"button\" class=\"flex justify-between items-center keyboard-focus\" id=\"accordion_button_1\"\u003e\u003cspan class=\"m-body-l-bold md:d-body-l-bold text-left text-black uppercase !text-sm tracking-[2.1px]\"\u003eDetails\u003c\/span\u003e\u003cspan class=\"ml-16 duration-300 rotate-45 [\u0026amp;_svg_path]:fill-black [\u0026amp;_svg_path]:stroke-black\"\u003e\u003csvg width=\"24\" viewbox=\"0 -960 960 960\" height=\"24\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\"\u003e\u003cpath d=\"M440-440H200v-80h240v-240h80v240h240v80H520v240h-80v-240Z\"\u003e\u003c\/path\u003e\u003c\/svg\u003e\u003c\/span\u003e\u003c\/button\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"flex flex-col animate-fadeIn visible gap-y-0\" aria-hidden=\"false\" id=\"accordion_content_1\"\u003e\n\u003cdiv class=\"rich-text\"\u003e\n\u003cdiv class=\"d-body-m-regular [\u0026amp;_p]:mb-[8px] [\u0026amp;_div\u0026gt;h3]:mb-[8px] [\u0026amp;_ul]:my-[8px] [\u0026amp;_ul\u0026gt;li]:mb-[8px] [\u0026amp;_ul\u0026gt;li]:pr-[16px] [\u0026amp;_div\u0026gt;p:last-of-type]:mb-[0] [\u0026amp;_ul\u0026gt;li:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:last-of-type]:mb-[0] [\u0026amp;_\u0026gt;*:first-of-type]:mt-[0] bg-prismgray-t70 d-body-m-regular text-prismgray-s40 [\u0026amp;_a]:!text-black md:pr-[25px]\"\u003e\n\u003cdiv\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSUPERIOR AUDIO - Perform with Confidence\u003c\/strong\u003e\u003cbr\u003eGet the show going with no wires attached. Professional Shure sound for every band and any vocal need.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRELIABLE SIGNAL - Extend your range\u003c\/strong\u003e\u003cbr\u003eWith a range of up to 300 feet (100m), you can take the show into the crowd without interruption.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eEASY SETUP – Own the stage\u003c\/strong\u003e\u003cbr\u003eBLX will have you up and running in record time with one-touch scan and selection.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBATTERY LIFE – 14 hours of power\u003c\/strong\u003e\u003cbr\u003eBecause BLX transmitters get up to 14 hours of power from a single pair of AA batteries, the show can go on and on (and on).\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSYSTEMS EXPANSIONS – Run up to 12 channels per frequency band*\u003c\/strong\u003e\u003cbr\u003eYou’ll probably need to find a bigger stage before you run out of channels.\u003cbr\u003e*Note: region and environment dependent.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eVERSATILITY INCLUDED – You’ve got options\u003c\/strong\u003e\u003cbr\u003eAn impressive variety of Shure microphones are available in BLX systems, so you can find what works for you.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35413634515110,"sku":"BLX1288-PG58","price":809.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure_blx288pg58.png?v=1596015106"},{"product_id":"sm81","title":"SHURE SM81-LC Condenser Microphone","description":"\u003c!-- more --\u003e\n\u003cp\u003eThe Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe SM81 is ruggedly constructed. It operates on phantom power and performs over a wide range of temperatures and humidity conditions. It is furnished with a swivel adapter, attenuator-switch lock, foam windscreen, and case for carrying and storage. Other accessories are available.\u003c\/p\u003e\n\u003cul class=\"noindent\"\u003e\n\u003cli\u003e20 Hz to 20 kHz frequency response\u003c\/li\u003e\n\u003cli\u003eFlat response curve for accurate reproduction of sound sources\u003c\/li\u003e\n\u003cli\u003eLow noise and high output clipping level\u003c\/li\u003e\n\u003cli\u003eLow distortion over a wide range of load impedances\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern, uniform with frequency and symmetric about axis, providing maximum rejection and minimum coloration of off-axis sounds\u003c\/li\u003e\n\u003cli\u003eLow RF susceptibility\u003c\/li\u003e\n\u003cli\u003eSelectable low-frequency response: flat, 6 or 18 dB\/octave rolloff\u003c\/li\u003e\n\u003cli\u003e0 dB\/10 dB lockable attenuator switch\u003c\/li\u003e\n\u003cli\u003ePhantom powering (DIN 45 596 voltages of 12 to 48 Vdc)\u003c\/li\u003e\n\u003cli\u003eRugged steel construction for durability\u003c\/li\u003e\n\u003cli\u003eField-usable over wide range of temperature and humidity conditions\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp\u003eThe Shure SM81 is a high-quality, unidirectional condenser microphone designed for studio recording, broadcasting, and sound reinforcement. Its wide frequency response, low noise characteristics, and low RF susceptibility have made it a standard for applications involving acoustic instruments, especially guitar, piano, and cymbals.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414095134886,"sku":"SM81-LC","price":509.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/files\/ce0554c5a98d4d62e1cf507cad0fc144.avif?v=1765059904"},{"product_id":"beta52a","title":"SHURE BETA52A - Bass drum microphone","description":"\u003c!-- more --\u003e\n\u003cp\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003ePRODUCT DETAILS\u003c\/p\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe Shure BETA®52A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and \"punch\", and delivers studio quality sound even at extremely high sound pressure levels. \u003c\/p\u003e\n\u003cp\u003eThe Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring. Frequency response shaped specifically for kick drums and bass instruments\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003eBuilt–in dynamic locking stand adapter with integral XLR connector simplifies setup, especially inside a kick drum\u003c\/li\u003e\n\u003cli\u003eStudio quality performance, even at extremely high sound pressure levels\u003c\/li\u003e\n\u003cli\u003eSupercardioid pattern for high gain before feedback and superior rejection of unwanted noise\u003c\/li\u003e\n\u003cli\u003eHardened steel mesh grille that resists wear and abuse\u003c\/li\u003e\n\u003cli\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli\u003eNeodymium magnet for high signal–to–noise ratio output\u003c\/li\u003e\n\u003cli\u003eLow sensitivity to varying load impedance\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality and reliability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"c_67D44DB4-F8BB-AF02-08D9-5F34204B6B36\" class=\"topic_level1 tab-pane active\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Beta 52\u003csup\u003e®\u003c\/sup\u003eA is a precision-engineered dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and “punch,” and delivers studio quality sound even at extremely high sound pressure levels (SPL). An integrated, locking stand adapter simplifies mounting and adjustments.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eFeaturing a modified supercardioid pattern, the Beta 52A exhibits remarkable gain before feedback and excellent off-axis rejection. A hardened, steel mesh grille and die-cast metal construction withstands years of abuse, making it ideal for touring sound reinforcement.\u003c\/p\u003e\n\u003cdiv id=\"c_75D72829-52A3-F08F-55BD-5F34204C333F\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eModified supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for kick drums and bass instruments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNeodymium magnet for greater sensitivity and higher output\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDent-resistant, steel mesh grille and enamel coated die-cast metal construction resist wear and abuse\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eStudio quality performance, even at high SPL\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eBuilt-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_a8fcb850-9183-42e6-8693-11316e8b67c2\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv id=\"c_0575B9F7-1491-6FD3-D199-64C04DED2F6D\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Kick Drum Mic Placement\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eMake sure microphone does not touch drum head or damping inside of the drum.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace closer to beater head for more attack, further away for more resonance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_4562D90C-0011-8752-205C-5F34204C4C3F\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one \"correct\" microphone position.\u003c\/p\u003e\n\u003ctable id=\"table_cb3a8404-a5e3-444a-85bf-7e7938d6b99d\" class=\"table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"27%\"\u003e \u003ccol width=\"32%\"\u003e \u003ccol width=\"39%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"3\"\u003eKick Drum\u003c\/td\u003e\n\u003ctd class=\"\"\u003e5 to 7.5 cm (2 to 3 in.) away from beater head, slightly off-center from beater.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; maximum bass sound, highest sound pressure level.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"2\"\u003e20 to 30 cm (8 to 12 in.) from beater head, on-axis with beater.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eNOTE: To create a tighter sound with more “punch,” place a pillow or blanket on bottom of the drum against the beater head.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"3\"\u003eGuitar \u0026amp; Bass Amplifiers\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, on-axis with center of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; emphasized bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, at edge of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; higher frequency sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e60 to 90 cm (2 to 3 ft.) back from speaker, on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter attack; reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_1F1829E0-E6EF-5DDD-E0B0-0CC6D31E4903\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA supercardioid microphone has the greatest sound rejection at points 120° toward the rear of the microphone. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Supercardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_A3E2765C-5FAB-2E1D-6D88-6F04ED6BADDB\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eUsing the Stand Adapter\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe integrated stand adapter resists slipping when struck or bumped, yet permits adjustments without loosening the knob.\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"P1_ordered_restart\"\u003eThread the microphone onto the stand.\u003c\/li\u003e\n\u003cli class=\"P1_ordered\"\u003e\n\u003cb\u003eBefore tightening the adjustment knob,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eadjust the stand height and position as necessary.\u003c\/li\u003e\n\u003cli class=\"P1_ordered_last\"\u003eTighten the adjustment knob to lock the microphone in place. Do NOT use tools or over tighten.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_ADE0A667-7EA3-E3C4-AE54-6499AFB6DBBA\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20 to 10,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSupercardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eEIA rated at150 Ω(45 Ωactual)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz,open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-64 dBV\/Pa(0.6 mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e1 kHz at 1% THD, 1 kΩ load\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e174  dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eNet\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e0.605  kg(1.35  lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSilver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Frequency Response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Polar Patterns\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414095331494,"sku":"BETA52A","price":259.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/1e6ef020c89f557a2ee1fd25137df6e1.jpg?v=1672174787"},{"product_id":"beta57a","title":"SHURE BETA57A - Instument Microphone","description":"\u003ch2\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003ch2\u003eWhat is the Beta 57A best suited to?\u003c\/h2\u003e\n\u003cp\u003eIt’s a premium instrument mic ideally suited for the professional musician looking to mic up many types of amplified and acoustic instruments such as guitar amps, acoustic guitar, saxophone, snare drum and brass. It can also be used by vocal artists. The Beta 57A has the quality and ruggedness to be used both on stage and in the studio.\u003c\/p\u003e\n\u003ch2\u003eWhat are the characteristics of the Beta 57A?\u003c\/h2\u003e\n\u003cp\u003eIt has a tailored frequency response provides warmth and presence and maintains a true supercardioid pattern throughout its frequency range. This insures high gain-before-feedback, maximum isolation from other sound sources, and minimum off–axis tone coloration. The hardened steel mesh grille facilitates use of proximity effect as well as resisisting wear and abuse.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cul\u003e\n\u003cli\u003eTailored frequency response provides drums, guitars, vocals, and horns with studio quality sound\u003c\/li\u003e\n\u003cli\u003eUniform supercardioid pattern for high gain-before-feedback and superior rejection of off–axis sound\u003c\/li\u003e\n\u003cli\u003eHardened steel mesh grille that facilitates use of proximity effect and resists wear and abuse\u003c\/li\u003e\n\u003cli\u003eNeodymium magnet for high signal–to–noise ratio output\u003c\/li\u003e\n\u003cli\u003eMinimally affected by varying load impedance\u003c\/li\u003e\n\u003cli\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality and reliability\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_6FB82047-086E-37A4-C66D-63D1723EF451\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Shure BETA 57\u003csup\u003e®\u003c\/sup\u003eA is a precision-engineered, dynamic microphone designed for professional live sound reinforcement and studio recording. A tight, supercardioid pattern delivers high gain before feedback, maximum sound isolation, and minimum off-axis tone coloration.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe tailored frequency response of the versatile Beta 57A accentuates the fine details of amplified and acoustic instruments, especially in high sound pressure level(SPL) environments. A proven shock mount system, hardened steel-mesh grille, and superior build quality withstand the rigors of daily sound reinforcement.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_DFE5AED9-A9DB-C6BF-7EFD-63D172430D6E\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for guitars, drums and vocals\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNeodymium magnet for greater sensitivity and higher output\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDent-resistant steel mesh grille and enamel coated die-cast metal construction resist wear and abuse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_dc7d304d-de1e-48b9-8de6-1fee12adad8f\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_55E70E28-E124-C51E-C3D2-63D1722CB002\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.\u003c\/p\u003e\n\u003ctable class=\"table\" id=\"table_78628da4-1e02-46e6-954a-c1000184b326\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"20%\"\u003e \u003ccol width=\"50%\"\u003e \u003ccol width=\"30%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"4\" class=\"\"\u003eGuitar \u0026amp; Bass Amplifiers\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, on-axis with center of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; emphasized bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, at edge of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; higher frequency sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e15 to 30 cm (6 to 12 in.) away from speaker and on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e60 to 90 cm (2 to 3 ft.) back from speaker, on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter attack; reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eSnare Drum\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 to 7.5 cm (1 to 3 in.) above rim of top head of drum. Aim mic at drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMost “snap” from drumstick.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eTom-Toms\u003c\/td\u003e\n\u003ctd class=\"\"\u003eOne mic on each tom, or between each pair of toms, 2.5 to 7.5 cm (1 to 3 in.) above drum heads. Aim each microphone at top drum heads. On double head toms, you can also remove bottom head and place a mic inside pointing up toward top drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"3\" class=\"\"\u003eBrass \u0026amp; Woodwinds\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBrass: 30 to 90 cm (1 to 3 ft.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eWoodwinds: 2.5 to 15 cm (1 to 6 in.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eBell of instrument 90° off-axis from front of mic.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter, mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_1F1829E0-E6EF-5DDD-E0B0-0CC6D31E4903\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA supercardioid microphone has the greatest sound rejection at points 120° toward the rear of the microphone. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Supercardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_06254341-54B2-60E9-C7A9-73B561601B98\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e50 to 16,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSupercardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e290 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-51 dBV\/Pa (2 .8  mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eNet\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e0.275 kg (0.6 lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSilver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414095593638,"sku":"BETA57A","price":189.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure-beta-57a.jpg?v=1654025706"},{"product_id":"beta98ad-c","title":"SHURE BETA98AD-C - Miniature Cardioid Condenser Drum Microphone","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003eThe Shure Beta 98A is a precision-engineered compact, high-output miniature condenser microphone for professional sound reinforcement and studio recording. An extremely uniform cardioid polar pattern provides excellent gain-before-feedback and off-axis rejection of unwanted noise.\u003c\/p\u003e\n\u003cp\u003eBoth Beta 98A configurations feature high sound pressure level capability (SPL). Beta 98AD\/C includes A98D drum mount with flexible gooseneck that makes it an essential, accurate choice for toms, snares, and percussion. Beta 98A\/C is recommended for a variety of acoustic or amplified instruments including drums, piano, reed, wind, and strings.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eUniform cardioid polar pattern provides maximum gain-before-feedback and rejection of off-axis sound for smooth high-end response and control\u003c\/li\u003e\n\u003cli\u003eFrequency response tailored for drums and percussion applications with a wide dynamic range for use in high SPL environments\u003c\/li\u003e\n\u003cli\u003ePrecision-engineered design for unobtrusive microphone footprint\u003c\/li\u003e\n\u003cli\u003eBeta 98A models ship with external in-line preamplifier for discreet cable placement, snap-fit windscreen, and zipper pouch\u003c\/li\u003e\n\u003cli\u003eBeta 98AD\/C ships with A98D drum mount featuring a flexible gooseneck for precise placement and secure attachment\u003c\/li\u003e\n\u003cli\u003eBeta 98A\/C ships with RK282 shock mount swivel adapter for attachment to any standard microphone stand\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003ch2\u003eWhat is the Beta 98AD\/C best suited to?\u003c\/h2\u003e\n\u003cp\u003eThis premium drum microphone is ideal for use with snares, toms and percussion. \u003c\/p\u003e\n\u003ch2\u003eWhat are the characteristics of the Beta 98AD\/C?\u003c\/h2\u003e\n\u003cp\u003eAn extremely uniform cardioid polar pattern provides excellent gain-before-feedback and off axis rejection of unwanted noise.\u003c\/p\u003e\n\u003ch2\u003eWhat is the difference between the Beta 98AD\/C and the other versions of the Beta 98?\u003c\/h2\u003e\n\u003cp\u003eThe Beta 98AD\/C is a cardioid condenser drum microphone and comes complete with the A98D drum mount which features a flexible gooseneck. The Beta 98A\/C is the same microphone minus the drum mount. The Beta 98 AMP\/C features an integrated preamplifier.\u003c\/p\u003e\n\u003cp\u003eAlso available are supercardioid versions (Beta 98S \u0026amp; Beta 98D\/S).\u003c\/p\u003e\n\u003cp\u003ePlease note - any Beta drum microphone featuring the letter 'A' following the model number contains a new capsule and as a result you can expect a more natural high frequency response.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003eUniform cardioid polar pattern provides with smooth high-end response\u003c\/li\u003e\n\u003cli\u003eFrequency response tailored for drums and percussion applications with a wide dynamic range for use in high SPL environments\u003c\/li\u003e\n\u003cli\u003ePrecision-engineered design for unobtrusive microphone footprint\u003c\/li\u003e\n\u003cli\u003eShips with A98D Drum mount featuring a flexible gooseneck for precise placement and secure attachment\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"pubs-header\"\u003e\u003cspan class=\"pubs-header-name\"\u003eMiniature Cardioid Condenser Microphone\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_61C20CC9-A50A-A2BC-47FB-EB71B28D2249\" data-rev=\"1.0\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Shure Beta 98A is a compact, high-output, condenser microphone for professional sound reinforcement and studio recording. An extremely uniform cardioid polar pattern provides excellent gain before feedback and off-axis rejection of unwanted noise. Its high sound pressure level (SPL) capability makes it useful for a variety of acoustic or amplified instruments including drums, piano, reed, wind, and strings.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_BA93915B-70A9-5C44-87DF-EB7167773DC2\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eVariations\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet_last\"\u003e\n\u003cb\u003eBeta 98A\/C\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eincludes microphone, 7.6 m (25 ft) light-weight interconnect cable, preamplifier, and RK282 shockmount swivel adapter.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003e\n\u003cb\u003eBeta 98AD\/C\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eincludes microphone, 4.6 m (15 ft) heavy-duty interconnect cable, preamplifier, and A98D microphone drum mount.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_8B396FDD-CC84-C9A7-D662-CD4D55337292\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePerformance Characteristics\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet_last\"\u003eExceptional low-frequency reproduction\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eExtremely high SPL handling\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eHigh output level\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNo crossover distortion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_133B90F7-AABE-256F-B635-EB715347D2BD\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform cardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for drums, percussion, reeds, and horns\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCompact design reduces stage clutter\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWide dynamic range for use in high SPL environments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eOptional A98D mount is unobtrusive, versatile, and easy to adjust\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eEnamel-coated metal construction and stainless steel inner grille resist wear and abuse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_B3399608-A3B3-78F1-B844-EB6CB4A80945\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eInterconnecting Cable\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe supplied cable connects the BETA 98A to the preamplifier. If necessary, up to 23 m (75 ft) of cable can be used between the microphone and preamplifier without signal loss.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"t_964D2BDA-102F-D6A4-6FC9-EB77B5BB3462\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_217B8A15-4B0A-1883-C43F-EB6C71285FC9\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one \"correct\" microphone position.\u003c\/p\u003e\n\u003ctable class=\"t b l r table\" id=\"table_nvv_452_qp\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"33%\"\u003e \u003ccol width=\"33%\"\u003e \u003ccol width=\"33%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"T1_heading\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"T1_heading\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"T1_heading\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"2\" class=\"T1\"\u003eTom-Toms\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eOne mic on each tom or between a pair of toms, 2.5 to 7.5 cm (1 to 3 in.) above drum heads.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eRemove bottom head and place a mic inside pointing up toward top drum head.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eMaximum isolation; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eSnare Drum\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e2.5 to 7.5 cm (1 to 3 in.) above rim of top head of drum. Aim mic at drum head.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eMost \"snap\" from drumstick.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eCymbals\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eClose-mike with an A98D mount for maximum isolation, but place out of cymbal movement range.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eBright, with plenty of attack.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"3\" class=\"T1\"\u003eBrass \u0026amp; Woodwinds\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eBrass: 30 to 90 cm (1 to 3 ft.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eWoodwinds: 2.5 to 15 cm (1 to 6 in.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eBell of instrument 90° off-axis from front of mic.\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eSofter, mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"P1_tip_note\"\u003e\u003cb\u003eNote:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eBefore each use, make sure the cartridge is tightly secured on the microphone, as vibration and accidental hits with drumsticks may loosen it, resulting in signal loss.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_7E07D49C-BB80-0334-727A-EB6C5C2D315D\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eShockmount Swivel Adapter\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eUse the following procedures to mount the Beta 98A on the swivel adapter:\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"P1_ordered_restart\"\u003eConnect the microphone to the adapter.\u003c\/li\u003e\n\u003cli class=\"P1_ordered_last\"\u003eThread the cable through the C-clamp and slide the connector into the C-clamp until snug.\u003c\/li\u003e\n\u003cli class=\"P1_ordered_last\"\u003eTo reduce wear on the cable, snap it into the stress reliever clip leaving 5 to 7 cm (2 to 3 inches) of slack on the connector side.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eBETA 98A MOUNTED WITH SWIVEL ADAPTER\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_3080DD00-E9B2-5B6E-22DF-EB6A0E95EB22\" data-rev=\"1.0\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eA98D Drum Mount\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe Shure A98D mounts the Beta 98A on a drum or cymbal stand. Reference the furnished A98D guide to correctly mount the microphone.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eBETA 98A MOUNTED WITH A98D\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_763928C7-5623-A9A3-E645-20786E954E82\" data-rev=\"1.0\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eLoad Impedance\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eMaximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which the microphone is connected. Shure recommends a minimum input load impedance of 1000 Ohms. Most modern microphone preamplifiers meet this requirement. Higher impedance results in better performance for these specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_6D4DDFF5-FF08-54BA-D86D-5F19E0B8A57D\" data-rev=\"1.0\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePower Requirements\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThis microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eMost modern mixers provide phantom power. You must use a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"t_01C0E07A-83F5-D141-BF15-EB79A780C93F\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003cdiv class=\"specs\" data-rev=\"1.0\" id=\"c_A986CB02-10C4-EC5D-B704-EB69D848013F\"\u003e\n\u003cdiv class=\"specs-cat\"\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eType\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eElectret Condenser\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eFrequency Response\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20\u003cspan class=\"term\"\u003e\u003cspan\u003e \u003c\/span\u003eto\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e20\u003cspan class=\"term\"\u003e,\u003c\/span\u003e000\u003cspan class=\"term\"\u003e Hz\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePolar Pattern\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eCardioid\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eOutput Impedance\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003eat 1kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e179\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e Ω\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eSensitivity\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003eat 1kHz\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003eopen circuit voltage\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003etypical\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-48\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan class=\"term\"\u003e dBV\/Pa\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(4\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan class=\"term\"\u003e mV\u003c\/span\u003e)\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[1]\u003c\/sup\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eMaximum SPL\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003e1 kHz at 1% THD\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[2]\u003c\/sup\u003e\u003c\/p\u003e\n\u003ctable class=\"specTable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e2500 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e150\u003cspan class=\"term\"\u003e.\u003c\/span\u003e5\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e1000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e144\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\n\u003cspan class=\"term\"\u003eSignal-To-Noise Ratio\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[3]\u003c\/sup\u003e\n\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e64\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eDynamic Range\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003eat 1kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"specTable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e2500 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e120\u003cspan class=\"term\"\u003e.\u003c\/span\u003e5\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e1000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e114\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan class=\"term\"\u003e dB\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eClipping Level\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003e20 Hz to 20 kHz\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003eat 1% THD\u003c\/span\u003e\u003c\/p\u003e\n\u003ctable class=\"specTable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e2500 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e8\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan class=\"term\"\u003e dBV\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e\u003cspan class=\"term\"\u003e1000 Ω load\u003c\/span\u003e\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e1\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan class=\"term\"\u003e dBV\u003c\/span\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eSelf Noise\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e\u003cspan class=\"term\"\u003eequivalent SPL\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003eA-weighted\u003c\/span\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003etypical\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e30\u003cspan class=\"term\"\u003e.\u003c\/span\u003e0\u003cspan class=\"term\"\u003e dB SPL-A\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eConnector\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePower Requirements\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11\u003cspan class=\"term\"\u003e–\u003c\/span\u003e52\u003cspan class=\"term\"\u003e V DC\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003ephantom power\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003csup\u003e[4]\u003c\/sup\u003e, 3\u003cspan class=\"term\"\u003e.\u003c\/span\u003e6\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e mA\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003ePolarity\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e\u003cspan class=\"term\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"spec\"\u003e\n\u003ch3 class=\"spec1_title\"\u003e\u003cspan class=\"term\"\u003eWeight\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e12\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"term\"\u003e g\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(0\u003cspan class=\"term\"\u003e.\u003c\/span\u003e6\u003cspan class=\"term\"\u003eoz.\u003c\/span\u003e)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[1]\u003c\/sup\u003e1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[2]\u003c\/sup\u003eTHD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL\u003c\/p\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[3]\u003c\/sup\u003eS\/N ratio is the difference between 94 dB SPL and equivalent SPL of self-noise, A-weighted\u003c\/p\u003e\n\u003cp class=\"specs_fn\"\u003e\u003csup\u003e[4]\u003c\/sup\u003eAll specifications measured with a 48 Vdc phantom power supply. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"t_CC18DA5F-525E-9D62-F796-973177D2125F\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAccessories\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"t_8FA8E6BB-BD47-BEE1-2FD8-97326BAC392E\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003cdiv id=\"c_9138C05D-9CDA-4B19-0883-EB69C7651DA1\"\u003e\n\u003ctable class=\"parts table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eZippered Carrying Bag\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e95A2314\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eIn-Line Microphone Preamplifier for WBH53 (BETA53), WBH54 (BETA54), BETA91, WB98H\/C (BETA98), MC50B, MC51B and SM35-XLR\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eRPM626\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eSnap-fit Windscreen\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e95A2064\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eBETA98\/S Stand Adapter with Integral Shock Mount\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eRK282\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eZippered Carrying Bag\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e95A2398\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eMicrophone Drum Mount for BETA98 \u0026amp; SM98A Microphones, Features Gooseneck Adapter for Flexible Positioning\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eA98D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e15'Triple-Flex\u003csup\u003e™\u003c\/sup\u003e\u003cspan\u003e \u003c\/span\u003eCable (TA3F to TA4F) for BETA91, BETA98\/S, BETA98D\/S\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eC98D\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414095790246,"sku":"BETA98AD\/C","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/Beta98ADC-xlarge.jpg?v=1654028293"},{"product_id":"beta98h-c","title":"SHURE BETA98H-C - Instument Microphone","description":"\u003cp\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003ePRODUCT DETAILS\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe BETA®98H\/C and the wireless version WB98H\/C are premium cardioid condenser instrument microphones that clamp onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003eThe Beta 98 H\/C and WB98 H\/C feature transformerless preamplifier circuitry which improves linearity across the full frequency range.\u003c\/li\u003e\n\u003cli\u003eThe pickup pattern provides high gain-before-feedback and excellent rejection of unwanted noise.\u003c\/li\u003e\n\u003cli\u003eIts high maximum sound pressure level (SPL) enables it to handle the extreme demands of brass, woodwind and percussion instruments.\u003c\/li\u003e\n\u003cli\u003eThe Beta98H\/C features a 3 m (10 ft.) high-flex cable with attached preamplifier (XLR connection)\u003c\/li\u003e\n\u003cli\u003eThe WB98H\/C features a 1.6 m (5.3ft) high-flex cable terminating in a 4-pin mini-connector, for use with wireless bodypack transmitters\u003c\/li\u003e\n\u003cli\u003eTailored frequency response for open, natural sound reproduction\u003c\/li\u003e\n\u003cli\u003eCompact, lightweight construction provides a low degree of visibility\u003c\/li\u003e\n\u003cli\u003eGooseneck, ratcheting swivel joint and gooseneck angle brace allow for optimum placement and fixed positioning\u003c\/li\u003e\n\u003cli\u003eLegendary Shure ruggedness and reliability\u003c\/li\u003e\n\u003cli\u003eInterchangeable replacement cartridges:\n\u003cul\u003e\n\u003cli\u003eRPM108 : Cardioid\u003c\/li\u003e\n\u003cli\u003eRPM110 : Supercardioid\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_FBD2A8A1-671D-8A65-F2F9-63D3F26D3B3D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Beta 98H\/C miniature cardioid condenser microphone clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the mic to be easily positioned and secured, and an isolation shock-mount reduces the transmission of instrument vibrations. A gooseneck angle brace is included to provide better retention of the desired microphone placement.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eFeaturing a highly consistent cardioid polar pattern, the Beta 98H\/C provides high gain before feedback and smooth off-axis rejection. It's ability to handle extremely high sound pressure levels (SPL) makes it ideal for live sound reinforcement on a variety of instruments.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_5C22E7BE-2406-0126-A090-63D3F26E222E\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform cardioid pick-up pattern for maximum gain before feedback and excellent rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for open, natural sound reproduction\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWide dynamic range for use in high sound pressure level SPL environments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdjustable gooseneck, angle brace and ratcheting swivel joint allow for optimal microphone positioning\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCompact, lightweight construction provide a low degree of visibility\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eInterchangeable microphone cartridges with different polar patterns are available\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eSnap-fit foam windscreens stay in place, minimizing wind noise\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_e2b63299-6493-44a6-b362-35209dc45382\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_AD5180A9-A820-9F20-6180-63D3F25ABBCA\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications And Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.\u003c\/p\u003e\n\u003ctable class=\"table\" id=\"table_93d86078-aa2c-491b-91d0-f363fb6881fe\" frame=\"none\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"17%\"\u003e \u003ccol width=\"50%\"\u003e \u003ccol width=\"31%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eReed Instruments\u003c\/td\u003e\n\u003ctd class=\"\"\u003ePlace microphone a few inches from and aiming into bell.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, minimizes feedback and leakage.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd rowspan=\"3\" class=\"\"\u003eBrass \u0026amp; Woodwinds\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBrass: 30 to 90 cm (1 to 3 ft.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eWoodwinds: 2.5 to 15 cm (1 to 6 in.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eBell of instrument 90° off-axis from front of mic.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter, mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_F7E59FF0-8F14-BFA3-C339-114A6BC21B7E\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003ePlace the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Cardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_6D4DDFF5-FF08-54BA-D86D-5F19E0B8A57D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePower Requirements\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThis microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eMost modern mixers provide phantom power. You must use a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_FF15B3D3-DA71-2C8D-801E-976B86350B2D\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20 to 20,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e150 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-56  dBV\/Pa (1.6  mV) [1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e(1 kHz at 1% THD)\u003c\/p\u003e\n\u003cspan class=\"section\"\u003e1000 Ω load\u003c\/span\u003e\n\u003cp class=\"spec1_value\"\u003e155 dB SPL typical\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eEquivalent Output Noise\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eA-weighted\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e31 dB SPL (typical)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSignal-To-Noise Ratio\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e(Ref. 94 dB SPL at 1 kHz)\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e63 dB[2]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e(at 1 kHz, 1000 Ω load)\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e124 dB, 132  dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eClipping Level\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1% THD\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e3 dBV (1.4  V)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11 to 52  V DCphantom power\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[2] S\/N ratio is difference between 94 dB SPL and equivalent SPL of self noise, A-weighted\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Frequency Response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Polar Patterns\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eWiring Diagram\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch2 class=\"H2_heading\"\u003eFurnished Accessories\u003c\/h2\u003e\n\u003ctable class=\"default table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eZippered Carrying Bag\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"partno\"\u003e95A2398\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003e\n\u003cp class=\"desc\"\u003eIn-Line Microphone Preamplifier for WBH53 (Beta 53), WBH54 (Beta 54), Beta 91, WB98H\/C (Beta 98), MC50B, MC51B and SM35-XLR\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414095986854,"sku":"BETA98H\/C","price":289.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/619cB0cr-hL._AC_SL1500.jpg?v=1654100541"},{"product_id":"55sh-seriesii","title":"SHURE 55SH SERIESII - Vintage microphone","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIf you want to capture a classic look, you need the gear to match the genre. Nothing completes the style quite like the 55SH Series II, a microphone that has been gripped by legends for decades. Others may imitate, but none can duplicate the form and function standards Shure has held from our first Unidyne mic to our latest.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBuilt on the hardware of our seminal Unidyne 55 microphone, the look of the 55SH Series II transports you to a classic era. Whether you recreate the broadcasting golden age or sing with the hip-swinging swagger of the birth of rock n’ roll, this is the mic that makes the scene.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"triptych__panel-toggle\"\u003e\n\u003ch3 class=\"h5 light\"\u003eA standout on any stage\u003c\/h3\u003e\n\u003cp\u003eThe cardioid directional pattern captures the exact sound you want, regardless of acoustic environment. So it’s perfect for live performance in a variety of venues.\u003c\/p\u003e\n\u003ch3 class=\"h5 light\"\u003eMade to move\u003c\/h3\u003e\n\u003cp\u003eThe shock-mounted cartridge minimises stand noise. So swing while you sing. It can handle the motion.\u003c\/p\u003e\n\u003ch3 class=\"h5 light\"\u003eStage proof\u003c\/h3\u003e\n\u003cp\u003eMicrophones get dropped, tossed and knocked around. We know. We’ve been making them for nearly a century. It’s why we built the 55SH Series II with a rugged, die-cast casing, so it’s always ready for the next show.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414096248998,"sku":"55SHSERIESII","price":259.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/Shure_55SH_SERIES_II_55SH_II_Cardioid_Dynamic_68380.jpg?v=1648243025"},{"product_id":"pga81-xlr","title":"SHURE PGA81-XLR  -Condenser Microphone for instruments with XLR cable","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" title=\"YouTube video player\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003eThe PGA81 is ideal for use in sensitive acoustic instrument performance and recording. Available with and without a cable.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe PGA81 is a professional quality instrument microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eFlat-response microphone cartridge design\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor clear reproduction of acoustic instrument sound sources in more sensitive environments.\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eCardioid polar pattern\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003epicks up audio from the source while rejecting unwanted noise\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eUpdated industrial design\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ewith black metallic finish and grille for unobtrusive visual presence\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eAvailable with XLR Cable\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e(4.57 m)\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eStand adapter\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efor mounting to a microphone stand\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eZipper pouch\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eincluded for additional protection during storage or transport\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cstrong data-mce-fragment=\"1\"\u003eLegendary Shure quality\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003edesign and construction for exceptional performance in rigorous environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"topic_level1 tab-pane active\" id=\"c_54417D20-5CE1-58BD-D721-B63768722623\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"H2_heading\" data-mce-fragment=\"1\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\" data-mce-fragment=\"1\"\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\" data-mce-fragment=\"1\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_B50CEC5A-9569-D615-1F14-8F294EF0821C\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003ePhantom Power\u003c\/h1\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eAll condenser microphones require phantom power to operate. This microphone performs best with a 48 V DC supply (IEC-61938), but it can operate with lower voltages.\u003c\/p\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003ePhantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cb data-mce-fragment=\"1\"\u003ebalanced\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS. In most cases, there is a switch or button to activate the phantom power. See the user guide for the mixer or interface for additional information.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_DA3B00FC-F1AB-C419-E063-2072FF1E92D8\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eDirectional microphones progressively boost bass frequencies as the microphone is placed in closer proximity to the source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound.\u003c\/p\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_F7E59FF0-8F14-BFA3-C339-114A6BC21B7E\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"H2_heading\" data-mce-fragment=\"1\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h2\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003ePlace the microphone so that unwanted sound sources, such as monitors and loudspeakers, are directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_503158fd-2aa5-4035-9fde-f687d47d6c04-ENG.png\" class=\"img-responsive\" width=\"342.7564px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_503158fd-2aa5-4035-9fde-f687d47d6c04-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\" data-mce-fragment=\"1\"\u003eRecommended Loudspeaker Locations for Cardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level2\" id=\"c_EABD25BF-E360-31B4-22C5-7FB2F17615AA\" data-mce-fragment=\"1\"\u003e\n\u003ch2 class=\"H2_heading\" data-mce-fragment=\"1\"\u003eApplications\u003c\/h2\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eThe following table provides a basic starting point for several instruments. Shure offers additional educational publications on microphone placement and recording techniques. Visit www.shure.com for more information.\u003c\/p\u003e\n\u003ctable class=\"t b l r table\" id=\"table_p3l_zzw_fp\" data-mce-fragment=\"1\" frame=\"all\"\u003e\n\u003ccolgroup data-mce-fragment=\"1\"\u003e \u003ccol width=\"17%\" data-mce-fragment=\"1\"\u003e \u003ccol width=\"23%\" data-mce-fragment=\"1\"\u003e \u003ccol width=\"58%\" data-mce-fragment=\"1\"\u003e \u003c\/colgroup\u003e\n\u003cthead data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003cth class=\"\" data-mce-fragment=\"1\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\" data-mce-fragment=\"1\"\u003eDistance from source\u003c\/th\u003e\n\u003cth class=\"\" data-mce-fragment=\"1\"\u003eTips\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAcoustic guitar\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e6-12 inches (15-30 cm)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003ePlace near the sound hole for a full sound, or near the 12th fret for a balanced, natural sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eDrums\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e3-6 feet (1-2 m)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003ePlace in front of the drum kit to capture more of the kick drum, or as an overhead (above the kit, facing down) to capture more cymbals. Consider using additional Shure microphones placed on individual drums for more mixing flexibility and a thicker sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAmplifiers\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e1-6 inches (2-15 cm)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAim towards the center of the speaker for a clear, aggressive sound, or towards the edge of the speaker for a mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eStrings or horns\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e1-6 feet (30 cm - 2 m)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eFor a single instrument, place the microphone close to the source. For a horn or string section, arrange players at an equal distance from the microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eFull band\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e3-10 feet (1-3 m)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eFace the microphone towards the group, centered between instruments.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAuxiliary percussion (congas, tambourine, etc.)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003e6-12 inches (15-30 cm)\u003c\/td\u003e\n\u003ctd class=\"\" data-mce-fragment=\"1\"\u003eAim the microphone away from other instruments on stage for better isolation.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"P1_tip_note\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTip:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eClose microphone placement results in a full sound due to the proximity effect. Placing the microphone farther from the source results in more room ambience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_0CCC167B-7478-EBEC-0AA6-84566DEC6D82\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003eMicrophone Techniques for Stereo Recording\u003c\/h1\u003e\n\u003cp class=\"P1\" data-mce-fragment=\"1\"\u003eStereo recording using two microphones adds realism by capturing sound similar to the way that humans hear. Panning (directing the signals left and right) adds width and directionality when listening on stereo systems or headphones.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eTip:\u003c\/b\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ePanning the signals farther apart increases stereo separation and width. Be careful of panning too far, as it may result in a hollow sound in the middle of the stereo field.\u003c\/p\u003e\n\u003ctable class=\"dltable table\" data-mce-fragment=\"1\"\u003e\n\u003ccolgroup data-mce-fragment=\"1\"\u003e \u003ccol width=\"25%\" data-mce-fragment=\"1\"\u003e \u003ccol width=\"75%\" data-mce-fragment=\"1\"\u003e \u003c\/colgroup\u003e\n\u003ctbody data-mce-fragment=\"1\"\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e① X-Y Coincident Pair\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eThe X-Y technique provides excellent phase coherency because sound arrives simultaneously at both microphones.\n\u003cp class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePlacement:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eSet up the microphones with the capsules close together, but not touching. Experiment with angles between 90 and 120 degrees to capture the full width of the source.\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_81935ea1-8d79-490f-afe0-6c51b3c5973c-ENG.png\" class=\"img-responsive\" width=\"312.1622px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_81935ea1-8d79-490f-afe0-6c51b3c5973c-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e② ORTF\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eDeveloped as a French broadcasting standard, ORTF technique replicates the spacing and angle of human ears. It provides a natural, wide sound.\n\u003cp class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003ePlacement:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/b\u003eAngle the microphones at 110°, with the capsules 17 cm apart.\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_114cfd7e-5366-4deb-a74b-b61d71424547-ENG.png\" class=\"img-responsive\" width=\"365.4616px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_114cfd7e-5366-4deb-a74b-b61d71424547-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr data-mce-fragment=\"1\"\u003e\n\u003ctd class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"P1_defTerm\" data-mce-fragment=\"1\"\u003e③ A\/B Spaced Pair\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eSpaced pair recording can deliver a dramatic stereo effect because sound arrives at each microphone at a slightly different time, providing the listener with timing cues that localize sounds.\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_0087af6c-36e9-4116-bc8a-34c3d685908b-ENG.png\" class=\"img-responsive\" width=\"502.19259999999997px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_0087af6c-36e9-4116-bc8a-34c3d685908b-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"P1_tip_note\" data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eNote:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"P1_defDefinition\" data-mce-fragment=\"1\"\u003eFor drum overheads, the snare drum should be equidistant from each microphone to achieve a tight, focused sound. Use a measuring tape or piece of string to verify this distance.\u003c\/p\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_E007B1D5-6F7D-3AAB-B608-D2EE24213A16\" data-mce-fragment=\"1\"\u003e\n\u003ch1 class=\"H1_heading\" data-mce-fragment=\"1\"\u003eSpecifications\u003ca name=\"spec\" data-mce-fragment=\"1\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e40 to 18,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\" data-mce-fragment=\"1\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e600 Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\" data-mce-fragment=\"1\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e-48.5 dBV\/Pa[1] (3.8 mV)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\" data-mce-fragment=\"1\"\u003e1 kHz at 1% THD, 1 kΩ load, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e129.5 dB SPL\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eThree-pin professional audio (XLR), male\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e186 g (0.4 lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003eCast Zinc\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\" data-mce-fragment=\"1\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\" data-mce-fragment=\"1\"\u003e48 V DC phantom power (2.0 mA)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\" data-mce-fragment=\"1\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_4fcacc86-6777-4df0-855c-6930d244bc11-ENG.png\" class=\"img-responsive\" width=\"414.42519999999996px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_4fcacc86-6777-4df0-855c-6930d244bc11-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"term\" data-mce-fragment=\"1\"\u003eFrequency Response\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\" data-mce-fragment=\"1\"\u003e\n\u003cp class=\"figure\" data-mce-fragment=\"1\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_03f7a80b-80e2-428f-810a-3e5b89b5b774-ENG.png\" class=\"img-responsive\" width=\"350.77px\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_03f7a80b-80e2-428f-810a-3e5b89b5b774-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\" data-mce-fragment=\"1\"\u003e\u003cspan class=\"term\" data-mce-fragment=\"1\"\u003ePolar Pattern\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414096314534,"sku":"PGA81-XLR","price":189.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/PGA81-xlarge_ef35ad90-03ea-4559-a898-8825802a11bd.jpg?v=1654205315"},{"product_id":"sm137-lc","title":"SHURE SM137-LC Microphone","description":"\u003cp\u003eThe SM137 is a versatile, flat-response cardioid condenser probe microphone.\u003c\/p\u003e\n\n\u003cp\u003eThe SM137 has an ultra-thin diaphragm for a frequency response that combines a smooth high-end with a tight, controlled low-end and a 15db pad for natural sound reproduction in both acoustic and high volume performance applications.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e\n\u003cul\u003e\n\u003cli\u003eUltra-thin diaphragm for smooth high end and tight, controlled low end\u003c\/li\u003e\n\u003cli\u003e15dB pad for performance consistency across a wider range of high SPL sources\u003c\/li\u003e\n\u003cli\u003eLow self-noise and transformerless preamplifier circuitry\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414096347302,"sku":"SM137-LC","price":269.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/sm157.png?v=1596016815"},{"product_id":"sm86","title":"SHURE SM86 Microphone","description":"\u003cp\u003eThe Shure SM86 is a unidirectional (cardioid) condenser vocal microphone for professional use in live performance. An extremely rugged microphone, the SM86 withstands the rigors of touring while delivering a clear, studio-quality sound.\u003cbr\u003e\n\u003cbr\u003e\nA cardioid pickup pattern isolates the main sound source while minimizing unwanted background noise. The built-in three-point shock mount minimizes handling noise, and a two-stage pop filter reduces wind and breath \u0026amp;quot,pop\u0026amp;quot, noise.\u003cbr\u003e\n\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414097395878,"sku":"SM86","price":269.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/sm86.png?v=1596016816"},{"product_id":"beta56a","title":"SHURE BETA56A - Instrument Microphone","description":"\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\" data-mce-fragment=\"1\"\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eWhat is the Beta 56A best suited to?\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt’s a premium microphone that is ideally suited for the professional musician looking to mic up their snare and toms, either on stage or in the studio. It can also be used with other instruments such as guitar and bass amps, brass and a saxophone amongst others.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003eWhat are the Charactaristics of the Beta 56A?\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Beta 56A has a uniform supercardioid pattern for high gain before feedback and a superior rejection of off-axis sound. It includes a Neodymium magnet which gives the BETA56A a high signal-to-noise ration output. The built-in stand adaptor had a dynamic locking system and XLR connector which simplifies setup and provides greater flexibilty.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\" data-mce-fragment=\"1\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\" data-mce-fragment=\"1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eBuilt-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUniform supercardioid pattern for high gain-before-feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCompact design reduces stage clutters\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eHardened steel mesh grille resists wear and abuse\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eNeodymium magnet for high signal-to-noise ratio output\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFrequency response: 50 to 16,000 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv id=\"c_DD981695-E17F-78D9-B2EE-63D09D33C4DA\" class=\"topic_level1 tab-pane active\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eGeneral Description\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe Shure Beta 56\u003csup\u003e®\u003c\/sup\u003eA dynamic microphone has a frequency response specifically tailored for drums and instruments. An extremely uniform supercardioid pattern provides high gain before feedback and excellent rejection of unwanted noise. An integrated, locking stand adapter, with XLR connector, simplifies mounting and adjustments.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eDesigned for professional sound reinforcement and studio recording, the Beta 56A features a hardened steel mesh grille, die-cast metal construction, and pneumatic shock mount system ideal for daily, rough use in performance environments.\u003c\/p\u003e\n\u003cdiv id=\"c_C83FDA6C-796C-B9BB-BA8B-63D09D337908\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform supercardioid pick-up pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response specifically shaped for drums, amplified instruments and horns\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNeodymium magnet for greater sensitivity and higher output\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdvanced pneumatic shock mount system that minimizes transmission of mechanical noise and vibration\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDent-resistant, steel mesh grille and enamel coated die-cast metal construction resist wear and abuse\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eBuilt-in stand adapter with dynamic locking system and XLR connector simplifies setup and provides greater flexibility\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCompact design reduces stage clutter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_08686934-60b2-4932-b92b-152b9d4785bf\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_16E9433F-043A-7C48-1B67-63D09D26F5BC\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one \"correct\" microphone position.\u003c\/p\u003e\n\u003ctable id=\"table_19bab3ab-cef4-4655-bfaa-4dde4dfe098b\" class=\"table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"21%\"\u003e \u003ccol width=\"47%\"\u003e \u003ccol width=\"31%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eTom-Toms\u003c\/td\u003e\n\u003ctd class=\"\"\u003eOne mic on each tom, or between each pair of toms, 2.5 to 7.5 cm (1 to 3 in.) above drum heads. Aim each microphone at top drum heads. On double head toms, you can also remove bottom head and place a mic inside pointing up toward top drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eSnare Drum\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 to 7.5 cm (1 to 3 in.) above rim of top head of drum. Aim mic at drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMost \"snap” from drumstick.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"4\"\u003eGuitar \u0026amp; Bass Amplifiers\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, on-axis with center of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; emphasized bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e2.5 cm (1 in.) from speaker, at edge of speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSharp attack; higher frequency sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e15 to 30 cm (6 to 12 in.) away from speaker and on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003e60 to 90 cm (2 to 3 ft.) back from speaker, on-axis with speaker cone.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter attack; reduced bass.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"3\"\u003eBrass \u0026amp; Woodwinds\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBrass: 30 to 90 cm (1 to 3 ft.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eWoodwinds: 2.5 to 15 cm (1 to 6 in.) away, on-axis with bell of instrument.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eBright, clear sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eBell of instrument 90° off-axis from front of mic.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eSofter, mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_1F1829E0-E6EF-5DDD-E0B0-0CC6D31E4903\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAvoiding Pickup of Unwanted Sound Sources\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eA supercardioid microphone has the greatest sound rejection at points 120° toward the rear of the microphone. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eRecommended Loudspeaker Locations for Supercardioid Microphones\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_50F28330-267F-04FF-9076-0BA159C8658D\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eProximity Effect\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUnidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1\/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_3CFDFA3B-AD78-9358-FC5D-791732FF1AD0\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eUsing the Stand Adapter\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe integrated stand adapter resists slipping when struck or bumped, yet permits adjustments without loosening the knob.\u003c\/p\u003e\n\u003col class=\"ol1\"\u003e\n\u003cli class=\"P1_ordered_restart\"\u003eThread the microphone onto the stand.\u003c\/li\u003e\n\u003cli class=\"P1_ordered\"\u003e\n\u003cb\u003eBefore tightening the adjustment knob,\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eadjust the stand height and position as necessary.\u003c\/li\u003e\n\u003cli class=\"P1_ordered_last\"\u003eTighten the adjustment knob to lock the microphone in place. Do NOT use tools or overtighten\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_2CDF9B44-F3B8-A375-09A1-72E0F23C4053\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eDynamic (moving coil)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e50 to 16,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSupercardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eEIA rated at150  Ω(290  Ωactual)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz,open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-51  dBV\/Pa(2.8  mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eNet\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e0.468 kg (1.6  lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male, balanced\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eSilver blue enamel-painted die cast metal with hardened, matte-finished steel mesh grille\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Frequency Response\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eTypical Polar Pattern\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414097920166,"sku":"BETA56A","price":209.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/7406380_800.jpg?v=1654025367"},{"product_id":"beta98amp-c","title":"SHURE BETA98AMP-C - Drum Instrument microphone","description":"\u003ch2\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/uZhAXodtsWg\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003eWhat is the Beta 98AMP\/C best suited to?\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThis premium drum microphone is ideal for use with snares and toms. \u003c\/p\u003e\n\u003ch2\u003eWhat are the characteristics of the Beta 98AMP\/C?\u003c\/h2\u003e\n\u003cp\u003eThe Beta 98AMP\/C provides a smooth and natural sound, and features an integrated XLR preamplifier with a flexible gooseneck.\u003c\/p\u003e\n\u003ch2\u003eWhat is the difference between the Beta 98AMP\/C and the other versions of the Beta 98?\u003c\/h2\u003e\n\u003cp\u003eThe Beta 98AMP\/C is a cardioid condenser instrument microphone and comes complete with an integrated preamplifier and the A75M universal drum mount. None of the other versions of the Beta 98 contain an integrated preamplifier. The Beta 98AMP\/C has a wider dynamic range with a SPL level 7dB higher than Beta 98AD\/C and the Beta 98A\/C. The Beta 98AD\/C is for the same applications and instead contains an A98D drum mount which features a flexible gooseneck. The Beta 98S \u0026amp; Beta 98D\/S will continue to be available and have a supercardioid polar pattern. \u003c\/p\u003e\n\u003cp\u003ePlease note - any Beta drum microphone featuring the letter 'A' following the model number contains a new capsule and as a result you can expect a more natural high frequency response.\u003clabel class=\"listbox-label\" for=\"product-variant-listbox-details-selector\"\u003e\u003c\/label\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003eUniform cardioid polar pattern provides maximum gain-before-feedback and rejection of off-axis sound for smooth high-end response and control\u003c\/li\u003e\n\u003cli\u003ePrecision-engineered design features integrated preamplifier and XLR connector to maximize setup efficiency while minimizing stage clutter\u003c\/li\u003e\n\u003cli\u003eFrequency response tailored for drums and percussion applications with a wide dynamic range for use in high SPL environments\u003c\/li\u003e\n\u003cli\u003eFlexible gooseneck for precise placement and easy adjustment\u003c\/li\u003e\n\u003cli\u003eShips with A75M Universal Microphone mount with quick release, for versatile and secure instrument and\/or stand mounting\u003c\/li\u003e\n\u003cli\u003eFurnished with snap-fit windscreen and zipper pouch\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"pubs-header\"\u003e\u003cspan class=\"pubs-header-name\"\u003eMiniature Cardioid Drum Microphone\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv id=\"c_8B89D33F-1D9B-90DD-1C93-CD638ACD3841\" class=\"topic_level1 tab-pane active\"\u003e\n\u003cp class=\"P1\"\u003eThe Shure Beta 98AMP is a compact, high-output, condenser microphone for professional sound reinforcement and studio recording. An extremely uniform cardioid polar pattern provides excellent gain before feedback, off-axis rejection of unwanted noise, and performance in high sound pressure level (SPL) environments.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eThe Beta 98AMP features an integrated preamplifier with XLR connection, a flexible gooseneck, and is packaged with the A75M Universal Microphone Mount accessory for precision adjustments and minimal stage clutter. For use with drums, percussion, and other fixed-placement applications.\u003c\/p\u003e\n\u003cdiv id=\"c_470FB7A9-FD14-CF58-4AE3-CD62FA43DDAA\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eVariations\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003e\n\u003cb\u003eBeta 98AMP\/C:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eBeta 98AMP microphone furnished with the A75M Universal Microphone Mount.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003e\n\u003cb\u003eBeta 98AMP\/C-3PK:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eincludes three Beta 98AMP microphones and three A75M Universal Microphone Mounts.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_8B396FDD-CC84-C9A7-D662-CD4D55337292\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePerformance Characteristics\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eExceptional low-frequency reproduction\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eExtremely high SPL handling\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eHigh output level\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eNo crossover distortion\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_50729C0E-4421-F577-4F8A-CD62C5B8DDDB\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eFeatures\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePremier live performance microphone with Shure quality, ruggedness, and reliability\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUniform cardioid polar pattern for maximum gain before feedback and superior rejection of off-axis sound\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eTailored frequency response shaped for drums and percussion\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWide dynamic range for use in high SPL environments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eCompact design and integrated preamp reduce stage clutter and ease setup\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFlexible gooseneck for precise placement and easy adjustments\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eEnamel coated metal construction and stainless steel inner grille resist wear and abuse\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_B6870D69-B884-D5B9-A443-CD9A03022793\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cdiv id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_292895F7-AAD5-E9AD-88AC-CD4C8989E6D1\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eApplications and Placement\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe following table lists the most common applications and placement techniques. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position.\u003c\/p\u003e\n\u003ctable id=\"table_fgx_xnh_pp\" class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"33%\"\u003e \u003ccol width=\"33%\"\u003e \u003ccol width=\"33%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eSuggested Microphone Placement\u003c\/th\u003e\n\u003cth class=\"\"\u003eTone Quality\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\" rowspan=\"2\"\u003eTom-Toms\u003c\/td\u003e\n\u003ctd class=\"\"\u003eOne mic on each tom or between a pair of toms, 2.5 to 7.5 cm (1 to 3 in.) above drum heads.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMedium attack; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eRemove bottom head and place a mic inside pointing up toward top drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMaximum isolation; full, balanced sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eSnare Drum\u003c\/td\u003e\n\u003ctd class=\"\"\u003e2.5 to 7.5 cm (1 to 3 in.) above rim of top head of drum. Aim mic at drum head.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMost \"snap\" from drumstick.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eCymbals\u003c\/td\u003e\n\u003ctd class=\"\"\u003eClose-mike with A75M mount, avoiding range of cymbal movement.\u003c\/td\u003e\n\u003ctd class=\"\"\u003eMaximum isolation; bright, with plenty of attack.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"P1_tip_note\"\u003eBefore each use, make sure the cartridge is tightly secured on the microphone, as vibration and accidental hits with drumsticks may loosen it, resulting in signal loss.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_19B81C04-7EA3-1FEF-4C78-CD4BEBA9E1CA\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePositioning the Microphone\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe flexible gooseneck allows precise adjustments to the microphone without moving the mount.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\"\u003eExcessive twisting or forcing the gooseneck into extreme positions can permanently damage the microphone.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_61A9E39C-81F3-9D1A-B05A-CD4AB22C717F\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eA75M Universal Microphone Mount\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eThe Shure A75M mounts the Beta 98AMP on a variety of surfaces and instrument hardware. Reference the furnished A75M guide to correctly mount the microphone.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"fig_caption\"\u003eBETA 98AMP MOUNTED WITH A75M\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_763928C7-5623-A9A3-E645-20786E954E82\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eLoad Impedance\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eMaximum SPL capability, output clipping level, and dynamic range vary with the input load impedance of the preamplifier to which the microphone is connected. Shure recommends a minimum input load impedance of 1000 Ohms. Most modern microphone preamplifiers meet this requirement. Higher impedance results in better performance for these specifications.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_6D4DDFF5-FF08-54BA-D86D-5F19E0B8A57D\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePower Requirements\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThis microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003eMost modern mixers provide phantom power. You must use a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_64E4B733-54C7-7A39-E3F5-CD9B08AC4107\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e20 to 20,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e150  Ω\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz, open circuit voltage, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-50.5 dBV\/Pa(2.5 mV)[1]\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e1 kHz at 1% THD[2]\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"1\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e157.5 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"1\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e153.0 dB SPL\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eSignal-To-Noise Ratio[3]\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e63 dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eDynamic Range\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1kHz\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"1\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e126.5 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"1\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e122.0 dB\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eClipping Level\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz,at 1% THD\u003c\/p\u003e\n\u003ctable class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"1\"\u003e2500 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e12.5 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\" rowspan=\"1\"\u003e1000 Ω load\u003c\/td\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003e7.5 dBV\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eSelf Noise\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eequivalent SPL,A-weighted,typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e31.0 dB SPL-A\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eCommon Mode Rejection\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e10 Hz to 100 kHz\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e≥60 dB\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11–52 V DCphantom power[4], 5.5  mA\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eNet Weight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e130  g(4.6oz.)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[2] THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[3] S\/N ratio is the difference between 94 dB SPL and equivalent SPL of self-noise, A-weighted\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[4] All specifications measured with a 48 Vdc phantom power supply. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414100017318,"sku":"BETA98AMP\/C","price":359.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/mixdown-magazine-shure-98amp-c.jpg?v=1654028765"},{"product_id":"super-55","title":"SHURE SUPER 55 DELUXE VOCALE MICROPHONE","description":"\u003c!-- more --\u003e\n\u003cp\u003eThe Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, supercardioid polar pattern, vibrant blue foam behind the grille, and tailored frequency response for natural vocals and speech. An integrated, swivel stand mount is included.The combination of updates make the Super 55 the ideal choice when looking for a dramatic ,yet affordable improvement in sound quality with an unmistakable vintage design. It's great for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.\u003c\/p\u003e\n\u003cp\u003eShure Super 55 Dynamic Microphone Features:\u003cbr\u003e Supercardioid polar pattern\u003cbr\u003e Iconic chrome-plated design with vibrant blue color additions\u003cbr\u003e Tailored frequency response for natural vocals and speech\u003cbr\u003e High gain-before-feedback and excellent off-axis rejection\u003cbr\u003e Shock-mounted cartridge minimizes handling noise and ensures quiet operation\u003cbr\u003e Rugged die cast casing for reliability under rigorous conditions\u003cbr\u003e Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward\u003c\/p\u003e\n\u003cp\u003eShure Super 55 Dynamic Microphone Specifications:\u003cbr\u003e Type: Dynamic\u003cbr\u003e Frequency response: 60 to 17000Hz\u003cbr\u003e Polar pattern: Supercardioid\u003cbr\u003e Impedance: Microphone rating impedance is 150 Ohms (290 Ohms actual)\u003cbr\u003e Sensitivity (at 1000Hz): Open Circuit Voltage: -53.0 dBV\/Pa, 1 Pascal=94 dB SPL\u003cbr\u003e Polarity: positive pressure on the diaphragm produces positive voltage on pin 2 with respect to pin 3 of the output connector\u003cbr\u003e Construction: chrome-plated die casting\u003cbr\u003e Dimensions:\u003cbr\u003e Height (mic): 115cm, (stand) 73cm\u003cbr\u003e Width (mic): 55.6, (stand): 23.8\u003cbr\u003e Depth: (mic): 77.8cm, (stand): 42.1cm\u003cbr\u003e Net weight: 0.656kg (1.45lb.)\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414100607142,"sku":"SUPER55","price":319.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/files\/SUPER55_1-B_grande_9945a589-38eb-456b-97b2-e6e46d166782.webp?v=1778187407"},{"product_id":"pga181-lc","title":"SHURE PGA181-LC - Side-Address Cardioid Condenser Microphone","description":"\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" height=\"563\" width=\"1000\"\u003e\u003c\/iframe\u003eSide-address cardioid condenser microphone delivers excellent sound for a variety of applications Features include rejection of unwanted noise and an updated industrial design with a black, metallic finish and grille. Includes stand and pouch.\u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe PGA181 is a side-address cardioid condenser microphone with a smooth frequency response and highly durable construction that delivers excellent sound. Extremely versatile, the PGA181 is a go-to mic for use with a wide range of applications, including acoustic and amplified instruments, vocals and live rehearsal, recording and performance.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv class=\"product-details__tabbed\"\u003e\n\u003cdiv class=\"product-details__tabbed-nav\"\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eTailored microphone cartridge\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edesign for smooth and versatile reproduction of sound sources.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eCardioid polar pattern\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003epicks up audio from the source while rejecting unwanted noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eUpdated industrial design\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewith black metallic finish and grille for unobtrusive visual presence\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eAvailable with XLR Cable\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e(4.57 m) \u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eStand adapter\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor mounting to a microphone stand\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eZipper pouch\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eincluded for additional protection during storage or transport\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eLegendary Shure quality\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003edesign and construction for exceptional performance in rigorous environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv id=\"c_54417D20-5CE1-58BD-D721-B63768722623\" class=\"topic_level1 tab-pane active\"\u003e\n\u003cdiv id=\"c_6B2EB2EA-8F6C-B1CB-1D8B-5FAFFCEF2E59\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003eGeneral Rules for Use\u003c\/h2\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"P1_bullet_last\"\u003eDo not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace the microphone as close as practical to the desired sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eWork close to the microphone for extra bass response.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eUse only one microphone to pick up a single sound source.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eFor better gain before feedback, use fewer microphones.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eKeep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003ePlace microphones as far as possible from reflective surfaces.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAdd a windscreen when using the microphone outdoors.\u003c\/li\u003e\n\u003cli class=\"P1_bullet_last\"\u003eAvoid excessive handling to minimize pickup of mechanical noise and vibration.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_FFC64297-62DD-582B-869F-2246BEC5355A\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eConnecting to a Mixer or Computer\u003c\/h1\u003e\n\u003ctable class=\"dltable table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"75%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eCables\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003eUse only balanced (three-conductor) cables. Otherwise, the cable will not carry phantom power to the microphone. If using an adapter for 6.5mm (1\/4\") inputs, it must have tip-ring-sleeve (TRS) contacts.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eComputer\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003eTo deliver audio directly to a computer, use a USB audio interface with an XLR microphone input that provides +48V phantom power, such as the Shure MVi.\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"807.8406px\" class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_82536676-0c55-44a3-aabd-21b8be7409e4-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_desc\"\u003eConnecting to a computer using the Shure MVi audio interface\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"P1_defTerm\"\u003e\n\u003cp class=\"P1_defTerm\"\u003eMixer\u003c\/p\u003e\n\u003c\/td\u003e\n\u003ctd class=\"P1_defDefinition\"\u003eWhen connecting to a mixer, use only balanced, microphone-level inputs with phantom power. Most mixers have a switch for phantom power, so make sure phantom power is on for that channel.\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"501.2px\" class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_2804670c-56df-436a-92a4-301446be2a4e-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cdiv id=\"c_B50CEC5A-9569-D615-1F14-8F294EF0821C\" class=\"topic_level2\"\u003e\n\u003ch2 class=\"H2_heading\"\u003ePhantom Power\u003c\/h2\u003e\n\u003cp class=\"P1\"\u003eAll condenser microphones require phantom power to operate. This microphone performs best with a 48 V DC supply (IEC-61938), but it can operate with lower voltages.\u003c\/p\u003e\n\u003cp class=\"P1\"\u003ePhantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS. In most cases, there is a switch or button to activate the phantom power. See the user guide for the mixer or interface for additional information.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_150D0779-E471-CB87-B77A-230E392EEA07\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePositioning the Microphone\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe front of the microphone is marked by several indicators: four screws around the grille, the cardioid logo, and the PGA181 model number. Position this side toward the sound source.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"128.1672px\" class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_867d6da7-1849-4145-adc4-d332e73d889d-ENG.png\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"c_11932708-BB8C-0A8B-DBD5-22539D85F53D\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eApplications\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eThe following table provides a basic starting point for several instruments. Shure offers additional educational publications on microphone placement and recording techniques. Visit www.shure.com for more information.\u003c\/p\u003e\n\u003ctable id=\"table_p3l_zzw_fp\" class=\"t b l r table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"25%\"\u003e \u003ccol width=\"50%\"\u003e \u003c\/colgroup\u003e\n\u003cthead\u003e\n\u003ctr\u003e\n\u003cth class=\"\"\u003eApplication\u003c\/th\u003e\n\u003cth class=\"\"\u003eDistance from source\u003c\/th\u003e\n\u003cth class=\"\"\u003eTips\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003c\/thead\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eVoice\u003c\/td\u003e\n\u003ctd class=\"\"\u003e1-3 inches (2-8 cm)\u003c\/td\u003e\n\u003ctd class=\"\"\u003eUse a pop filter (Shure PS-6) to prevent plosives.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eAcoustic guitar\u003c\/td\u003e\n\u003ctd class=\"\"\u003e6-12 inches (15-30 cm)\u003c\/td\u003e\n\u003ctd class=\"\"\u003ePlace near the sound hole for a full sound, or near the 12th fret for a balanced, natural sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eDrums\u003c\/td\u003e\n\u003ctd class=\"\"\u003e3-6 feet (1-2 m)\u003c\/td\u003e\n\u003ctd class=\"\"\u003ePlace in front of the drum kit to capture more of the kick drum, or as an overhead (above the kit, facing down) to capture more cymbals. Consider using additional Shure microphones placed on individual drums for more mixing flexibility and a thicker sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eAmplifiers\u003c\/td\u003e\n\u003ctd class=\"\"\u003e1-6 inches (2-15 cm)\u003c\/td\u003e\n\u003ctd class=\"\"\u003eAim towards the center of the speaker for a clear, aggressive sound, or towards the edge of the speaker for a mellow sound.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eStrings or horns\u003c\/td\u003e\n\u003ctd class=\"\"\u003e1-6 feet (30 cm - 2 m)\u003c\/td\u003e\n\u003ctd class=\"\"\u003eFor a single instrument, place the microphone close to the source. For a horn or string section, arrange players at an equal distance from the microphone.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"\"\u003eFull band\u003c\/td\u003e\n\u003ctd class=\"\"\u003e3-10 feet (1-3 m)\u003c\/td\u003e\n\u003ctd class=\"\"\u003eFace the microphone towards the group, centered between instruments.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cp class=\"P1_tip_note\"\u003e\u003cb\u003eTip:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eClose microphone placement results in a full sound due to the proximity effect. Placing the microphone farther from the source results in more room ambience.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_E835BB96-08A5-C936-A9A2-512B3D3E25EB\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e50 to 20,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e120 Ω, actual\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-38 dBV\/Pa [1] (12.7 mV)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e1 kHz at 1% THD, 1 kΩ load\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e138 dB SPL\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eThree-pin professional audio (XLR), male\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e383 g (0.8 lbs)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCast Zinc\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e48 V DC phantom power (4 mA)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"341.46139999999997px\" class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_31e0c2bc-2068-4bea-a9c7-b1c48a827204-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003e\u003cspan class=\"term\"\u003eFrequency Response\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\"\u003e\u003cimg width=\"253.3272px\" class=\"img-responsive\" src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_198dc395-4916-49cb-ae53-d8919858dcbc-ENG.png\"\u003e\u003c\/p\u003e\n\u003cp class=\"fig_caption\"\u003e\u003cspan class=\"term\"\u003ePolar Pattern\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"u_9A20C4DB-FD23-40C9-F242-373FF3217E97\" class=\"topic_level1 tab-pane\"\u003e\n\u003ch1 class=\"H1_heading\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414100705446,"sku":"PGA181-LC","price":119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure_pga181_lc_pga_181_side_address_cardioid_condenser_1128565_2048x2048_d1564aa2-0ef8-47cd-8fc2-52310e5cf360.webp?v=1654205775"},{"product_id":"sm48","title":"SHURE SM48 Vocal microphone","description":"\u003cp\u003eThe SM48 unidirectional dynamic microphone is a great performance microphone. It maintains a true cardioid pattern throughoutits frequency range, ensuring high gain before feedback and rejection of off-axis sound.\u003c\/p\u003e\n\u003cp\u003eThe tailored frequency response is ideal for lead vocals, backup vocals, and spoken word applications. A presence rise brightens mid-range performance, and a low frequency roll off controls proximity effect.\u003c\/p\u003e\n\u003cp\u003eThe SM48 includes a shock-mounted cartridge, a steel mesh grille, and an integral ,pop , filter.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCardioid pickup pattern rejects off-axis sound and provides superior gain before feedback\u003c\/li\u003e\n\u003cli\u003eFrequency response tailored for vocals, with brightened mid-range and bass rolloff to control proximity effect\u003c\/li\u003e\n\u003cli\u003eShock-mounted cartridge for exceptional ruggedness and reduced handling noise\u003c\/li\u003e\n\u003cli\u003eBuilt-in ,pop, filter that reduces explosive breath sounds and wind noise\u003c\/li\u003e\n\u003cli\u003eSupplied stand adapter and carrying\/storage bag\u003c\/li\u003e\n\u003cli\u003eLockable On\/Off switch (Model SM48S only)\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality and ruggedness\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eType\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eDynamic\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFrequency Response\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e55 to 14000 Hz\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolar Pattern\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCardioid (unidirectional)-rotationally symmetrical about microphone axis, uniform with frequency\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImpedance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMicrophone rating impedance is 150 ohms (270 ohms actual) for connection to microphone inputs rated at 19 to 300 ohms\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOutput Level (at 1000 Hz)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOpen Circuit Voltage: * -57.5 dBV\/Pa (1.3 mV)\u003c\/p\u003e\n\u003cp\u003e*1 Pa = 94 dB SPL\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eConnector\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eXLR professional audio\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePolarity\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSee User Guide\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNet Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e370 grams (13.1 oz)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePackaged Weight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e672 grams (1 lb, 8.5 oz)\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414103457958,"sku":"SM48-LC","price":89.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure_sm48-lc.png?v=1596016851"},{"product_id":"520dx","title":"SHURE 520DX \"Green Bullet\" Harmonica Microphone","description":"\u003c!-- more --\u003e\n\u003cdiv class=\"product-main__title\"\u003e\n\u003ch4 class=\"inline\"\u003eMicrophone for Harmonica\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-main__promos\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-main__desc\"\u003e\n\u003cp\u003eHarmonica microphone is the first choice of microphone for blues harmonica players. Known as the \"Green Bullet\", it features a volume control knob and its base allows the user to make adjustments to suit their needs during live performances\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp\u003eWith its signature green and chrome die-cast casing, the 520DX,Green Bullet, holds a spot in history as the definitive blues harp voice.\u003c\/p\u003e\n\u003cp\u003eThe 520DX features a volume control knob at the base of the microphone that allows users to make adjustments to suit their needs during live performance. An attached cable with a standard 1\/4-inch plug allows the microphone to be connected to a high-impedance device. Contoured to fit perfectly between harmonica and hands, it can also be used for distinct, lo-fi vocals.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cstrong\u003e520DX \u003c\/strong\u003eincludes attached cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli\u003eVolume control knob allows users to adjust the volume to fit each musical situation\u003c\/li\u003e\n\u003cli\u003eRugged, dynamic cartridge with improved response\u003c\/li\u003e\n\u003cli\u003eHigh-impedance, omnidirectional\u003c\/li\u003e\n\u003cli\u003eSupplied with 1\/4 inch connector\u003c\/li\u003e\n\u003cli\u003eFrequency response 100 to 5000 Hz\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"product-main__title\"\u003e\n\u003ch1 class=\"inline\"\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"product-main__desc\"\u003e\u003cbr\u003e\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":37529899860134,"sku":"520DX","price":179.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/520dx.png?v=1616687477"},{"product_id":"wl185","title":"SHURE WL185 -  Lavalier Condenser Microphones","description":"\u003cp\u003e\u003cstrong\u003eWL185\u003c\/strong\u003e (Cardioid): Recommended for general purpose sound reinforcement applications requiring good rejection of ambient noise. Use of windscreen highly recommended. Pickup angle: 130 degrees.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\n\u003cp\u003eCondenser (electret bias)\u003c\/p\u003e\n\n\u003cp\u003eFrequency Response\u003c\/p\u003e\n\n\u003cp\u003e50 to 17000 Hz\u003c\/p\u003e\n\n\u003cp\u003elmpedance\u003c\/p\u003e\n\n\u003cp\u003e1800 ohms\u003c\/p\u003e\n\n\u003cp\u003eOutput Level\u003c\/p\u003e\n\n\u003cp\u003eWL185: -45.5 dBV\/Pa\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414103556262,"sku":"WL185","price":229.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/wl185.png?v=1596016854"},{"product_id":"sm31fh-tqg","title":"SHURE SM31FH-TQG Microphone Headset Fitness (microphone replacement only)","description":"\u003cp\u003e\u003c\/p\u003e\n\n\u003ch1\u003eSM31FHFitness Headset Condenser Microphone\u003c\/h1\u003e\n\n\u003ch2\u003eCardioid condenser headset microphone for wireless systems features hydrophobic construction that repels moisture. For use in fitness instruction.\u003c\/h2\u003e\n\n\u003cul style=\"list-style-type:none\"\u003e\n\u003cli\u003eHeadset microphone for wireless systems used in fitness instruction\u003c\/li\u003e\n\u003cli\u003eCondenser cartridge with moisture-repellent housing that resists corrosion\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern\u003c\/li\u003e\n\u003cli\u003eAvailable in bundled BLX and GLX-D\u0026amp;reg, wireless systems, and works with all Shure wireless headset systems featuring TA4F (TQG) connectors\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eThe rugged and durable SM31FH is a cardioid condenser microphone constructed with hydrophobic materials that make it ideal for true performance in fitness instruction applications.\u003c\/p\u003e\n\n\u003cp\u003eThe moisture-repellent cartridge housing ensures a long product life by protecting the microphone from the corrosion damage that causes typical fitness instruction headsets to fail.\u003c\/p\u003e\n\n\u003cp\u003eAvailable in bundled BLX and GLX-D wireless systems, the SM31FH features TA4F 4-pin (TQG) connectors that make it a viable replacement for any Shure wireless headset system.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cul style=\"list-style-type:none\"\u003e\n\u003cli\u003eWireframe headset fits securely and comfortably for fitness and aerobics instructors\u003c\/li\u003e\n\u003cli\u003eMoisture-repellent hydrophobic fabric protects the microphone cartridge from harmful corrosion that occurs in humid environments\u003c\/li\u003e\n\u003cli\u003eFlexible gooseneck provides discrete adjustment capabilities to optimize placement for greatest isolation\u003c\/li\u003e\n\u003cli\u003eLightweight and low-profile design won\u0026amp;rsquo,t fatigue instructors during high-impact use\u003c\/li\u003e\n\u003cli\u003eTA4F (TQG) connector is compatible with any Shure wireless bodypack\u003c\/li\u003e\n\u003cli\u003eIncluded windscreen tames plosive, breath, and wind noise for clean and intelligible sound\u003c\/li\u003e\n\u003cli\u003eTailored frequency response ideal for crisp, clear vocal reproduction\u003c\/li\u003e\n\u003cli\u003eAvailable with bundled BLX and GLX-D wireless systems\u003c\/li\u003e\n\u003cli\u003eLegendary Shure precision engineering for durability and performance\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414103621798,"sku":"SM31FH-TQG","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/sm31fh.png?v=1596016855"},{"product_id":"pga57-xlr","title":"SHURE PGA57-XLR  - Vocal  Microphone with XLR cable","description":"\u003cdiv data-mce-fragment=\"1\" class=\"product-details__desc\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe PGA57 is a professional quality instrument microphone with an updated design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures highly durable design and construction that delivers excellent sound. Ideal for use in amplified instrument and acoustic drum performance and recording applications, the PGA57 includes a swivel adapter, carrying pouch and XLR cable.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product-details__tabbed\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"product-details__tabbed-nav\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003eFlat-response microphone cartridge design for clear reproduction of sound source\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eCardioid polar pattern picks up audio from the source while rejecting unwanted noise\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eUpdated industrial design with black metallic finish and grille for unobtrusive visual presence\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eAvailable with XLR Cable (4.57 m) \u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eStand adapter for mounting to a microphone stand\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eZipper pouch included for additional protection during storage or transport\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003eLegendary Shure quality design and construction for exceptional performance in rigorous environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414103785638,"sku":"PGA57-XLR","price":95.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure_pga57_xlr_pga_57_cardioid_dynamic_instrument_1128574.jpg?v=1654204144"},{"product_id":"pga58bts","title":"SHURE PGA58BTS - Vocal microphone complete kit","description":"\u003cp\u003eCardioid dynamic vocal microphone for lead and backing vocal performance. XLR-XLR cable, tripod boom stand .\u003c\/p\u003e\n\n\u003cp\u003eThe PGA58 is a professional quality vocal microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.\u003c\/p\u003e\n\n\u003cp\u003e- Handheld microphone for lead and backup vocal performance\u003cbr\u003e\n- Dynamic cartridge (does not require phantom power) with cardioid polar pattern\u003cbr\u003e\n- Tailored cartridge design for clear, natural-sounding vocal reproduction\u003cbr\u003e\n- Includes PGA58 with On \/ Off switch, microphone clip, zipper pouch and user guide\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414103851174,"sku":"PGA58BTS","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/53928a86aeea9b1fd05ba2c6741c0bb6_720x_518f3a8a-8590-4a8d-8b12-3129cf91eb98.jpg?v=1676480823"},{"product_id":"pga98h-xlr","title":"SHURE PGA98H-TQG - Instrument Cardioid condenser instrument clip microphone","description":"\u003ch2\u003e\n\u003ciframe width=\"1000\" height=\"563\" src=\"https:\/\/www.youtube.com\/embed\/7g7BeezFieY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe PGA98H is a professional quality wind instrument microphone with an updated design that features a black metallic finish and grille offering an unobtrusive visual presence. Featuring a flexible, discrete gooseneck design with highly durable construction, horn clamp, and TA4F connector for use with wireless systems, the PGA98H is ideal for both live performance and recording.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cul\u003e\n\u003cli\u003eTailored microphone cartridge design for clear reproduction of wind instrument sound sources.\u003c\/li\u003e\n\u003cli\u003eFlexible gooseneck design makes accurate positioning quick and easy\u003c\/li\u003e\n\u003cli\u003eIntegrated horn clamp for quick and easy mounting\u003c\/li\u003e\n\u003cli\u003eIn-line preamplifier requires phantom power and a direct XLR connection\u003c\/li\u003e\n\u003cli\u003eCardioid polar pattern picks up audio from the source while rejecting unwanted noise\u003c\/li\u003e\n\u003cli\u003eUpdated industrial design with black metallic finish and grille for unobtrusive visual presence\u003c\/li\u003e\n\u003cli\u003eWith TA4F connector for use with wireless bodypack systems (no preamplifier provided)\u003c\/li\u003e\n\u003cli\u003eZipper pouch included for additional protection during storage or transport\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality design and construction for exceptional performance in rigorous environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_B50CEC5A-9569-D615-1F14-8F294EF0821C\" data-rev=\"1.0\"\u003e\n\u003ch1 class=\"H1_heading\"\u003ePhantom Power\u003c\/h1\u003e\n\u003ch1 class=\"H1_heading\"\u003eAll condenser microphones require phantom power to operate. This microphone performs best with a 48 V DC supply (IEC-61938), but it can operate with lower voltages.\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003ePhantom power is provided by the mixer or audio interface that the microphone is connected to, and requires the use of a\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ebalanced\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003emicrophone cable: XLR-to-XLR or XLR-to-TRS. In most cases, there is a switch or button to activate the phantom power. See the user guide for the mixer or interface for additional information.\u003c\/p\u003e\n\u003cp class=\"P1_tip_note\"\u003e\u003cb\u003eNOTE:\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eThis microphone is compatible with non-Shure bodypacks that have a TQG connector and supply 5V on pin 2.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_F4F04E20-2E5B-C480-88F3-9F2703C28FB4\" data-rev=\"1.0\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eMounting the Microphone\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003eUse the integrated clamp to quickly and securely attach the microphone to horns or other instruments.\u003c\/p\u003e\n\u003col\u003e\n\u003cli class=\"P1_ordered_restart\"\u003eSqueeze the clamp to open it, and attach to an instrument or other object.\u003c\/li\u003e\n\u003cli class=\"P1_ordered\"\u003eAim the microphone by rotating the swivel base and bending the gooseneck.\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\" data-figid=\"f_82e57801-6cfc-491a-96c4-a927102cdc8e\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_82e57801-6cfc-491a-96c4-a927102cdc8e-en-US.png\" class=\"img-responsive figure\" width=\"543\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\" data-figid=\"f_3883e7e6-c971-48f0-8b6b-fe0febc5c3a2\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_3883e7e6-c971-48f0-8b6b-fe0febc5c3a2-en-US.png\" class=\"img-responsive figure\" width=\"446\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"c_C8E43457-AC74-D525-34E2-9F2703A6F0D8\" data-rev=\"1.0\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAiming the Microphone\u003c\/h1\u003e\n\u003cp class=\"P1\"\u003ePosition the microphone with the arrow pointed at the sound source.\u003c\/p\u003e\n\u003cdiv class=\"figure\"\u003e\n\u003cp class=\"figure\" data-figid=\"f_54ceac1b-cca7-4d12-b9b5-81de55f617a4\"\u003e\u003cimg src=\"https:\/\/s3.us-east-2.amazonaws.com\/shure-pubs-staging\/graphics\/f_54ceac1b-cca7-4d12-b9b5-81de55f617a4-en-US.png\" class=\"img-responsive figure\" width=\"150\"\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_1325A094-0D61-2E21-196F-65E66D5D3EA0\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eSpecifications\u003ca name=\"spec\"\u003e \u003c\/a\u003e\n\u003c\/h1\u003e\n\u003cdiv id=\"c_752A72C6-F517-13BE-1B35-CEFA302538A0\"\u003e\n\u003ch3 class=\"spec1_title\"\u003eType\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eElectret Condenser\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolar Pattern\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCardioid\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eFrequency Response\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e60 to 20,000 Hz\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eOutput Impedance\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003ctable class=\"specTable table\" outputclass=\"specTable\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-XLR\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e850 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-TQG\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e600 Ω\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eSensitivity\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eat 1 kHz, open circuit voltage\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e-52 dBV\/Pa[1] (2.51 mV)\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eMaximum SPL\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003e1 kHz at 1% THD, 1 kΩ load, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e130 dB SPL\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003eSelf Noise\u003c\/h3\u003e\n\u003cp class=\"spectext_cond\"\u003eA-weighted, typical\u003c\/p\u003e\n\u003cp class=\"spec1_value\"\u003e27 dB SPL-A\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePolarity\u003c\/h3\u003e\n\u003ctable class=\"specTable table\" outputclass=\"specTable\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-XLR\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003ePositive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-TQG\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003ePositive pressure on diaphragm produces positive voltage on pin 3 with respect to pin 1\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eConnector\u003c\/h3\u003e\n\u003ctable class=\"specTable table\" outputclass=\"specTable\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-XLR\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003eThree-pin professional audio (XLR), male\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-TQG\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003eTA4F\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eWeight\u003c\/h3\u003e\n\u003ctable class=\"specTable table\" outputclass=\"specTable\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"NaN%\"\u003e \u003ccol width=\"NaN%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-XLR\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e245 g (0.5 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd class=\"spec_tableValueVT\"\u003ePGA98H-TQG\u003c\/td\u003e\n\u003ctd class=\"spec_tableValue\"\u003e75 g (0.2 lbs)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003ch3 class=\"spec1_title\"\u003eHousing\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003eCast Zinc\u003c\/p\u003e\n\u003ch3 class=\"spec1_title\"\u003ePower Requirements\u003c\/h3\u003e\n\u003cp class=\"spec1_value\"\u003e11 to 52 V DC phantom power (2 mA)\u003c\/p\u003e\n\u003cp class=\"spec1_fn\"\u003e[1] 1 Pa=94 dB SPL\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"topic_level1 tab-pane\" id=\"u_B770E04F-F7D7-EE55-9BAD-A4616C3BDDC6\"\u003e\n\u003ch1 class=\"H1_heading\"\u003eAccessories\u003c\/h1\u003e\n\u003cdiv id=\"c_F203D809-ECE9-14C7-D20B-A418275592D8\"\u003e\n\u003ctable class=\"parts table\"\u003e\n\u003ccolgroup\u003e \u003ccol width=\"72%\"\u003e \u003ccol width=\"27%\"\u003e \u003c\/colgroup\u003e\n\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd class=\"T1\"\u003eFoam windscreen for PGA98H and PGA98D microphones\u003c\/td\u003e\n\u003ctd class=\"T1\"\u003eAP98WS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414104146086,"sku":"PGA98H-TQG","price":159.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/shure_pga98h-tog_microphone_3.jpg?v=1654288916"},{"product_id":"sm35-tqg","title":"SHURE SM35-TQG Performance Headset Condenser Microphone","description":"\u003cp\u003eDurable cardioid condenser microphone in a comfortable headset for hands-free vocal performance.\u003c\/p\u003e\n\n\u003cp\u003eIdeal for multi-instrumentalists.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe SM35 Performance Headset Condenser Microphone gives multi-instrumentalists the freedom to express themselves without sacrificing sound quality. A tight, unidirectional cardioid polar pattern provides excellent rejection of off-axis sound sources to prevent feedback and signal bleed onstage, whether in use in small clubs, large installations, or arena tours.\u003c\/p\u003e\n\n\u003cp\u003eAvailable in standard TA4F (TQG) connectivity, the SM35 seamlessly integrates into any Shure wireless headset system. Also available, the SM35-XLR includes an inline RPM626 preamp for use in standard wired (XLR) applications.\u003c\/p\u003e\n\n\u003cp\u003eFeatures\u003c\/p\u003e\n\n\u003cul\u003e\n\u003cli\u003eWireframe headset fits securely and comfortably for active performers and multi-instrumentalists\u003c\/li\u003e\n\u003cli\u003eTight, unidirectional cardioid polar pattern rejects signal bleed and feedback for use on loud stages and behind floor monitors\u003c\/li\u003e\n\u003cli\u003eFlexible gooseneck design allows for optimized placement that further improves source isolation\u003c\/li\u003e\n\u003cli\u003eLightweight and low-profile form enables comfortable, long-wearing use\u003c\/li\u003e\n\u003cli\u003eTA4F (TQG) connector is compatible with any Shure wireless bodypack\u003c\/li\u003e\n\u003cli\u003eLocking snap-fit windscreens tame plosives, breath, and wind noise for clean and intelligible sound\u003c\/li\u003e\n\u003cli\u003eTailored frequency response refined for clear, crisp vocal reproduction\u003c\/li\u003e\n\u003cli\u003eIncluded in BLX and GLX-D\u0026amp;reg, wireless systems, renowned for their ease of use and reliable performance\u003c\/li\u003e\n\u003cli\u003eLegendary Shure precision engineering for durability and performance\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414105489574,"sku":"SM35-TQG","price":139.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/SM35_Windscreen_HR.jpg?v=1596016871"},{"product_id":"pga58-lc","title":"SHURE PGA58-LC - Vocal Microphone","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe PGA58 delivers excellent sound for lead and backup vocal performance. Available with various cable options and a discrete On \/ Off switch.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2\u003ePRODUCT DETAILS\u003c\/h2\u003e\n\u003cdiv class=\"product-details__desc\"\u003e\n\u003cp\u003eThe PGA58 is a professional quality vocal microphone with an updated industrial design that features a black metallic finish and grille offering an unobtrusive visual presence. Legendary Shure quality construction ensures exceptional performance in rigorous environments.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"retail-solutions__listbox product-variant-listbox\"\u003e\u003cform data-rs-associated-product-offer-container-id=\"rs-pricing-details\" class=\"rsChangeItemForm rsAutoUpdateProductOfferContainer\"\u003eTailored microphone cartridge design for natural clarity in the frequency range of vocal performance\u003c\/form\u003e\u003c\/div\u003e\n\u003cdiv class=\"product-variant-pricing\" id=\"product-variant-pricing-details\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv class=\"tabbed-section__item tabbed-section__item--visible\" data-tab=\"tab_1\"\u003e\n\u003cul\u003e\n\u003cli\u003eCardioid polar pattern picks up audio from the source while rejecting unwanted noise\u003c\/li\u003e\n\u003cli\u003eUpdated industrial design with black metallic finish and grille for unobtrusive visual presence\u003c\/li\u003e\n\u003cli\u003eOn\/Off switch for discrete control of microphone operation\u003c\/li\u003e\n\u003cli\u003eStand adapter for mounting to a microphone stand\u003c\/li\u003e\n\u003cli\u003eLegendary Shure quality design and construction for exceptional performance in rigorous environments\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35414210904230,"sku":"PGA58-LC","price":89.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/61yBP9slNXL._AC_SL1500.jpg?v=1637176922"},{"product_id":"rk319-headset-band-for-headset-microphones","title":"SHURE RK319 Headset Band for headset microphones","description":"\u003cp\u003e\u003cspan\u003eHeadset band replaces WH20 and WH30 Headset Microphone Croakies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv id=\"product-variant-pricing-details\" class=\"product-variant-pricing\"\u003e\n\u003cdiv id=\"product-details__tabbed-section\"\u003e\n\u003cdiv data-tab=\"tab_1\" class=\"itb-section tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cul data-combo=\"combo_3\" class=\"arrow-list inBoxUL tabbed-section__item tabbed-section__item--visible\"\u003e\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35608212537510,"sku":"RK319","price":13.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/bd47436270569d4e3d1d54fca19865a3.png?v=1596955648"},{"product_id":"sbc450-4-bay-networked-docking-station","title":"SHURE SBC450-US 4-bay Networked Docking Station","description":"\u003c!-- more --\u003e\u003cp\u003e\u003cspan\u003e4-bay networked docking station charges up to 4 ULXD6 or ULXD8 transmitters equipped with the SB900A Rechargeable Battery. Features include remote viewing of charging status and compatibility with Wireless Workbench and SystemOn.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35608212701350,"sku":"SBC450-US","price":1119.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/21b2388dd21680dea0af4520c46c4415.png?v=1596955653"},{"product_id":"sbc220-2-bay-networked-docking-charger","title":"SHURE Bay Networked Docking Charger","description":"\u003cp\u003e\u003cspan\u003ePortable Battery Charging Station. Charges two SB900A rechargeable Li-Ion battery packs in a convenient and compact desktop unit.\u003c\/span\u003e\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"With PSU","offer_id":35608212897958,"sku":"SBC220-US","price":529.0,"currency_code":"CAD","in_stock":true},{"title":"Without PSU","offer_id":35608212930726,"sku":"SBC220","price":429.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/a4b653d0d14c722934e085e67bd96d09.png?v=1596955662"},{"product_id":"sbc210-2-bay-battery-charger","title":"SHURE SBC210-US 2-Bay Battery Charger","description":"\u003c!-- more --\u003e\u003cp\u003e\u003cspan\u003ePortable Battery Charging Station. Charges 2x SB900A rechargeable Li-Ion battery packs in a convenient and compact desktop unit.\u003c\/span\u003e\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35608213094566,"sku":"SBC210-US","price":429.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/5f9181588387aab155f17f74510e02b3.png?v=1596955664"},{"product_id":"sbc200-dual-docking-recharging-station","title":"SHURE SBC200 Dual Docking Recharging Station","description":"\u003cp\u003e\u003cspan\u003eDual docking recharging station charges SB900A batteries in or out of their transmitters. Features include the ability to run up to 4 SBC200 stations off 1 power supply.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Wiith PSU","offer_id":35608213323942,"sku":"SBC200-US","price":399.0,"currency_code":"CAD","in_stock":true},{"title":"Without PSU","offer_id":35608213356710,"sku":"SBC200","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/459e885920d58f43888b3a8f3fb686f7.png?v=1596955670"},{"product_id":"wb98h-c-instrument-microphone","title":"SHURE WB98H-C Instrument Microphone","description":"\u003c!-- more --\u003e\u003cp\u003e\u003cspan\u003eInstrument microphone provides high gain-before-feedback and rejection of unwanted noise. It features preamplifier circuitry for linearity across frequency range, tailored frequency response for studio quality, and a wide dynamic range for high-SPL.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe Shure WB98H\/C (the wireless version of the BETA H\/C) is a premium cardioid condenser instrumental microphone that clamps onto the bell of wind instruments or onto the rim of percussion instruments. The integrated gooseneck and ratcheting swivel joint allows the microphone to be easily positioned and secured in place, and an isolation shock-mount reduces the transmission of instrument 'key noise' and other mechanical noise. A gooseneck angle brace is included to provide better retention of the microphone placement during more active performances.\u003c\/span\u003e\u003c\/p\u003e\n\u003cul data-combo=\"combo_1\" class=\"arrow-list inBoxUL tabbed-section__item tabbed-section__item--visible\"\u003e\n\u003cli\u003e1 - 95A2314 Zippered Carrying Bag\u003c\/li\u003e\n\u003cli\u003e1 - RK183WS Windscreen\u003c\/li\u003e\n\u003cli\u003e1 - 1.6 m high-flex cable\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35608213618854,"sku":"WB98H\/C","price":239.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/323c4861e2e2816ca2644e8a15c009ba_1.png?v=1596955686"},{"product_id":"pga31-headset-condenser-microphone","title":"SHURE PGA31-TQG Headset Condenser Microphone","description":"\u003cp\u003e\u003cspan\u003eCardioid headset condenser microphone offers clear and reliable hands-free audio at an affordable price. Features include a permanently-charged electret condenser element, flexible gooseneck, tailored frequency response, TA4F (TQG) and a windscreen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe PGA31 performance headset microphone for general, speaking and performance use is a permanently-biased electret condenser microphone. Engineered to provide maximum versatility and reliable performance in a wide array of conditions at an affordable price.\u003c\/p\u003e\n\u003cp\u003eThe wearable design offers improved comfort and a secure fit for hands-free operation in any situation, while the unidirectional (cardioid) pickup pattern provides excellent off-axis rejection for higher gain-before-feedback when using a stage monitor.\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35608213651622,"sku":"PGA31-TQG","price":69.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/0469efb44adf12787ee5778781741f78.png?v=1596955689"},{"product_id":"rpm40kit-full-accessory-kit-for-tl-lavalier-microphones","title":"SHURE RPM40KIT Full accessory kit for TL Lavalier microphones.","description":"\u003cp\u003e\u003cspan style=\"font-size: 1.4em,\"\u003eFull accessory kit for TL Lavalier microphones..\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"SHURE","offers":[{"title":"Default Title","offer_id":35608213749926,"sku":"RPM40KIT","price":169.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/products\/e84f1642b2a1c0a472daeef3cfa689b4.png?v=1596955693"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0432\/8590\/5574\/collections\/shure.png?v=1618339313","url":"https:\/\/seconcept.com\/en-us\/collections\/shure.oembed?page=4","provider":"SE CONCEPT ","version":"1.0","type":"link"}